Photo Story

St. Petersburg Downtown Waterfront Skyline at Twilight

St. Petersburg Florida waterfront at Twilight, this image available for fine art print & commercial license - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 10 sec tripod mounted with cable releaseThe waterfront of St. Petersburg, Florida is home to the third largest continuous waterfront park in North America (behind Vancouver and Chicago).  This is why at the very edge where the city meets Tampa Bay as viewed from the water the first thing you will see are trees.  This long park system is my favorite part of the entire city.  

I made this photograph from a secret-ish spot on The Pier allowing for a low near water-level viewpoint of the St. Petersburg skyline.  The ten second exposure allowed for some motion blur on the surface of the water and for pulling out the last remaining light in the twilight sky. 

Treasure Island Sunset Beach St. Petersburg Florida - why we live here

Sunset Beach, Treasure Island, St. Petersburg, Florida - my favorite beach - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 2 sec tripod mounted with cable releaseIt seems to me Florida is a very specific place to live.  It is warm and its extremely long coastline is all beach.  These two things are why we live here.  Being a specific place to live, it lacks certain things, most notably mountains and four seasons.  Instead of mountain views there are amazing sunset and twilight sky views that fluctuate in color throughout the year.  Intesad of four seasons there are essentially two, the humidity season (April through September) and the dry air season (October through March).

I value being able to go swimming at the beach in February.  I like wearing shorts 362 out of 365 days per year.  I pay a price in sweat for those things though.  Therefore, in the remaining days of the dry air season, I savor each one, like today.  

Why do you live in Florida?

Kiteboarding at Pass-A-Grille Beach Florida in Stormy Skies

Kiteboarding at Pass-A-Grille Beach Florida - unusual settings needed - Nikon D300 Tamron 17-50mm @ f/2.8 ISO 800 1/500thPass-A-Grille Beach exists at the very southern end of all the gulf beaches of Pinellas County on Gulf Blvd.  It is a quiet place, especially in February.  It is a very quiet place in February just after a storm passes by.  The length of the sandy beach was empty.  The only other human around was floating out above the water kiteboarding under stormy skies.

Kiteboarder floating over Pass-A-Grille Beach Florida - Nikon D300 Tamron 17-50mm @ f/2.8 ISO 800 1/500thAs is usual when walking around with my DSLR, I had only one lens with me.  I knew before I left the house the types of photographs I wanted to make, so I brought the appropriate lens for that job, my Tamron XR Di II 17-50mm f/2.8 lens.  However, this meant when I saw the kiteboarder I could only make wide sweeping shots in which the kiteboarder himself appeared but as a speck.  I felt limited by that then, but now I realize I would not have wanted to make the shots any other way because the story of these shots was largely in the storm itself.  Showing the kiteboarder in the context of the weather was more dramatic than if I had made tight actions shots of him in flat light.

Kiteboarder zooming against the wind at Pass-A-Grille Beach FloridaIf you are looking for a quiet place to just "be," then I highly recommend Pass-A-Grille Beach for its forgottenness, it's end of the land feeling and for its sweeping views of the Gulf.  If you go there in winter, after a storm, you might see someone with a dog and a camera passing you by.  

Meeting Rick Sammon - what I learned in Oldsmar Florida

Jason & Rick Sammon - I got to meet one of my biggest photography influences - thank you Kathy for the photoI was walking down the hallway in the Hilton Garden Inn looking to make a quick restroom stop before attending a photography seminar.  I see a tall man at the end of the hallway who asks me, if I am looking for the photography seminar, that it is this way.  I do not recognize him at first from a few feet away, but the voice was very familiar.  As I get closer I realize it is the speaker for the seminar himself, Rick Sammon.  In my mind I thought wow, shook his hand and asked if he would sign my copy of his book, DIGITAL PHOTOGRAPHY SECRETS.  He did so gladly.  This is how I got to meet Rick Sammon for the first time after listening to him for years on photography podcasts, which made his voice very familiar to me.

Rick (website) is a very famous photography traveling to dozens and dozens of countries making all kinds of photographs.  His photography talent is evident in his images.  What is perhaps even more amazing about him is his passion and enthusiasm for sharing what he knows and loves about photography with people, often for free.  This particular evening he gave two hours of his time to talk to about a hundred local photographers of all levels.  His photography podcasts I used to listen to were all for free.  I really respect how much he gives to help others love photography as much as he does.  

About thirty minutes into Rick's photography seminar I began to realize just exactly how much my own photography knowledge came from him.  Things I now tell my own photography students are nearly verbatim tips Rick espouses as key things for making great photographs.  This surprised me and made me smile.  I guess, however, this should hardly be surprising given I have listend to dozens of hours of his podcasts and read his SECRETS book containing all those tips.  

