indoor photography

Photography Tip - turn your flash off sometimes when shooting indoors

I have recommended getting a speedlight (external flash) to many of my photography students who want to make photographs indoors.  In fact, I say it is a must have piece of gear for any photographer really.  Is use my speedlights off camera for portraits, and on camera for photographing events (where quick mobility is needed).  A speedlight is useful in so many ways for all kinds of shooting.  

That said, a photography tip to add to your memory banks is to not fall in love with exclusively using flash for indoor event photography.  Using a speedlight for indoor event photography will produce very consistent results, which is a good thing of course.  If you are photographing a business conference where there is no need for creative shots, then keep that speedlight on.  However, for getting the most variety out of your event shooting, turn the speedlight off sometimes.  

In the above examples, the exact same camera settings were used.  In fact, the bottom photo was taken only 4 seconds after the first.  Everything about shooting was the same, except no flash fired in shooting the bottom photo.  As you can see, the photos are totally different.  Using the speedlight we can see all details in the artist and in the background.  The ambient light of the room is all but drowned out.  In the second shot we see only the slightest details of the artist and the ambient light provides a cool backlighting.  The impression the photos give the viewer end up being quite different.

Now I must confess the second shot was not done on purpose!  My flash could not recycle fast enough and simply did not fire.  Many the time though in my photography experience I have learned something from a happy accident like this.  So now when I photograph events that do not all require the uniform flashed look, I turn my speedlight off and use ambient light to create an entirely different photo.  Give this a try the next time you are shooting indoors.

Strobist Classroom Portrait at the Morean Arts Center

Students of my Morean Arts Center photography class. Four speedlights (all the students) were used to make this group portrait. Nikon D300 Tamron 17-50mm @ f/6.3 ISO 200 1/320th commander mode triggered flashes (1/16th power)In this morning's photography class at the Morean Arts Center I introduced my students to off camera flash.  Since everyone in the class now shoots Nikon (after one coverted from Canon after the 2nd class!) and has a Nikon Speedlight of some kind, I was able to setup everyone's Nikons (a pair of D90 & D7000) to remotely trigger everyone else's speedlights (two SB-700, SB-910, SB-600) using the Nikon Creative Lighting System via commander mode.  That meant anytime anyone pressed their shutter, all four speedlights went off!  

Well, we actually started off with just a two speedlight setup with Anne volunteering to be a great model!  We concluded the class with my suggested 4-strobe experiment.  As you can see in the shot above, one speedlight was on a chair behind everyone, another speedlight under the table, a speedlight in a 43" shoot-through umbrella in front and another speedlight on a light stand to frame left.

I hope our fun strobist experiements encourages everyone to try off camera flash portraits before our next class!

DSLR Photography Lesson #6 with Rosa at Westshore Mall!

Rosa wanted to practice indoor shooting, so we met in Westshore Mall

Rosa is the second student now to take six DSLR Photography Lessons with me (1st, 2nd, 3rd, 4th, 5th).  She had some trouble photographing friends and family indoors, despite getting a very nice new lens, a Tamron 17-50mm VC f/2.8, the successor to a lens I use myself.  So to simulate indoor shooting conditions we came up with the idea of shooting in a mall.  I was a little concerned about breaking out DSLR cameras in a mall, but early in the lesson a security guard walked right by us and paid us no attention at all, which was a relief.  

We started out trying to get the best results from the new fast lens she bought by shooting at f/2.8 with no flash and a somewhat high ISO of 800.  These settings, combined with firm camera holding technique, allowed Rosa and I to get acceptable sharpness in our shots, like the one featured above.

Photo by Rosa, editing by me.This lesson was also a first for teaching photo editing also.  Rosa brought her laptop and set it alongside my MacBook Pro on the table above and I showed her how I would go about editing some of the portraits she took.  She had Adobe Photoshop Elements.  It was my first time to use it, but since I am experienced with the full version of Photoshop, I was able to figure things out eventually.  As important as it is to learn about aperture, ISO and white balance, I think it is equally important to learn editing skills too.  I look forward to having another hybrid shooting/editing with Rosa soon.