Photo Story

Carnival rides motion blur at night St. Raphael Festival Snell Isle Florida

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Carnival rides intersecting motion blur - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable release

I feel lucky to live just a few hundred yards from a field that is home to an annual carnival.  Where do the come from?  Where do they go?  I do not know.  For three days and two nights they bring their rides, their prizes and their deep fried Oreos (delicious!) and delight this small island community.

Concentric circles ferris wheel motion blur - Nikon D300 with Tamron 17-50mm @ f/16 ISO 200 15 sec mounted on Induro CT214 tripod with cable releaseYet, the cost of enjoying the carnival to its fullest is too expensive for me.  Each ride is about $5.  There is the option of buying an unlimted ride pass for . . . $30.  I did not go on a single ride.  Each food item, likewise, is basically $5 or more.  I could not resist a huge sign declaring, "DEEP FRIED OREOS."  They were not what I expected.  Basically funnel cake batter surrouned a very warm Orea cookie that loses all of its crunch in the frying process so it warmly dissolves in your mouth leaving the familiar Oreo aftertaste.  If they were not $1 a bite, I would have eaten ten!

Fiery Ferris Wheel reflection - Nikon D300 with Nikkor 80-200mm f/2.8D @ f/16 ISO 200 5 sec mounted on Induro CT214 tripod with cable releaseSince I could not enjoy the carnival in its intended purposes, I instead had to appreciate it only for its night photography opportunities, of which there were many.  I stood at the east edge of my apartment complex in complete darkness before my tripod pointing my lens at the lights just across the water.  I felt like an astronaut observing an alien world.  Mine was dark and silent, theirs filled with dazzling light and laughter.

 The time machine conductor - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseThe pilot of the ferris wheel remains stoic as carriage after carriage passes through time and space.  Who knows what speed they pass by?  

like a spool of colorful thread - Nikon D300 with Tamron 17-50mm @ f/4 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseYet the ferris wheel almost seems a snail in comparison to this machine which lifts its subjects into the night sky spinning so fast that one appears to be a constant at once everywhere and only there.  

Night Over Carnival motion blur - Nikon D300 with Tamron 17-50mm @ f/16 ISO 200 25 sec mounted on Induro CT214 tripod with cable releaseSurely when one visits Mars the view from outside of town mirrors the one above.  Hopefully they have deep fried Oreos on Mars as well.

Ride first, eat second - Nikon D300 with Tamron 17-50mm @ f/8 ISO 200 1 sec mounted on Induro CT214 tripod with cable releaseIn the warped world of the carnival, food is the only constant.  Everything else flirts between dimensions.

Tilt A Whirl motion blur - Nikon D300 with Nikkor 80-200mm f/2.8D @ f/16 ISO 200 15 sec mounted on Induro CT214 tripod with cable releaseHaving no Martian technology the semi truck in silhouette is like the octogenarian observing the child with today's digital devices removing one from the present.  For me, I will remain with the truck on the outside, as always only the observer.

Tropicana Field St. Petersburg Florida Landmark Series

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Tropicana Field in full - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-bracket HDR on Induro CT214 tripod with Nikon MC-30 cable releaseI am starting a new photo series:  St. Petersburg Landmarks

The first landmark is the home of the Tampa Bay Rays -- Tropicana Field.  It is a much maligned dome stadium.  First, almost nobody is happy about its location.  It is far from the other major cities in the area, Clearwater and Tampa.  Even for us St. Petersburg residents it is not in any kind of walkable location.  It must be driven to and it is in an area there is no other reason to drive to.  It basically sits in the middle of a huge parking lot.  Inside it is dark and dreary looking.  I would actually say from the stands to look out over the field it is a depressing experience.

The entrance to Tropicana Field - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-bracket HDR on Induro CT214 tripod with Nikon MC-30 cable releaseThe entranceway and the stores in the immediate grandstand are actually attactive and make you feel like you are attending an exciting event.  It is only once under the dome proper does the horridness settle in.  I have been to only one game (see photos) and photographed a charity event on another occasion.  

Palm tree lined parking lot walkway - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-bracket HDR on Induro CT214 tripod with Nikon MC-30 cable releasePerhaps the best view of the entire property is when you are walking out of the stadium under a mosaic sidewalk lined with tall palm trees toward your car.  The walkway does not go on forever, eventually you would run into Tampa Bay!  

Mahaffey Theater to Marina St. Petersburg Waterfront Panorama Florida

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Click to see 2500px wide version - Mahaffey Theater on the left St. Petersburg downtown center - image available for fine art print & commercial license, call today! 813-240-5357

  • This panorama photograph available for fine art print & commercial license, inquire today! 

I am spending more time at the new Dali Museum and discovering the very different views of the downtown St. Petersburg waterfront it offers.  The above panorama photograph was made from a parking lot across from the museum at twilight.  Here I detailed my process for creating such panoramas. 

From this vantage point The Pier does not dominate the waterfront, and can only barely be seen behind the sailboat masts toward the right of the photo.  Instead, the Mahaffey Theater is the most prominent structure.  There is also a gradual light falloff from left to right instead of the harsher light falloffs when photographing directly into the sun.  I look forward to returning to this location to find more panorama photograph opportunities.

