Great Egret flying in St. Petersburg Florida - bird photography tips

Great Egret in flight - St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2500thContinuing with the bird trending blog posts, I had the opportunity to photograph a great egret up close and in flight.  As you can see I did not have to use a 600mm lens to get this tight of a shot of the great egret.  Nor was I in an airplane.  The secret to being able to get a shot like this without spending $10,000 is to . . . go to The Pier in downtown St. Petersburg!  Even the base of The Pier itself is rather high off the water often putting you at eye level to passing and even incoming birds.

great egret - The Pier in St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2000thThis afternoon was a rare very overcast Florida day.  That meant I did not have to worry about getting my back to the sun or anything like that.  In fact, shooting a white bird like this great egret is best done on an overcast day I think, not counting sunrise or sunset time of course.  So, without having to worry about the light because the light was the same from any direction, the last location factor to be mindful of was:  background.  I often say bird shots are make or break first because of the light, and second because of the background.  Without a fantastically clean background, your shot will just not stand out from the other thousand great egret shots taken every day in Florida.  Of course one of the ways to reduce the impact of the background is to just make it all creamy bokeh.  Still, color of the bokeh does come into play.  Do you think the transition of brown at the base of the above photo works, or would it be better all blue-gray?  I thought it added another point of interest in the frame myself.  Let me know in the comments if you agree or disagree.  One last thing about the photo, looking at a bird like a great egret is strange and reminds of the rare times Beavis every looked straight ahead.  There is just something off about it!  Ah, and notice how I set the focus on the bird's eye.  Without the eye in focus, the shot would have been a fail, or I would have had to pass it off as "artistic style" of some sort!

Great Egret beak - The Pier St Petersburg Florida - Nikon D300 Nikkor 80-200mm f/2.8D @ f/4 ISO 200 1/2000thOne last tip on photographing long-necked birds:  they are an awkward shaped creature, and it is often not the most flattering to include their entire body in the shot, especially when standing, and doubly especially when they are standing on a concrete wall!  Nothing takes the nature out of your shot like a human-made structure!  

Hence, in the above shot I focused on framing only a part of the great egret.  I used the rule of thirds and placed the eye in the upper left most third.  I had the bird looking into the empty space of the frame.  I of course also made sure the background was clean and the bokeh color complementary to the white of the egret.  Plus, I just think it looks cool to see this long neck protruding from the bottom of the frame.

Please share any of your Florida bird photography tips and links to your own shots in the comments below.

DSLR Photography Lesson with Donnice & her Minolta 7D

First time for me to see a Minolta DSLR during this downtown St. Petersburg photography lessonI first spoke with Donnic on the phone about having a DSLR Photography Lesson where she told me she was driving up to Ohio, but wanted a lesson just two days later.  Then she clarified that she was a truck driver.  As you can see in the above photograph, she does not look like what you might typically think a truck driver would!

Donnic bought a complete set of gear from a no longer working photographer that included a pair of Minolta DSLRs.  We used the Minolta 7D for our first lesson, which was also my first time to ever be hands on with a Minolta.  I did some online research about it before the lesson, but still, I had to hope I could find all the relevant buttons and figure out how to work the dials on the fly during the lesson.  I was pleased to find out that a Minolta is ergonomically quite similar to a Nikon (what I shoot with).  

Donnic was basically brand new to the formal photography world so I started the lesson with a careful explanation of aperture and ended the lesson having her doing some wildlife photography (of a kind)!  I think she did a good job of absorbing all the photography knowledge I poured out during our 2-hours together in downtown St. Petersburg.  Now she has the skill set to start practicing on her own, and knowing why a photo failed, and why one was a success.  

I look forward to our next lesson and getting to know her and her Minolta better!

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
  • Learn more about the lessons
  • Browse past lessons with all of my students
  •  

    --Professional Model DSLR Photography Lessons now available!

    DSLR Photography Lesson with Cindy & her new Nikon D90

    Cindy is now on the Nikon team during our 3rd lesson at The Pier in St. PetersburgI last had a lesson with Cindy in August 2010.  It was our second lesson with her Canon T1i.  Well, since then she has given away the Canon to her nephew and joined the Nikon team with the purchase of a Nikon D90!  I will ask Cindy to write in her own words why she made the switch from Canon to Nikon and update this post accordingly.

    Even though Cindy was already familiar with aperture, ISO, white balance and focus modes, there was a change in terminology for her to learn and how to adjust those settings physically the Nikon way.  To practice this we returned to a favorite location of ours, The Pier and all its pelican residents.  

    The main thing we paid attention to during the lesson was maintaining a shutter speed of 1/500th of a second as this summer Cindy will be taking a grand trip up to Alaska to photograph whales and eagles.  As whales breach and eagles soar, a fast shutter time is mandatory in order to be able to freeze their motion.  

    So we set her Nikon D90 to manual mode, the shutter speed to 1/500th of a second and varied her aperture according to what subject matter we were photographing at the time.  For distant subjects (i.e. whales) I had Cindy set her aperture to f/5.6 and for wider action shots f/11 keeping the shutter speed locked at 1/500th (or faster).  So sometimes, especially when using f/11, increasing the ISO was necessary to maintain a good exposure.  

    It was an interesting lesson for me as it is always nice to be able to address a specific photography need from a student with the goal of producing great nature shots in the future.  Cindy is already booked for three more lessons so there will be plenty of updates to come as I do my best to prepare her for photographing in the Alaskan wilderness!  

