Commercial Photography

Courtyard Marriott St. Petersburg Suite Commercial Photography

A suite in Courtyard Marriott St. Petersburg Florida - commercial photography - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDRMy former neighbor Ryan of the Courtyard Marriott (he is the sales manager) contacted me this week about making some more commercial photographs of the hotel as it is just about finished with its renovations.  To start with, they wanted to send out a new advertisement and needed just a couple photos of a suite room.  So after we discussed the future photography to be done of the hotel, I went up to the 7th floor with my Nikon and tripod.  As I have mentioned before, photographing a room is rather challenging and not at all as simple as one might think.

Office space in a sweet at Courtyard Marriott St. Petersburg Florida - commercial photography - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 7-exposure HDRThe real goal of this small shoot was for the image below, a small panorama of the room showing all its features wall to wall from the flatscreen TV to the bed.  It is not made up of the two shots below of course, but from the same point just shooting one frame to the left and then panning about two thirds of a frame to the right.  I then used the Photomerge automation in Photoshop to stitch the two photos together.

Suite hotel room at Courtyard Marriott in St. Petersburg Florida - 2 HDR images stitched together in Photoshop using PhotomergeI look forward to photographing the renovated historic lobby and other areas of the hotel in September.

St. Petersburg Florida Real Estate Photography Lakewood Estates Neighborhood Home

This home available in Lakewood Estates in St. Petersburg Florida Real Estate Photography - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/50th tripod mounted with cable releaseI went to Lakewood Estates yesterday evening in St. Petersburg Florida to make commercial real estate photographs for long-time client Crown Group Realty.  I had never been to this area of St. Pete before and found it to have a bit of a northern feel with its forests and even slight, very slight, ground elevations, as seen in the front yard of the home above.  There is also a golf course winding through the neighborhood.

Open kitchen & dining room in this home St. Petersburg Florida Real Estate Photography - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1.3 sec tripod mounted with cable releaseA large breakfast bar with a white granite counter top stretches from the kitchen to the edges of the dining room and the living room creating a nice flowing open space.  

Pool home on a golf course St. Petersburg Real Estate Photography Florida - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/40thThe backyard had a good sized pool with a view of a golf course.  While out making this shot I was a bit startled as there were actually people playing golf at 7pm on a Monday evening and often hitting the trees making unusual sounds I was not expecting!  I made a few shots around the pool keeping my ears open for any "fore!" calls.  

Commercial Business Headshot Optometrist St. Petersburg Florida VIP Eyecare with Dr. Henri

Commercial business headshot for Dr. Henri of VIP Eyecare St. Petersburg Florida - Nikon D300 Nikkor 80-200mm @ f/10 ISO 200 1/60th - Strobist: SB-800 @ 1/2 power in 43" brolly to frame front right & SB-600 @ 1/2 power in 43" shoot through umbrella to frame rear rightThis morning I continued my business relationship with VIP Eyecare in St. Petersburg Florida making a headshot for Dr. Henri.  In the past I have photographed several events there as well as making commercial interior photos of their new location for print marketing materials and their website.  For the headshot itself, they wanted to make sure the VIP logo was visible on Dr. Henri's jacket, along with her name, and then have the background show some of the product they carry, i.e. glasses.  Since Dr. Henri was wearing glasses herself, I had to be careful that none of my speedlights were showing up as glare in her lenses by placing both lights high above her.  For the perspective, I shot from one step up on a folding ladder.  

Dr. Henri was a great model being able to recreate her smile as I adjusted the two speedlights I was using in the tight space between eyeglass shelves and getting the best composition possible to achieve all the details they wanted in the headshot.  It is always fun to visit VIP Eyecare and say hello to everyone there and I very much appreciate them continuing to be my most loyal commercial photography client.

Business Headshot Photography in St. Petersburg Florida with Eric

A black & white headshot on a pure black background revealing only the subject - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/100th - Strobist: SB-800 @ 1/1 power in 43" brolly to frame rightI met Eric this afternoon in St. Petersburg Florida to make a few different style of headshots for him to help him promote the publication of his first book!  I used my usual strobist setup of two speedlights and brolly & shoot through umbrella light modifiers.  I did not intend with the above headshot to have the background be all black, meaning I did not use the fastest shutter speed and try to control light spill as much as possible to create it while shooting.  Instead I added it using a black & white conversion filter in Color Efex Pro.  Personally, I really like headshots and portraits where the light only reveals some of the subject, making it look like the subject is emerging from the background.

Three-quarter standing business headshot on digital white background St. Petersburg Florida Commercial Photography - Nikon D300 Nikkor 80-200mm @ f/8 ISO 200 1/100th - Strobist: SB-800 @ 1/1 power in 43" brolly frame right & SB-600 @ 1/1 power in 43" shoot through umbrella to rear frame leftEric wanted an approximate three-quarters view headshot on a white background.  I had my neutral gray collapsible background setup with a white sheet over it.  The white sheet does not produce a pure white background, Photoshop editing is still required, but it does make cutting the subject out much easier.  For this shot I used more of a backlit setup with the secondary light well behind Eric.  