Binocular Viewer a relic of the past looks at the future

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Binocular Viewer on The Pier in St. Petersburg Florida - to me a relic of the past - Nikon D300 Tamron 17-50mm lens @ f/11 ISO 200 7-bracket HDR mounted on Induro CT214 tripod with cable releaseWhile teaching a DSLR Photography Lesson a student wanted to photograph that thing you see above.  Its proper name I could not even dream of at the time.  Even after giving it more thought, not until I visited its maker's website did it seem obvious:  this thing is called a binocular viewer.  To look upon one up close is to me to witness a relic of the past.  Something first encountered on a family trip as a child.  Some marker of a place of significance that is better seen up close.  

I would guess few objects are made like a binocular viewer still is, its pedestal seemingly hewn from a solid piece of iron and the binoculars themselves cast from thick steel.  Few things seen in modern daily life seem as immutable.  I cannot imagine its exterior design has changed at all in fifty years.  The inner optics must have, but maybe not.  

It also never occured to me to feed it a quarter and look through it.  25 cents somehow seems an unacceptable fortune to see something I already can.  There is no LCD screen or preview or marketing gimmick attached to the binocular viewer to pry a valuable and useful quarter from my pocket.  Yet, I felt immensely glad it was there, and continues to exist, like the feeling one has when coming across and old, solitary tree.

Tokyo Japan Skyscrapers - Roppongi Hills Tokyo Midtown Tokyo Tower

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Tokyo Tower (center) Tokyo Midtown skyscraper (right) - Nikon D300 with Tamron 17-50mm @ f/11 ISO 200 1/50th single exposure (not HDR)

Yesterday I was going through my photography archives searching for a shot (daytime beach) that might be usable for a potential client when I came across these shots of the Tokyo skyline.  They were made from the balcony of a Russian photographer friend who had an amazing condo in central Tokyo.  All these shots are the views he gets to enjoy everyday!  If I recall, his condo was on about the 22nd floor.  The time was around 4:30pm in February of 2009, when the sun sets not so long after 5pm, which is why it already looks like dusk on this overcast day.  None of these shots are HDR, which was just starting to get popular again around 2009.  It is possible to get vivid detail and color without HDR if shooting during the best light of day.

Tokyo Tower (left) Tokyo Midtown skyscraper (2nd from left) Roppongi Hills skyscraper (center-right) - Nikon D300 f/11 ISO 400 1/250th single exposure (not HDR)Just as my photography career was starting to take off in Japan, I was set to move back to Florida.  This was the last time I visited with my Russian photographer friend.  

Tokyo Midtown is the middle skyscraper in the above shot and at the time was the newest mega-office-entertainment-shopping building.  The shops on the lower floors were great, if you had at least $500 for the cheapest item seemingly.  Roppongi Hills is the right-most skyscraper, and was the previous title holder of newest mega-office-entertainment-shopping building.  Roppongi Hills remained the far more interesting architecturally, and is home to the best movie theater I have ever been to.  

Roppongi Hills in detail from up high - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D lens @ f/11 ISO 400 1/160th single exposure (not HDR)I am glad to have these photographs to remind me of my last visit with a friend I am probably never going to see again.  I still follow his work on flickr (Vladimir Zakharov) as he never ceases to find new roof top views to photograph.

Banyan Trees of downtown St. Petersburg appreciation

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Banyan Tress in downtown St. Petersburg - 7-bracket HDR @ f/11Recently I have had to answer the question of why I live in St. Petersburg to a couple of different people.  It would be better to say why I live in the specific part of St. Petersburg I do:  Snell Isle & the Old Northeast.  That I can answer easily:  because of the trees.  The neighborhoods here are covered in large trees of many different varieties.  

The banyan trees in the above photo are in a non-descript part of downtown on a not so often traveled sidestreet.  There are much larger banyan trees on Beach Drive that get lots of attention.  As I was walking back to my car from a small photo job I came across these banyans and thought I should make the effort to photograph them and show some of the hidden beauty of the city I live in.

Banyan Tree roots in downtown St. Petersburg - 7-bracket HDR @ f/11Luckily the photo job I had to do required a tripod so I was able to make HDR shots of the banyan trees.  I used the tripod on the shortest leg settings, requiring me to sit on the ground for both shots, which is fine with me as I like the slowness using a tripod requires for making shots.

What trees are there in your neighborhood and why do you live in the city you do?

Photographing common objects in public for historical purposes

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Will street signs still exist in 100 years? Photographs help remind what the past was like.Photographers often go to great lengths to shoot the most impressive subjects as possible:  a stunning Florida sunset, a beautiful model, nature, etc.  Such subjects make it easy to create a memorable photograph.  However, oridinary scenes and objects should not be overlooked by the modern photographer, for in one hundred years from now, what is modern will appear quaint.  I recall seeing old photographs of a street construction crew.  At the time the photograph would have appeared very ordinary.  To modern eyes, the photos were very interesting to see how construction workers dressed back then, what they brought with them for lunch, what machinery were they using.  

I made the above non-descript street sign shot while teaching a DSLR Photography lesson to just demonstrate how easy it is to create bokeh using a 50mm lens.  Back at home I was halfway to deleting it when I paused and recalled the old construction crew shots.  Maybe in 2111 there will be someone wondering what it was like to cross a street that had actual cars on it.  

In my own personal shooting over the fall I will shoot a series of "ordinary scenes & objects" with the aim of documenting daily life in 2011 in case anyone in the future has the same fondness I have for looking at old photos of such things.