Action & Sports Photography Settings Tips from Aperture to Manual to Shutter Priority Exposure Modes

Florida high school baseball action shot using aperture priority - Nikon D300 Nikkor 80-200mm @ f/4 ISO 320 1/3200I am a self-taught photographer with a careful ear for picking up photography knowledge from a variety of sources.  If you browse my work you can see that you can teach yourself to make photographs that people will eventually pay you for.  However, I spend a long time grinding away teaching myself, starting with making thousands of images in Japan over a 6-month period when I first got a DSLR, then for several years back here in Florida.  I would not recommend this method!  That is why I have been offering 1-on-1 photography lessons to teach people in 2-hours what it took me 2+ years to formulate and define.  Taking a lesson or class from a competent photography teacher is a great way to jump start your shooting skills.

So the weekly photography tips I post on this site are part of sharing the practical photography knowledge I gained grinding through those years out in the field, and the knowledge I continue to increase by now shooting paying jobs as a full-time pro photographer.  

In this post you can see action and sports shots that span this window of knowledge.

The baseball photo above was made I believe on my very first sports assignment, so you can say it is the epitome of beginner's luck!  Looking at the settings I used for the shot I would definitely yell at myself for that now.  I was shooting action in aperture priority, probably never the best choice, had my ISO at 320 during daylight, and the shutter speed was way faster than it needed to be.  

Horse jumping in Venice Florida - Aperture Priority - Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 400 1/1600Early on in my time in Florida I also photographed horse jumping a good bit.  You can see by my settings I was making progress, even though still using aperture priority mode.  My ISO was still above the minimum even during daylight, but if I recall at that time I thought I needed that very fast shutter speed of 1/1600th to freeze the action, and to get a good exposure I had to increase the ISO.  Clouds would come and go and settings often needed to be tweaked, but choosing aperture priority and letting the camera adjust the shutter speed on the fly was definitely not the way to go.  I should have been using shutter priority mode.

Triathlon cycling in St. Petersburg Florida - Manual Exposure - Nikon D300 Nikkor 80-200mm @ f/4 ISO 640 1/1250Now we are jumping ahead two years to when I photographed the St. Anthony's Triathlon in St. Petersburg Florida.  I was now comfortable and competent shooting action & sports in any exposure mode.  Why did I choose manual mode then?  At this time the cyclists were coming by in consistent light (no sun going behind clouds).  I was photographing them as they passed by the exact same spot on the road too, therefore there was only one set of settings that produced the best exposure.  So I locked those in with manual exposure mode.  Why did I use the settings I did?  Well the cyclists were going really, really fast so 1/500th was not freezing them, so I used 1/1250.  I used f/4 because that fast shutter speed required I let a lot of light in, but I wanted to retain some depth of field and better sharpeness, so I did not use the maximum aperture of f/2.8 of my lens.  So having aperture and shutter speed restricted by the nature of the subject matter, to get the exposure I wanted I then had to increase my ISO to 640.  This was not the middle of the day, but rather just shortly after sunrise.  As the sun went up, I could gradually decrease the ISO I was using.

Pelican in flight - shutter priority - Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 200 1/1250In this pelican shot you can see my full progress in shooting action shots.  I was using shutter priority mode, had my ISO at its lowest setting, and set the shutter speed to be plenty fast enough to freeze even the bird's wing tips.  The camera was choosing the aperture for me on the fly, and getting consistent f/5.6 results allowed for very good sharpness and depth of field.

So now I would recommend using only manual or shutter priority mode for sports and actions shots.  If no lighting conditions are changing, then lock things in with manual.  If lighting is changing due to shifting cloud cover, or the subject moving across different foreground and/or background light, then use shutter priority mode.  

Of course the minimum shutter speed to use for any action shots, or any moving subjects, is 1/500th and you must also use AF-C (Ai Servo) focus mode.  Both of those are musts.  As you can see from my above examples, though, other settings and parameters remain variables, and there may be multiple ways to get the same shot, but some settings combos are much better to use than others!

