Photography business tip - give your client a little extra

Nikon D300 Nikkor 80-200mm f/2.8D lens @ f/8 ISO 200 1/800th processing Silver Efex ProIt is commonly heard in the business world to under-promise and over-deliver.  In this way a business can impress a customer or client.  How can this apply to the professional photography business?  One simple way is to just give the client extra photos than stated in the package they bought.  Which photos to give as bonuses?  Well, they will of course not be any of the best of the best because those will have already been included in the initial product to the client.  

One way to know is to listen to your client's feedback once you delivered the promised number of photos.  If they say they like shots of one particular person a lot (often a child) or like one certain style of shot or if they say they really like the black and white versions, then any of those can be your clue on which photos to include as bonuses.  

A recent client said she especially liked the photos of her daughter.  So I went through my remaining unedited 3-star and even 2-star photos from our portrait session to see if there was anything I thought still good enough to put into the hands of a client.  I found the above shot and made it work to my satisfaction by applying a sepia landscape filter to it in Nik Silver Efex Pro.  

The result?  The above image was included in the prints she later ordered, the direct business benefit to the photographer.  Even more important, I was able to provide the client with another image of her daughter that will brighten a desk or shelf in her home.  Thus, satisfaction for the client and satisfaction for the photographer knowing his/her work provided some real world benefit.

Florida Senior Portraits 2010 - Kristina & Chad

Central Avenue restaurants provide colorful backgrounds for senior portraits in St. PetersburgKristina is already a little famous around this website, as she is the daughter of my oldest DSLR Photography student, Rosa, and often our model during our lessons.  Her boyfriend Chad makes his debut.  I already knew Kristina was a great and willing model, and I quickly realized Chad was the same, which made our candid senior portrait session a great time.

An alley in St. Petersburg provides the backdrop for this senior portraitWe changed speed several times during the senior portrait session, from serious to fun, to contemplative, to relaxed, and back.  Downtown St. Petersburg provides a great variety of settings within short walking distance of each other.  

Kristina and Chad were open to all my ideas, even this tattoo reaction shotIt was my first time to use a tattoo parlor as a prop.  Not only did this allow for us to make an animated shot, the covered roof provided nice shade to shoot in, and also a break from the heat!  

Thinking about life after high school in this senior portrait near the St. Petersburg Yacht ClubI wanted to find a creative way to work the waterfront into a shot without it just being a background.  So I balanced as far out on the above seawall as I dared, holding my Nikon D300 in my left hand and stretching out my Nikon SB-600 Speedlight on a lightstand as far out in front of Kristina and Chad as I could.  Fortunately all gear and photographer stayed dry.  Thus a very fun and creative senior portrait session came to a close and perhaps in four years or so I might be photographing their wedding?  No pressure guys!

Sidney & Berne Davis Art Center Night Wedding Portrait

Textual illumination at Davis Art Center Ft. Myers, Florida - Nikon D300 Tamron 17-50mm f/2.8 lens @ f/2.8 ISO 800 1/60th Strobist - Nikon SB-600 Speedlight in TTL mode on tripod to frame right triggered by commander mode

If you are looking for a cool place to make portraits at night in the Ft. Myers, Florida area, the Sidney & Berne Davis Art Center in the downtown area of Ft. Myers is a great place to shoot when it is all lit up.  Cylindrical structures with old names carved into them are lit up from the inside projected said names on all surrounding surfaces.  

While the reception party raged on inside after, Debbie and Matthew and I slipped out to make a few night wedding portraits.  I used off camera flash to light the couple and let my shutter speed stay open long enough to bring out some of the details in the building behind them.

If you have photographed at the art center (day or night), please include a link to your photographs in the comments below. 

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  • Very Old School Tokyo Assassins

    Tokyo, Japan 2009 - Nikon D300 Nikkor 80-200mm f/2.8D @ f/2.8 ISO 640 1/2500th

    There are mainly only two things about daily life in Tokyo that I miss, first of course is my beloved washlet, the second is the ability to do street photography from right out my front door.  Living in any big city offers lots of street photography chances, add to it the allure of Japanese culture and an indifference to photographers and Tokyo just might be the best city in the world for street photography, or photography of any kind.

    I was on a photo walk on my very last day in country (after six years living there) with three friends walking from Shinjuku to Yoyogi Park.  We passed these guys in the middle somewhere.  Even though I was shooting something entirely different the moment before (if you can believe it horseback riders jumping gates!), I was able to change gears in time (as any good photographer must be able to) to photograph these guys as they got their bearings.

    They were wearing trench coats and carrying weapons and suitcases.  I imagined them as some Rip Van Winkle type assassins from the Edo Period or something transported to modern day Tokyo and trying to continue their assassin profession with 500 year old technology.  Perhaps I was fortunate they did not spot me photographing them or I may have been added to their hit list.  

    The weapons they are carrying . . . Japanese traditional archery bows and arrows.  

    Sunny Florida at f/11 project #06 - St Petersburg Florida Harbor HDR

    Nikon D300 with Tamron 17-50mm f/2.8 lens @ f/11 ISO 200 3-bracket handheld HDR

    The sixth entry in my ongoing Sunny Florida f/11 project is an HDR image of the harbor in downtown St. Petersburg in front of The Pier.  Despite the harbor's small size dolphins and manatees regularly swim in it, and pelicans dive alone the seawall on a regular basis.  There is something I really like about this harbor myself that is ineffable.  The small cluster of trees on the left horizon is my favorite spot in the entire city which offers great views of Tampa Bay to the east and the downtown St. Petersburg skyline to the west.  Then in the gap between there and the park on the other side pass dolphins (photographed here) and manatee in water that can be fairly clear at times.  It is a position of power commanding viewership over the whole area.

    The harbor does not provide infallible protection from storms though as these recent photographs of a jilted sailboat illustrate. 

    Golden Twilight Beach Wedding Photography on Sand Key Florida

    A rare golden sunset for this beach wedding portrait - Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 400 1/80th Strobist - Nikon SB-600 Speedlight @ 1/2 power on light stand to frame left triggered by Yongnuo radio remotes

    When photographing a beach wedding in Florida, you really never know what kind of sunset, if any, mother nature will provide you with that particular evening.  For Lynn and Stephen's wedding, we were treated to a very rare golden twilight sky.  Stephen wearing white along with his bride Lynn helped them not overpower the golden light, but rather blend into it.  Given such fantastic light conditions, I made sure to do my part to make the best possible wedding photographs for the newlyweds.  

    golden hair and sky - Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 400 1/80th Strobist - Nikon SB-600 Speedlight @ 1/2 power on light stand to frame triggered by Yongnuo radio remotesAnother rarity this time was being able to see the sun make its way all the way down to the horizon itself, unobstructed by clouds.  Once I found the settings that I liked best:  f/8 ISO 400 1/80th manual mode I put a mark in the sand and just moved and had either the couple or just the bride stand on that mark for various shots.  This allows me to maximize the variety of shots I can take while the sun continues its accelerating trip to the southern hemisphere.  

    Nikon D300 Tamron 17-50mm f/2.8 @ ISO 200 1/100th Strobist - Nikon SB-600 Speedlight @ 1/2 power on light stand to frame rightNow I am not one for gimmick photographs like drawing hearts in sand, etc.  However, the heart in the above photograph was already there in basically in their path so I asked them if they wanted to include it in the shot.  They said yes and we were able to make this shot on the first take.  How do you feel about including things like hearts drawn in the sand?  

    Thanks to mother nature and Stephen and Lynn for making this a unique and colorful wedding photography experience.