Depsite all that expsoure already to Rick's knowledge, here are things I learned during his 2-hour seminar: 

  • speedlights keep pupils wide (bedroom eyes)
  • use layer masks for combining to very different DoF's
  • horse photographs ideally show all legs off the ground (I thought just curled under before, which is probably the same actually)
  • a photographer should practice (a lot)
  • cut a slotted hole in a piece of cardboard for movie lighting (like when peeping through window blinds)
  • include shadows on a wall to add depth
  • conversely put the flash high to hide shadows on walls 

It was inspiring to meet Rick and feel his enthusiasm.  This is my photography tip for your, go and hear (famous) professional photographers speak!  I am sure you will always learn something.  This will help your photography a lot.  Each tip you can pick up adds to your skill set.  Picking up a few key skills from other photographers and lots of practice was how I taught myself DSLR photography.  I cannot emphasize enough how important it was to me randomly picking up a key piece of photography knowledge here and there because of being around other photographers via seminars like this one and even more through photography meetups.  

Thank you very much to Kathy for organizing this seminar and for making the photo of me with Rick above and for giving so much of her own time to run The Tampa Bay Strobist & Photoshop Collective on Meetup.com.  You should join her group!

So now I have had direct contact with my two favorite photographers and biggest influences, this meeting with Rick Sammon and a few years ago Scott Bourne personally critiqued one of my photos on his website.  Try and seek out and meet your own favorite photographers!  It may be easier than you think.

Safety Harbor Pier HDR & Panorama Clearwater Florida

The view from under the Safety Harbor Pier - Nikon D300 Tamron 17-50mm f/11 ISO 200 5-exposure HDR handheld

Due to a very low tide, I found myself with the opportunity to go under the Safety Harbor Pier.  I did not go to Safety Harbor with the express purpose of photographing it, but I of course did have my DSLR with me, but not my tripod.  The sun was still high in the sky and as you can see from the shadows starting to make its way toward the west.  A single exposure shot would not capture much of the detail under the pier itself.  However, since there was still quite a bit of available light I dared for a 5-exposure handheld HDR shot.  I highly recommend using a tripod for HDR no matter what the light, but as you can see, in a pinch, and with enough light, even a 5-exposure shot can be handheld and still produce a sharp image.

Click for large 2000px version - Safety Harbor Pier and Tampa Bay panorama - Nikon D300 Tamron 17-50 @ f/11 ISO 200 1/400th 5-frame panoramaLacking my tripod did not stop me from also making a 5-frame panorama of Tampa Bay and the Safety Harbor Pier.  I used the gridlines in my viewfinder to keep each shot level with the horizon as I set the exposure to f/11 in aperture priority mode and rotated to make the five shots that I would later stitch together in Photoshop CS5 using the Photomerge function.

Safety Harbor Pier HDR image - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 5-exposure HDR handheldOnce again no tripod on hand, but I felt confident to be able to handhold this shot for five quick frames (using my Nikon D300's 6-frames per second burst mode) given the light available.  My composition choice came from putting the horizon in the lower third of the frame and having the pier form a leading line toward the center.

Downtown Tampa Architecture & Landmarks in Black and White

Sykes Building downtown Tampa Florida black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR on tripod with cable releaseAfter shoots for specific client requests I often find I can create a subsequent set of images from the remaining shots.  Such is the case with these black & white photographs featuring downtown Tampa and surrounding areas and landmarks.  The client wanted landscape orientated shots for a use in an existing website template.  Still, while out making those images I did rotate my DSLR to produce a few portrait orientated ones just in case the client might have a need for them and also just because I thought they would make cool shots and did not want to leave any unmade photographs that I saw the potential for.

Tampa Theater marquee in black & white - Nikon D300 Tamron 17-50mm f/11 ISO 200 1/25th single exposure tripod mounted with cable releaseThe client actually chose the above image of Tampa Theatre, which did not standout to me personally in my initial culling, but after editing and convesion to black & white I kind of liked it because of the below eye level composition.  I closed my tripod's legs to use only about half of its full height shooting from just around my own waist level.

The new Tampa Museum of Art with krew on Hillsborough River - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/250th single exposure tripod mounted with cable releaseThe new Tampa Museum of Art building is very modern looking in person.  However, I thought in the photograph above its rectangular architecture made it look more like buildings from the 1950s, especially in black & white.  I saw the crew rowing team and waited for them to come into the shot to make the composition I wanted.