Business Headshot Photography in St. Petersburg Florida with Eric

A black & white headshot on a pure black background revealing only the subject - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/100th - Strobist: SB-800 @ 1/1 power in 43" brolly to frame rightI met Eric this afternoon in St. Petersburg Florida to make a few different style of headshots for him to help him promote the publication of his first book!  I used my usual strobist setup of two speedlights and brolly & shoot through umbrella light modifiers.  I did not intend with the above headshot to have the background be all black, meaning I did not use the fastest shutter speed and try to control light spill as much as possible to create it while shooting.  Instead I added it using a black & white conversion filter in Color Efex Pro.  Personally, I really like headshots and portraits where the light only reveals some of the subject, making it look like the subject is emerging from the background.

Three-quarter standing business headshot on digital white background St. Petersburg Florida Commercial Photography - Nikon D300 Nikkor 80-200mm @ f/8 ISO 200 1/100th - Strobist: SB-800 @ 1/1 power in 43" brolly frame right & SB-600 @ 1/1 power in 43" shoot through umbrella to rear frame leftEric wanted an approximate three-quarters view headshot on a white background.  I had my neutral gray collapsible background setup with a white sheet over it.  The white sheet does not produce a pure white background, Photoshop editing is still required, but it does make cutting the subject out much easier.  For this shot I used more of a backlit setup with the secondary light well behind Eric.  

Photography Tip - get the subject's head above the horizon

This photography tip is a long time in coming as it is one of the things that bothers me the most, that being having the horizon cut right through the subject's head in portrait photography.  Living in Florida there is never a beach very far away, meaning there is a distinct horizon in the background of photographs.  When composing a portrait, I always make sure the subject's head is above the horizon for a single subject.  Sometimes in group shots with very tall people and kids mixed, it is not always entirely possible, but for sure I will have the adult's heads above the horizon.  

So when you are out shooting on the beach next time, or anywhere that the horizon can clearly be seen, be sure to get the subject's head above the horizon.  The horizon going through the head of the subject is very distracting.  Just get lower when shooting to avoid this.  When photographing children, like in the example above, you may have to get quite low, often going on to one knee.  It is worth it though!

Canon T4i 1-on-1 DSLR Photography Lesson in St. Petersburg Florida with Bryan

Bryan shooting with his Canon T4i from shelter as rain fell during our 1-on-1 photography lesson in St. Petersburg FloridaIt was sunny when I met Bryan in downtown St. Petersburg for our 1-on-1 DSLR Photography Lesson that he received as a present in the form of one of my photography gift certificates.  As I was talking to him about my 5-step system for shooting in manual mode, well, some rain started to fall.  We were sheltered just fine under the Museum of Fine Arts walkway and still were able to venture out briefly when the rain stopped.  

Bryan was actually already shooting in manual mode, but without a system that can be used repeatedly in any shooting conditions, he was not getting the consistent results he wanted.  So during the lesson I helped him shape his existing photography knowledge in a way that will let him take control over exposure and composition in a more creative way.  I feel Bryan will be able to teach himself and really improve his photography results in a short time.  To end the lesson, in the low overcast light we had the chance to do a little motion blur practice.

1-on-1 Nikon D40 DSLR Photography Lesson with Rhea in St. Petersburg Florida

Rhea still able to smile even during our second info packed 1-on-1 DSLR photography lesson in downtown St. Petersburg FloridaIt was already very warm at 9:30am when I met Rhea for our second 1-on-1 DSLR Photography Lesson in downtown St. Petersburg Florida.  She brought her notebook this time as we reviewed what I taught her during our first lesson a few weeks ago.  After that refresh we started wondering around Beach Drive NE where I instructed her on having to be aware of the position of the sun when shooting during the daytime in Florida.  This means of course your back to the sun, or your shadow pointing at your subject.  This will help get the best exposure results.

We finished the lesson with some practice making portraits in full shade, rather than out in direct sunlight.  This may seem against logic, but in the harsh midday sun significant shadows form under the subject's eyes and neck.  Shooting in shade allows a diffused look to the light on the subject with no strong shadows.  Of course all this can be avoided by just shooting in good light, but that is not always possible.