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
  • Learn more about the lessons
  • Browse past lessons with all of my students 
  • Strobist DSLR Photography Lesson #2 with Steve

    Steve in downtown St. Petersburg in a long shot strobist setup we were practicingSteve has taken a number of DSLR Photography Lessons ranging from an intro DSLR lesson to an editing lesson, and now on to his second strobist lesson.  Since our first strobist lesson, he has gotten Yongnuo remote flash triggers of his own so this time we could practice using long lenses for strobist shots.  

    We used various downtown St. Petersburg locations that may in the future be used for Steve to photograph clients of his own.  Thus, half the time I acted as I usually do giving photography instruction, the other half I pretended to be a client letting Steve set everything up and instruct me how to pose, etc.  It is a big step to go from photographing just friends and family to photographing paying clients.  The camera will definitely feel different in your hand!

    Steve has a friendly personality and is able to connect with people easily, so I am sure he will not have a difficult time finding clients when he is ready to start shooting paying gigs.   

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
  • Learn more about the lessons
  • Browse past lessons with all of my students 
  • Women's Symposium 2011 featuring Liz Smith at St. Petersburg Marriott Clearwater

    Sheila Tempelmann won Community Service Woman of the Year 2011 - St. Petersburg Marriott Clearwater

    The 2011 Women's Symposium is one of the biggest events of the year for the St. Petersburg Chamber of Commerce.  This year the event was held in the strangely named St. Petersburg Marriott Clearwater.  There were over 450 people in attendance.  That made for a very enthusiastic atmosphere.  Sheila Tempelmann (above) won for Community Service Woman of the Year.  Naturally, she was all smiles after winning!

    Bridgette Mill won Business Woman of the Year 2011 - St. Petersburg Marriott ClearwaterUpon hearing her named called for 2011 Business Woman of the Year, Bridgette Mill was overwhelmed with emotion.  She apologized for being so emotional, but I found it refreshing and genuine.  Also, from a photography perspective, it makes for more powerful images.  She runs the Tampa Bay Business Journal.  

    Left to right: Chris Steinocher, Liz Smith, Bridgette Mill, Sheila Tempelmann, Bart Valdez - winners & presentersThe most important shot to get at this event was the one above of both winners and the keynote speaker, Liz Smith.  This one appears on the St. Petersburg Chamber of Commerce website, and almost made it into the St. Petersburg Times.  It was nice to have the tall red velvet curtains behind the stage to use as a background.

    Liz Smith of OSI Restaurant Partners giving entertaining keynote speech - St. Petersburg Marriott ClearwaterAfter the winners were announced Liz Smith gave a very well received keynote speech summarizing her own personal business career.  Some of what she said was surprising to me.  She described how she had no real plan for her career, it kind of just happened.  Most of all she just used her instincts to know what was best for her and the when was the right time for her to make a change.  What she said about if you are comfortable with your life, it better also be extremely satisfying.  That made the most impact on me.  I have been in some comfortable situations before, but always ended up blowing them up and trying something else, for better or worse.  

    Liz Smith speaks before an audience of nearly 500 people - St. Petersburg Marriott Clearwater

    Pelican in the Matrix

    Brown Pelican - Nikon D300 Nikkor AF ED 80-200mm f/2.8D @ f/4 ISO 200 1/800thVarious quotes from songs, movies, books, etc. get stuck, or rather burned into my mind and float to the forefront of my visual cortex at their leisure.  One such quote is, "It's the question that brought you here.  You know the question, just as I did."  "What is the Matrix?"  Since 1999 those four words spoken by my boy Keanu have become like canon to me.  Perhaps I have not revealed before my true desired profession, that being:  philosopher-poet.  The matrix itself appeals to me because of the ability to alter the perception of time within it . . . time being another obsession of mine (example time essay).  

    In my mind the physics of the true Matrix exist, and I burn energy in attempt to project that reality onto the common world.  

    Photography helps show evidence of the Matrix, as seen above.

    Photography Tip - Previsualization of bleach bypass

    Previsualized for bleach bypass filter - Nikon D300 Nikkor 50mm f/1.8D @ f/11 ISO 200 1/400thOne photography tip to keep in mind as you start to progress as a photographer is previsualization.  This is the process by which you see the final photograph before you even put the camera up to your eye.  I was teaching a 1-on-1 DSLR Photography Lesson at John's Pass Village recently in very poor, harsh mid-afternoon Florida light.  This meant there was no reason for me to look for shots that would produce great color or exposure.  So I did not.  Instead, I switched my mind to looking for possible black & white or similar photo opportunities.  

    As soon as I saw all these birds sitting in a neat row on the railing of a pier this popped into my head:  use the rectangular shape to frame the shot, post-process using a bleach bypass filter (found in Color Efex Pro).  How was this able to instantly come to my mind?  Because I had already started the previsualization process when I accessed the natural light situation.  I gave myself a very specific type of shot to focus on looking for, so once a possibility was seen, I knew right away how I wanted to photograph it.

    This is what the above scene looked like to the naked eye:

    Being able to see the potential for a shot is KEY to producing consistently satisfying imagesThe next time you set out with your DSLR, try to previsualize shots before you even think about pushing the shutter.  This will not only likely help you produce better photographs, it will cut down on the number of shots you just immediately delete when you get home.

    Post a link to your previsualization results in the comments below . . .