Smacks Bayou home after a storm - black & white long exposure

A home on Smacks Bayou - Nikon D300 with Nikkor AF-S 105mm VR micro f/2.8G lens @ f/11 ISO 200 50.4 second exposure on Induro CT214 tripod with cable releaseOnce again an interruptive rain storm allowed me a photography opportunity I would otherwise not of had.  A windy rainstorm swept it right when my evening DSLR Photography Lesson was to start, forcing its rescheduling.  After the rain past I went out onto my back patio with the same gear setup I was to use to teach the lesson with: 

That lens choice would not have been my first thought to use for the Smacks Bayou long exposure landscape shot I previsioned, but I wanted to setup a challenge to see if I could make it work.  Instead of feeling restricted, I felt liberated to be using a 105mm prime lens.  I sat down in a chair, let the tripod hold the camera, and even rested the cable release on my lap as once I setup the shot, I let the gear do all the work!  This is an extremely relaxing way to do photography.  

Photography Tip - shoot abstract bokeh

Bokeh from lights on a tree in a park - Nikon D300 with Nikkor AF 50mm f/1.8D @ f/2 ISO 800 1/40th handheldLast week I wrote about using bokeh for a more creative background.  This time my photography tip is to eliminate the foreground altogether and just make abstract shots using a bokeh filled background only.  

Recommended gear: 

  • 50mm f/1.8 lens or similar large aperture lens 

Abstract bokeh background shot technique: 

  • Settings to start with:  f/2 ISO 400 1/80th AF-S --> adjust ISO and shutter speed as needed
  • Set the focus on anything close to you, it can be above or below, it does not matter
  • Keep the focus locked and walk out of the way of the foreground object you focused on, you can even walk forwards or backwards!
  • Using a very steady shooting position compose your shot so the bokeh looks its best
  • Exhale! 

 

Bokeh from an ATM machine on the street - Nikon D300 with Nikkor AF 50mm f/1.8D @ f/2 ISO 400 1/80th handheldAny background light source can be used to produce bokeh.  Strings of light are great to use and probably easy to find.  However, if you are in an urban environment you can use the taillights of cars, or even the glow of an ATM machine like in the above shot.

Abstract bokeh made before sunset - Nikon D300 with Nikkor AF 50mm f/1.8D @ f/2 ISO 200 1/80th handheldYou do not have to wait until total darkness to try this shooting technique.  If lights come on close to sunset you can still make them into abstract bokeh.

Nikon SB-700 Speedlight Off Camera Flash DSLR Photography Lesson with Kamila

Kamila's new Nikon SB-700 Speedlight being used in Commander Mode during our second DSLR Photography LessonMy first DSLR Photography Lesson with Kamila was back in May when she brought a friend to model for her as I instructed her on off camera flash (strobist) portrait photography.  This second lesson tonight was a refresher on the basics of using Nikon's CLS (creative lighting system) Commander Mode to natively trigger a Nikon Speedlight off camera.  However, at the very beginning of the lesson a massive thunderstorm broke out in sunny weather producing some of the most blasting lightning I have felt in nearly 15 years.  Luckily, we met at the Museum of Fine Arts and could use its covered front archway deck to practice while the lightning slammed the earth.

Since May Kamila added the new Nikon SB-700 Speedlight to her camera bag.  Getting hands on with the SB-700 for the first time tonight meant that in the past week I now have experience using both of Nikon's new (and only) speedlights.  I really like the much improved button usage on both the SB-700 and SB-900, although the power switch that also has the dedicated remote and master settings is awkward to use since it requires pressing in a button while moving the small switch.  

Before our next lesson Kamila will be going back to the camera shop to get a couple of light stands which make using speedlights off camera infinitely easier as light stands have a very small footprint and can reach heights of 9 to 12 feet.  A tripod can be used but it has a large footprint and only reaches about six feet.

Learning how to use off camera flash is as simple as owning a Nikon D80 or above (D90, D7000, D300, D300s, D700) and a Nikon speedlight.  Canon users with a 7D have a similar ability.  