Family Beach Portraits Sunset Beach Treasure Island St Petersburg Florida July 2013

Getting on the sand for their family beach portrait on Treasure Island Florida - Nikon D300 Nikkor 80-200mm @ f/8 ISO 200 1/250th - Strobist: SB-800 @ 1/2 power to frame left & SB-600 @ 1/2 power to frame rightIt was a quick return to Sunset Beach on Treasure Island Florida for me since my last visit on Thursday for another candid family beach portrait session.  I never know what the sunset will be like for any particular shoot, and it is surprising to me about how different they always turn out to be from each other.  This evening was a mix of pure sun followed by dramatic clouds.  The youngest member of this family was not impressed with anything though and as you can see by his damp eyes, was crying almost the entire time being up a bit past his usual bedtime.  I know I get cranky too without enough sleep, but that usually is about waking up too early in the morning.

Sunset Beach reveals another great Treasure Island Florida background - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/100th - Strobist: SB-800 to frame left & SB-600 to frame rightOne last shot before the sun disappeared below the horizon bringing the end to another day on Sunset Beach on Treasure Island.  Just after we finished a few raindrops started to fall.  Another lucky weather evening out on the beach!

Pouring sand on his brother on Sunset Beach Treasure Island Florida candid portraits - Nikon D300 Nikkor 80-200mm @ f/8 ISO 200 1/250th - Strobist: SB-800 to frame left & SB-600 to frame rightNow getting sand poured on your head by your older brother is enough to make anyone cranky, that's for sure!

Sunset Beach Treasure Island Florida Candid Family Beach Portraits July 2013

Mother and daughter candid black & white Sunset Beach portrait on Treasure Island Florida - Nikon D300 Nikkor 50mm @ f/2.5 ISO 200 1/250th - Strobist: SB-800 to frame left & SB-600 to frame rightLately I have been photographing rather large families on Florida's beaches.  This time it was a family of four and I was reminded of the benefits of photographing such a small number of people, and also with children not out of control.  We were also at my favorite beach, Sunset Beach on Treasure Island.  This was an opportunity for me to try new shots and take my time.  The shot above was a candid between setup shots of mother and daughter.  Converting to black & white had a dramatic effect on the overall look of the photo and it may end up being one of my personal favorites of 2013.

Family visits Sunset Beach on Treasure Island Florida and jumps to the sky - Nikon D300 Tamron 17-50mm @ f/6.3 ISO 200 1/100th - Strobist: SB-800 to frame left & SB-600 to frame rightThe family requested a jumping shot, one that is not on my normal shot list, so another chance at a new type of shot.  It took quite a few tries to get everyone to jump in a semi-coordinated effort and not have faces blocked, etc.

Carrying the kids family beach portraits on Sunset Beach Treasure Island Florida - Nikon D300 Tamron 17-50mm @ f/5 ISO 200 1/100th - Stobist: SB-800 to frame left & SB-600 to frame rightAs you can see it was not a clear sunset that evening, but more a dramatic backdrop of clouds backlit by the setting sun.  The family liked this background, and for me it provided another differentiating factor for this series of images.

Family in form on Sunset Beach Treasure Island Florida - Nikon D300 Nikkor 50mm @ f/2 ISO 200 1/160th natural lightThis photo was my idea, earlier on in the shoot.  The dad mentioned how he did not mind if he was not in some shots, so I placed him furthest back and using a 50mm lens at f/2 let shallow depth of field create interest in the framing.  I do not often get to use my 50mm lens during beach portrait sessions due to lack of time.  

Family walking down Sunset Beach Treasure Island candid portraits - Nikon D300 Nikkor 80-200mm @ f/4 ISO 320 1/500th natural lightThis last shot is one I often make of a family walking down the shore using my long lens (Nikkor 80-200mm f/2.8D).  It was a windy day and it kicked up waves making the Gulf of Mexico look more like a proper ocean background.