St. Petersburg Florida Business headshot and standing shot on location with Colby

Standing headshot for business client in St. Petersburg Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/200th - Strobist: SB-800 in 43" brolly to frame right & SB-600 in 43" shoot through umbrella to frame left

There was a little bit of a twist to this business headshot shoot in downtown St. Petersburg Florida yesterday.  The client wanted new images for marketing materials, including an updated group shot of the staff.  The only problem is the staff is spread out over the country and cannot easily get together for another group shot.  So I made the above standing headshot on a white background so that their graphic designer could more easily insert Colby into the existing shot.  The edit you see above is just my own version of it on a digital white background.

Square headshot for business client in St. Petersburg Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/200th - Strobist: SB-800 in 43" brolly to frame right & SB-600 in 43" shoot through umbrella to frame leftLikewise for the more standard square headshot above, they already had a specific background color for all the other staff, so I again photographed Colby on a white background so that he could easily be digitally removed onto the existing background the client had for the rest of the staff.  Colby was a great model and basically I got every shot on the first take.

Commercial Pen Product Photography & African DNA Kit St. Petersburg Florida

Pen product photography shot St. Petersburg Florida - Nikon D300 Nikkor 105mm VR micro @ f/16 ISO 200 1/250th - Strobist: SB-800 in shoot through umbrella key light & two speedlights side lightingShared Vision (a returning client) contacted me for an interesting and challenging product photography shoot at their downtown St. Petersburg, Florida location.  It was to make photographs of a DNA kit, including close up shots of the individual products which included a pen.  From the shotlist they sent I knew it would require the most gear I have ever used at once to make a single photograph.  As is too often the case, I totally forgot to take photos of the setups I used!

St. Petersburg commercial product photography African DNA kit - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/200th - Strobist: SB-800 left & right in shoot through umbrellasDue to the complexity of this shoot I brought in an assistant to help out, friend and colleague Pedro, whom I have done shoots with before.  Having an assistant greatly freed me up to concentrate on just making the shots, not having to also setup all the speedlights and do all the product position arrangements and adjustments.  The above shot was actually the first of the afternoon, containing all the items included in the DNA kit, along with a few props (drum, basket, etc).  Not surprisingly, being the first shot and the shot with the most items in it, this shot took by far the longest to get a desired final result.  The background was a black sheet, but I still replaced it with a fully digital black background.

Case & pen product photography in St. Petersburg Florida - Nikon D300 f/11 ISO 200 1/200th - Strobist: SB-900 in snoot to frame rightWe were working from a shotlist that included a shot of the case seemingly illuminated from within.  To achieve a similar look, I used a speedlight with a 6" snoot attached to it that really concentrated the beam of light.  Only a single speedlight to frame right was used to make the shot.  

Pen & journal macro product photography - Nikon D300 Nikkor 105mm VR micro @ f/4 ISO 200 1/250th - Strobist: 2 speedlights left & right in snoot & gridThe pen on notebook image above used yet another strobist setup, this one with two speedlights basically pointed at each other on either ends of the table the notebook was on.  One speedlight had the same snoot on it, the other a grid to concentrate the light to show just the pen and notebook.  The black background occurred naturally from that process & using a fast shutterspeed and black sheet backdrop.

Commercial envelope photography on black background - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/250th - Strobist: SB-800 in shoot through umbrella key light with speedlight to frame rightOne big challenge was how to photograph a black envelope on a black background and have it standout in some way so the edges do not look invisible.  I started out having one key light in front and a speedlight directly behind the envelope, but that produced too much spill light, but looked kind of cool, like the envelope was in a starburst.  Moving the speedlight to the side and turning its power way down provided enough rim light so the edges showed up.

Photigy.com was very helpful in demonstrating how to photograph pens and a site I checked out before this shoot.

Two Chefs Commercial Headshots on digital white backgrounds Belleair Bluffs Florida

Chef Scott & Chef Erwin posing for an updated look - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame rightThis morning I drove over to Belleair Bluffs (surprisingly little traffic) to photograph two chefs.  Networking friend Allen who works in marketing referred this job to me, thank you! (if you need marketing, see his site)  The chefs needed updated headshot style photos for new marketing materials, including a billboard!  So if you are driving around Belleair Bluffs keep a lookout for these images!

Chef Scott individual promotional shot Belleair Bluffs Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame back rightI photographed them inside the restaurant itself, but all that was desired by the client was a final image on a clear background.  To make it easy to cut them out of the shot I setup a white background.  The white background in these images here was added in Photoshop.  The client though can add any color or type of background as needed.

Cheff Erwin individual promotional headshot Belleair Bluffs Florida - Nikon D300 Nikkor 80-200mm @ f/6.3 ISO 200 1/160 - Stobist: SB-800 @ 1/4 power in 43" brolly to frame left & SB-600 in 43" shoot through umbrella to frame back rightI have photographed with clients with glasses before, and have had some challenge getting know glare or reflection showing up.  This time the challenge was a bit more than usual.  I think I learned a tip for eliminating glare/reflection in glasses, have the subject look down slightly.  That was how I was able to make the above photo of Chef Erwin with signature glasses on.