Photography Tips

Imperial Beach San Diego Long Exposure Photos

Imperial Beach San Diego Long Exposure Photos

Long Exposures + Ocean = Dreamscape

If you asked me, I would tell you that a tripod is a must for making long exposure photos. In fact, I have already shared some long exposure ocean photos from San Diego featuring the Ocean Beach Pier that were all shot with my Nikon mounted on a tripod. That said, if getting a tack sharp image is not needed, handholding a slightly long exposure photo, especially with a lens that has VR (vibration reduction), can produce some very cool shots. The latter was the method I used to hold my Nikon right above the incoming water at Imperial Beach, San Diego, California at sunset. Why do a long exposure? Because it makes the water look like stretched out cotton. In the above shot you might easily think it was taken from a boat in deep water, when in reality it was me in less than ankle deep water letting that few inches of water whoosh past me as the camera’s shutter stayed open for 1/6th of a second.

Read More

Skyscraper Window Architecture Photography in Albuquerque New Mexico

Skyscraper Window Architecture Photography in Albuquerque New Mexico

Architecture Photography Tips for Albuquerque

I used to get to make architecture photos a lot, actually, when teaching DSLR photography lessons in Florida. I would meet my students in downtown St. Petersburg or Tampa where there are both tall office buildings and fancy skyscraper condos too. So i found myself in downtown ABQ last Friday evening and realized, I have not seen a view like this before so pointed my Nikon with 50mm lens on up toward this interesting building.

Read More

Albuquerque Event Photography AHCC Get Crafty With Your Biz

Albuquerque Event Photography AHCC Get Crafty With Your Biz

The most fun you will have networking in Albuquerque

The Albuquerque Hispano Chamber of Commerce did it yet again with another amazingly fun, energetic and informative networking event right here in Albuquerque, New Mexico.   The first Thursday of every month is the Get Crafty With Your Biz event where three local business owners briefly tell their own personal business story and the conclude with a piece of business advice for the attendees.  It is a great format that let's one network and mingle, but also here a real local business success story.

Read More

Photo Tip - put a major subject focal point in a third and a third

Many of my hundreds of photography students start out always centering the subject in the frame during our first lessons.  That is understandable as they are busy learning my 5-step process for making a well exposed and sharp photograph in any given shooting situation.  Once the technical apsects of photography take up less of the process of making a photo, then one can begin to focus on being creative, and the first step in that is composition.  

The rule of thirds is a good way to start getting more appealing composition, but I like to think in two dimensions with the rule of thirds as well.  By that I mean putting a major feature of my subject in a vertical thid and a horizontal third.  In the above example of a model at the Dali Museum, the upper third and left third interset right by the model's face.  Then the lower third and left third intersect by her hand and the melting clock.  There is still a good amount of negative space in the frame, but that is put to the far upper and left parts of the photo.  I would not want a lot of negative space on both sides of the subject (as in if I had centered her with no focal points other than along the midpoint of the photograph).

So the next time you go out shooting, especially a portrait, try putting a major subject focal point at a third and a third in the frame.

The final version of the photo putting a major focal point at a third and a third

Photography Tip - Slow your photography down

The fastest way to get better at photography is to slow downOne of the fastest ways to improve your photography is to slow down.  I have taught hundreds of people 1-on-1 in the Tampa Bay area and often I see an unnecessary sense of urgency in trying to get a photo among people new to DSLR photography.  It is true, when I am on a job shooting, I defnitely have a sense of urgency to produce in a timely manner, but this is not the case for someone out learning photography.  There is no pressure to produce for a client, and certainly no money on the line when you press the shutter!  So why not slow down and take the pressure off of yourself?  

There are a number of ways to slow down your photography.  One way is to use a tripod.  Attaching your camera to three long legs, having to carry that larger system around, and most significantly being able to set the camera on a stable structure so you do not have to support the weight of it while shooting, all naturally slows things down.  Shooting with a tripod is very relaxing.  You can frame the shot exactly how you want adjusting the tripod head.  You can stop and think as the physical burden of holding the often heavy-ish DSLR and lens is removed.  Picking up, moving, and re-setting up a tripod takes time that you can use to really think about what you would like to photograph next.  

