Nikon D50 DSLR Photography Lesson with Sunil in St. Petersburg Florida

Sunil photographs egrets during our downtown St. Petersburg Florida DSLR Photography LessonNew DSLR Photography Lesson student Sunil was referred to me by Alok, who took his lesson back in September . . . thank you Alok!  This was also my first mid-afternoon lesson time since the spring, but the fall weather we had a few days ago disappeared and it was not very fall like afterall today.  Sunil has a Nikon D50 and a bag full of lenses.  He has photography vocabulary knowledge, and knows how to adjust the necessary settings on his DSLR, but wanted to learn how to tie it all together when using manual mode, especially.  

Despite Sunil's experience I still taught my tried and true methodology for making a photograph, starting with setting aperture, then shutter speed (when using manual mode), followed by ISO, WB and focus mode.  Through this process more things about photography were revealed that Sunil said you cannot learn no matter how many online photography videos you watch.  I of course agree, that there is nothing like a 1-on-1 lesson in the field because it provides instant feedback about the exact shooting situation you are in.  

Sunil bought my discounted 4-pack of lessons and wants to take them all this week as he is on vacation.  We will meet again tomorrow for a night photography lesson out on The Pier.

Photographing Secretary of Labor Hilda Solis - what it was like

Secretary Solis is not in this image due to restrictions on usage.

(editor's note:  There are no photographs of Hilda Solis in this post because I have not exactly been granted permission to use them in such a way yet, and may not be.)

Last Friday I received a phone call of a sudden asking if I would be available to photograph U.S. Secretary of Labor Hilda Solis on Tuesday.  I said, sure I can do it!  She would be the highest level government official by far that I would have the opportunity to photograph.  The previous high was a city level mayor.

Photography-wise, this would not be a new assignment as I have photographed many of these types of roundtable events before.  The Secretary would be attending two roundtables, one at the Port of Tampa (very cool building surprisingly) and then another at Centro Asturiano in downtown Tampa.  My job was just to photograph her speaking at these events with a focus on images of her with the attendees.  

When I arrived at the Port of Tampa at 11:20am it felt like a different photography gig.  I could feel the anticipation in everyone already on site.  I went through no special security or anything like that, and accepting the job was just a matter of saying, "yes, I will do it," in an e-mail reply.  I was hoping to get some kind of clearance badge or something like that to keep as a souvenir!

The Secretary entered the roundtable room with no fanfare or introduction.  She seemed very happy to meet and greet people on her way to her seat.  Now you might think photographing someone sitting at a table is the easist thing in the world to photograph.  It is not.  People make lots of facial gestures while speaking, only about 10% of which are flattering!  Most of the time if you freeze the look on someone's face while they are talking it will look funny.  So it takes quite a few shots to get one to look proper.  

After the discussion, which I enjoyed, it was time for what the Department of Labor called "grip and grin" shots, where Secretary Solis shakes hands and poses for a photo with the various guests in attendance.  I thought it a very funny term.  

All these repeated at the second location of the day.  Then Secretary Solis was whisked away to the airport for a flight to Ft. Lauderdale for presumably another day of meeting with the public like this.  I think it must be a very good feeling for people to be so happy to meet you and have you them tell you their sincere desires for what they need to improve the local community you happen to be in.  It also must be extremely exhausting to have your attention so sought after day after day.  

I was impressed by how carefully Secretary Solis listened to everyone's issues and concerns.  I saw her and her staff feverishly writing notes and making reminders for follow ups with the appropriate channels.  This was most impressive.  

When Secretary Solis returns to the Tampa Bay area I look forward to the opportunity to photograph her in action again.

Vivid Florida Waterfront Neighborhood Twilight Palm Trees

The best part of living in Florida, its sunset & twilight views - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D @ f/8 ISO 200 10 sec on Induro CT214 tripod with Nikon MC-30 cable releaseIf you are a photographer living in Florida, very likely you will, at least at first, be most drawn to photographing the magnificent twilight and sunset skies Nature provides on a daily basis.  The time of the transition from day to night is my favorite part of the 24-hour day cycle.  I have a fantastic view of this from my back patio, but to be honest, I do not take advantage of it enough.  In summer with the later sunset time, it is easier as I often take Kiki for our evening walk between 8pm and 8:30pm.  Now back in regular time, with sunsets coming before 6pm, our walks are in all darkness, but those provide stargazing opportunities.