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
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    St. Petersburg Florida Commercial Hotel Photography Courtyard Marriott

    St. Petersburg Commercial Hotel Photography - the Courtyard Marriott at dusk in downtown St. Petersburg, Florida - 7-bracket HDRMy commercial photography work for the Courtyard Marriott in downtown St. Petersburg continues with an exterior and interior shoot of the hotel itself (see commercial wedding shoot).  This job spanned mutliple days because day and evening exterior shots were desired by the client.  The HDR sunset shot of the hotel exterior at dusk was the very last shot to make.

    St. Petersburg Commercial Hotel Photography - Courtyard Marriott historical lobby - 7-bracket HDRFormerly the Pennsylvania Hotel, the now Courtyard Marriott has a nearly 100-year old history.  The lobby retains the most of the original features of the hotel including the crown molding and tile flooring along with the marble wall accents. 

    St. Petersburg Commercial Hotel Photography - Courtyard Marriott suite room - 7-bracket HDRNo matter how wide of a lens you have, photographing rooms, in particular hotel rooms, is still challenging as it is ideal to show as many features of the room in a single shot.  The challenge lies in the fact that not all these room features tend to line up in a neat row.  You can of course stitch multiple shots together, but then that would not look natural.  For a viewer to know this is a suite room, the bedroom and separate living space needed to be shown in the same shot.  

    St. Petersburg Commercial Hotel Photography- indoor pool at Courtyard Marriott - 7-bracket HDRHere is a tip for pool photography, never show the whole pool in the shot in order to strategically leave the entire size of the pool to the viewer's imagination.  This is of course unless a hotel has an olympic size swimming pool they want to show off!

    St. Petersburg Commercial Hotel Photography - office workspace at Courtyard Marriott - 7-bracket HDRAs you can see with all the above interior shots, I shot into a corner of the room which gives an image depth and dimension.  Very rarely is it best to shoot straight at a flat wall.  Shooting into a corner often naturally shows the most of an interior space anyway.  

    Off Camera Flash DSLR Photography Lesson with Nikon D700 & SB-900 Speedlight

    Not done in a studio, but outside amongst fire ants and mosquitoes! - Nikon D700 with Nikkor 70-300mm f/3.5-5.6 lens @ f/5.6 ISO 200 1/200th Strobist: Nikon SB-900 Speedlight @ 1/128th power on light stand to frame left triggered by Commander modeBarbie has started a new four DSLR Photography Lesson set with me.  We picked up right where we left off on Monday with some flash portrait practice.  However tonight, we got the flash off the camera for some strobist style shots.  Can you guess where the above shot was taken?  Looks like a studio right?  Actually, it was right in Vinoy Park around sunset time.  Such is the power of off camera flash combined with the right lens and exposure settings.  Almost anywhere can be made to look like you are working in a studio.   

    For the above shot I used Barbie's kit (Nikon D700, Nikon SB-900 Speedlight bare, Nikkor 70-300mm f/3.5-5.6 lens) combined with my light stand.  The background, if it were in focus, is Tampa Bay at dusk.  This was my second time getting hands on with Barbie's SB-900 and all I can say is:  it is VERY powerful.  Most of the time tonight it needed to be manually set to 1/128th so as to not over expose either myself or her.  

    As you can see, our setup for tonight's lesson was as simple as strobist photography gets, just a single strobe on a light stand, with not even a diffuser cap on the flash.  The SB-900 was triggered by commander mode on Barbie's D700.  All Nikon's D80 and above (D90, D300, D300s, D700) have this mode that uses the DSLR's built-in flash to trigger the Nikon strobe (SB-600, SB-800, SB-700, SB-900).  Now, this is a great feature to have standard in the camera, but it is not totally reliable as a line of sight is needed, so for proper strobist photographer I do recommend getting radio triggers.  

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
  • Learn more about the lessons
  • Browse past lessons with all of my students 
  •  

    --Professional Model DSLR Photography Lessons now available!

    Photography Tip - find lights for creative bokeh

    Take a photo lesson with Jason & learn how to make this same shot! - Nikon D300 with Nikkor 50mm f/1.8D @ f/2 ISO 200 1/80thI have been having DSLR Photography Lessons using only 50mm lenses often lately.  My Nikkor 50mm f/1.8D lens is one of my favorites to use as a "walking around" lens as its large aperture allows for easy creation of very shallow DoF, which itself of course results in bokeh.  However, not all bokeh is created equal.  