Another way to slow down your photography is to give yourself a shot limit.  When I got my first DSLR in 2008, I took a lot of shots, but at least I was grinding through self-teaching myself photography.  However, even after establishing my 5-step system for shooting in manual mode, I would go to a park or some place and come back with 300+ shots.  That is a lot of shooting when not on a paying job!  There is no way I could have really thought out each of those shots.  So I recommend giving yourself a shot limit.  The next time you go to a park, pretend it's like the film days and give yourself only 24 presses of the shutter, or 36, just choose something less than 50.  Mistakes count as one of those shots.  When thinking of making a photograph you will start to develop a more critical eye and decide is this really something I want to shoot?  What is the subject matter?  What is the story this photograph will tell?

Slowing your photography down by using a tripod and/or giving yourself a shot limit will allow you to answer those questions.  You will also have far fewer shots to go through to find the gems you want to edit and keep.  Try slowing down your photography as you learn and even after you have become an accomplished shooter.  Did you come back home with a higher number of keeper images?

Photography Tip - have a foreground element in vertical orientation photos

Photo Tip - without a foreground object this vertical orientation shot would have not enough interest as composed - made with an iPhone 5When shooting in portrait orientation (vertical shots), which I recommend to do more often than you are probably currently doing, having a foreground object really helps fill the frame with interest for the viewer.  In the above shot made with an iPhone 5, there is a salt marsh and Kiki of course as subject matter, but without the boardwalk in the foreground leading to those other subjects, it would just be empty space of little interest and probably would end up being cropped out.

So when shooting landscape type shots in portrait orientation, try and include a foreground object to add more interest to the photograph overall.  Post a link to your results in the comments below!

McLaren 650S in black multiple strobist blend layer mask photography tip Clearwater Florida Car Photography

What if you want to photograph a large object, especially in a low light situation, but you only have two speedlights, or even only one?  No problem!  Here is how you can do it and what you will need.

Photo gear used to photograph the McLaren 650S indoors:

  • Nikon D300
  • Tamron 17-50mm f/2.8
  • SB-800 & SB-600 Speedlights
  • 2 shoot through umbrellas
  • Yongnuo radio triggers
  • tripod
  • cable release
  • assistant (to help move and hold the lights)
  • Photoshop CS5

A tripod is a must because you will need to take multiple shots from different angles to properly light the subject, in this case the McLaren 650S supercar.  In all I ended up using five photographs to make the one fully lit photograph (below).  I lit the front of the car first, then moved the lights around the car (counterclockwise in this case) taking another photograph each time.  I even had my assistant hold a speedlight over the top of the car (see top most image).  The assistant being in the shot or a lightstand partially being in the shot is no problem at all as the final step takes place at home in Photoshop using layer masks.

In the above photo all 5 shots have been blended together one at a time using layer masks in Photoshop.  I started with the shot of the McLaren 650S lit from the front.  I then dragged it onto the next photo in the series with the driver's side wheels lit up.  I created a layer mask and then revealed the lit wheels photograph underneath, keeping the front lit part from the other photo.  I then flattened all layers and repeated this process using the other three photographs.  You can see shadows from coming from more than two angles in the above shot because effectively ten speedlights were used to light up the car, not just the two in reality I had for the shoot.  

I could have stopped with the 5 shot composite, but I got carried away with removing objects from the background until I finally decided just to remove them all!  I started this edit on Saturday night, and finished it on Monday afternoon it took that long and I kept wanting to do more and more to it.  I did nothing special to remove the background objects, just simply used the Clone Stamp tool on only carefully selected portions of the photo.  Then I removed a lot of the reflections on the car body and cleaned up the floor.  The final result was my most advanced photopraph edit in Photoshop to date!

Give this multiple exposure strobist blend layer mask type image a try and let me know the results in the comments below.