Vivid twilight photographs are not difficult to make.  All you need are:

  • a western view (or eastern if clouds available to reflect twilight)
  • a sturdy tripod
  • the correct shutter speed to pull the most color from the sky

The DSLR and the lens used do not matter that much.  The sturdy tripod eliminates problems of camera shake resulting in blur.  The correct shutter speed eliminates exposure problems, but since you are using a very long exposure, there is a wide range of choices depending on one's desired results of a brighter or darker twilight image.  So unlike many other types of photography, the margin for error in twilight shooting is far greater than say a sunset portrait.

  • Read more photography tips
  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
  • Learn more about the lessons
  • The Moon besides Venus astrophotography

    Moon & Venus side-by-side - Nikon D300 with Nikkor AF ED 80-200mm f/2.8D lens @ f/5.6 ISO 200 1/200th on Induro CT214 with Nikon MC-30 cable releaseAs I was driving home from the dog park yesterday evening with Kiki, I noticed the Moon and Venus in unusual positions:  side-by-side of each other.  Usually I find Venus to be below the Moon.  In the above photograph this does not look as peculiar as it did to the naked eye, but in order for Venus to show up in the shot at all, I had to fill the frame with them as much as possible.  It kind of looked like they were friends, just hanging out next to each other.  

    This is a very easy kind of astrophotograph to make, if you use manual mode.  One must choose a shutter speed carefully.  Too long of a shutter speed, even like 1/80th of a second will result in the moon looking just like a white disc.  So the one tricky part was finding a balance of exposing the Moon as well as possible while still having Venus be visible.

    Also, even though I used a relatively fast shutter speed of 1/200th, handholding this type of shot is not advised.  Using a stable tripod makes it much easier.  In addition, I used a cable release to further reduce shake.  There is no money better spent in photography than on a no-compromises tripod.

    this image is available for commercial license & fine art print - contact Jason today

    Egret takes flight from Shinobazu Pond Ueno Japan

    Egret takes flight from Shinobazu Pond in Ueno, Tokyo Japan - November 2008 - Nikon D80 with Nikkor AF ED 80-200mm f/2.8D lens @ f/2.8 ISO 400 1/4000th -0.33 evThis photograph was a mistake.  I could not react fast enough to catch the egret fully in frame as it took off from Shinobazu Pond in Ueno Park, Tokyo, Japan when out shooting with old friend Can. Mike.  I may have never paid this photograph any attention if not for someone saying they liked it when I showed all the shots of the day to a group of friends.  This was early in my DSLR photography career.  My culling process was not as refined as it is today.  

    Now when I look at the image I get a sense of potential, of Freedom, of the unknown.  All I can see is that the bird is in flight and headed to a place I cannot see.  I wonder if it was late in starting its migration?  Now living in Florida, it is a place birds migrate to about this time of year.  It would perhaps be a nice bookend to make an image of an egret landing in water.  

  • View more nature & wildlife photo stories
  • Read more philosophy
  • Find more photography tips

  • Horseshoe crab continues the cycle of life

    Farewell, my friend . . . Nikon D300 with Nikkor AF 50mm f/1.8D lens @ f/2.8 ISO 200 1/5000th natural light; lying on my stomachA horseshoe crab is perhaps the first creature of such size I ever saw dead in the wild.  I think as a child though I never really thought of the ones I found on the beach as being dead.  I think I probably just thought that's how these creatures exist.  I mean, by all outward appearances a horseshoe crab on the beach with its solid eyes still open and unblinking, appears alive.  

    I came across this horseshoe crab on a hidden beach in Bradenton as it was preparing to continue the cycle of life.  I got down on my stomach and laid flat on the sand to see life from its perspective.  It was also the best angle to photograph the horseshoe crab from.

    Photography Tip -- lie on your stomach for a unique composition and viewpoint

    At my current age and in my present mindset I did not view this horseshoe crab as being dead, nor do I other of nature's creatures.  I think of them as merely continuing the cycle of life.  Afterall, if everything lived for ever, then there would be no meaning to life.  It is a very clever system, one that requires some to die so that others may live.   

  • View more nature & wildlife photo stories
  • Read more philosophy
  • Find more photography tips