Tampa First Baptist Church with traffic in black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR tripod mounted with cable releaseI had no idea the above building was the Tampa First Baptist Church.  I saw people coming and going from it while I was in the area over the course of the afternoon and thought it was a courthouse or some other type of government building.  Even while editing it I never even noticed the largest FIRST BAPTIST CHURCH engraved on top of the columns.  I had to look up which building it was in Google to surprisingly find out it was a church.  

Tampa Downtown Skyscraper Skyline View in black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR tripod mounted with cable releaseThis last photograph is of a much more familiar and oft-photographed subject matter, the downtown Tampa skyline featuring the unique skyscraper in the center, the cylindrical Sykes Building.  The moon can be seen rising in the upper left of the image.  

I encourage everyone to go through past shoots and see if you can find a whole different photo story than the intended purpose of the shoot from the remaining images.  Be sure and post a link to it in the comments below.

Vietnam Hill Tribe Children Photo Story

Laughing at my numbers jokes on a lunch break in Vietnam 2002 - Olympus 2040Z 2 MP digital cameraWhen you travel with your camera, fun things happen.  The photographs you make with your camera help you remember that fun years down the line.  In July of 2002 I spent a few weeks traveling in the northen areas of Vietnam and met a lot of people and especially kids.  My style of traveling is very slow paced, spending days just hanging out in random places.  I am a shy person by nature, but whenever I have travled in SE Asia, if I just sit somewhere, inevitably people will come up to me and start talking.

In the above photo I was on a small guided tour doing homestays with hill tribe peoples in the Sapa Valley (perhaps the most pure place I have ever been).  We did not stay with this family, only having lunch there.  It was a restaurant really and rather busy.  My backpack developed a rip in it and I asked this woman if she could sew it.  While she did that I had my lunch with her and all those kids.  While in Vietnam, I learned how to say numbers in Vietnamese, which allowed me to make a series of jokes about buying some of their farm animals, etc.  It was a fun time with them and thanks to my trusty Olympus 2040Z, one of the first digital cameras, only capable of a 2MP image max (1600x1200), I have this photo to help me remember that time.  

"Hello, candy?" was my greeting from these girls - Olympus 2040Z 2 MP digital cameraI was hiking down into the Sapa Valley on my own, as the pace of the guide with the three much older members of the group were taking involved way too many breaks.  I was feeling the thrill of exploring an enchanted place and could not stop.  Along the way I met these two girls who greeted me with, "Hello, candy?"  This made me laugh.  I told them sorry I did not have any candy with me.  I think we shared some raisins together though.

Jason with two Black Hmong children in Sapa, Vietnam - Olympus 2040Z 2 MP digital cameraTo make this group shot with yours truly in it I set the camera on my bag with the self timer on.  These kids belonged to the Black Hmong hill tribe and were tending to a water buffalo, who did not want to be petted, unfortunately.  I still regularly wear the shirt and pants you see me in above, although in my increasing width, the shirt is seemingly shrinking.  The G-Shock watch I am wearing, along with the Olympus camera that made this photo, were both, sadly, stolen when in Miami in 2003.  

Plastic bottles were in high demand in northern Vietnam - Olympus 2040Z 2 MP digital cameraAnother very surprising thing was the high interest in collecting plastic water bottles (empty).  Whenever our transport vehicle would stop, kids would ask for any empty water bottles we had.  You could also buy food and full water bottles from right inside the vehicle.  As soon as you stop, boom, arms are through the windows and snacks are literally right under your nose for purchase!  Very convenient!

She spoke near fluent English, self taught in Sapa, Vietnam - Olympus 2040Z 2 MP digital cameraThis photo story is revealing a significant secret of mine, which is my feelings about the Sapa Valley in northern Vietnam.  It is an absolutely incredible place.  It is just so pure.  The Earth seems younger there.

I spent about two hours just chatting with the girl above while I waited for my train to leave Sapa.  Her English was amazingly good.  She said she just learned by talking to tourists.  I was impressed as none of my students back in Korea could speak English like her!  She was talkative and I enjoyed listening to her tell me how she makes the crafts she does and just about her life in Sapa in general.  I cannot remember what I bought from her.  Perhaps a bracelet?  I am very glad to have this photograph to remember her by.

Heading to the post office on a rope bridge in Vietnam - Olympus 2040Z 2 MP digital cameraThese boys were on their way to the post office proud to have the responsibility of delivering a postcard.  I had to keep retaking this photo as more boys wanted to get in the shot.  They went on to the post office and I continued on into the Sapa Valley. 

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