    Photography tip:  find small lights to use as big bokeh in the background of your shot

    The lights in the above photograph were hanging around a tree in a restaurant's back courtyard eating area.  I actually was standing in a very grimy alley (see the second shot here) to make this shot.   

    Using a large aperture of f/2 and focusing on the railing, the small lights seen on the left became the much prettier bokeh on the right.  This also shows the importance of knowing how to creatively control your DoF and what object to set the focus on in order to produce the best results.  

    Try this photography tip this weekend and post a link to your shots in the comments below.

    New Salvador Dali Museum St. Petersburg Florida

    The new Salvador Dali Museum of St. Petersburg Florida - Nikon D300 with Tamron 17-50mm f/2.8 @ f/11 ISO 200 7-bracket HDR with partial blend of a single image on Induro CT214 tripod with cable releaseThe appearance of any new piece of architecture within a photographer's city is an opportunity to create a defining shot of it.  I am far from the first local photographer to make photos of the new Salvador Dali Museum here in St. Petersburg, Florida, and even farther from producing the defining shot.  Moris Moreno has already made those shots (view here).  When I did a search to see what photos of the museum already existed, finding and viewing Moreno's shots were humbling.  

    I finally photographed the new Dali Museum mostly because a commercial client wanted a shot of it to use for cross promotional purposes.  They required only a single shot which is the above.  I then went back on another occasion to use the museum grounds as the site of a DSLR Photography Lesson and made a few more shots during that time.

    The above shot represents the culmination of all my HDR shooting skills, plus my increasing use of masking.  I will describe this editing technique in detail in an upcoming post.  It also helps now that I am using a professional level tripod, an Induro CT214 with Induro BDH2 ballhead.  Again, a review of those sticks will be coming soon.

    The glass waterfall of the new St. Petersburg Salvador Dali Museum - Nikon D300 with Tamron 17-50mm f/2.8 lens @ f/11 ISO 200 7-bracket HDR with partial blend of a singe image on Induro CT214 tripod with cable releaseThe main architectural flair of the museum exterior is a so-called waterfall of glass flowing narrowly from the east facing roof of the building to a wider flow along ground level wrapping around the north side.  Using an HDR technique to photograph the triangular glass panels up close allows for being able to see inside the glass while keeping the sky correctly exposed.

    The Mahaffey Theater (right) has a new neighbor in the Salvador Dali Museum - Nikon D300 with Tamron 17-50mm f/2.8 @ f/11 ISO 200 1/250th 3-shot panorama on Induro CT214 tripod with cable releaseI always liked the Mahaffey Theater's glass architecture feature, and now it is complemented with the glass waterfall of the Dali Museum.  The buildings are not exactly in a popular area of downtown St. Petersburg, more on the outskirts of it.  The only times I passed this area in the past were on exploratory cycling trips.  The roads are wide, smooth and empty in this area, great for cycling.

    Melting Time bench at new Salvador Dali Museum St. Petersburg Florida - Nikon D300 with Nikkor 50mm f/1.8D lens @ f/11 ISO 200 1/400th single frame handheldThe grounds of the museum before the glass waterfall contain a well landscaped garden inlcuding a melting time bench reminding one that they are still in the world of Dali.  It is details like that, an extra expense no doubt, that add a lot to the visiting experience.  I did not sit on the bench myself, for time already moves in strange ways for me.  I did not want to risk any further altered perceptions.

    Handwritten note adorning a tree at the new Dali Museum in St. Petersburg Florida - Nikon D300 with Nikkor 50mm f/1.8D lens @ f/2.8 ISO 200 1/8000th single frame handheldAnother great feature of the Dali garden was a tree adorned with long green streamers to which people afixed handwritten notes with clothespins.  Some just tied their entrance wristbands to the streamers.  Whoever thought of this came up with a really great idea to give a visitor a sense of what other people experienced and felt on their visits.  No matter how good digital communication gets, the power of the handwritten note/letter/document just cannot be denied.  Penmanship is just as much a representation of a person's character as anything else.  When I formally go to the museum as a visitor, I will take the time to add my own handwritten remembrence.