Wedding

Karen & James Beach Wedding at Sand Key Florida

Sunset wedding portrait using a 2-strobe setup on Sand Key Beach FloridaKaren and James had perfectly clear western skies for their beach wedding at Sand Key.  Such conditions are actually rare.  It is not often the sun can be seen all the way down to the horizon for a Gulf of Mexico sunset.  

Another 2-strobe setup facing the opposite direction on Sand Key FloridaHowever, turning around to the east offered an entirely different sky.  As usually happens in late summer, storms roll in from the hotter inland parts of Florida, sometimes reaching the coast.  We were fortunate this time as we got the benefit of having the dramatic storms clouds as a portrait background, but with none of the rain!

Humor and glamour abound with Karen's daughtersLast night I came up with a new mathematical photography formula:

wedding portrait (constant) + children (variable) = unknown

Often it is these types of images that get the most feedback and comments from everyone!  I believe in 20 years, this type of photograph will produce the most reaction still.

Bride Series - Rosa

Pass-A-Grille Beach -- Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/100th Strobist: SB-800 & SB-600 off cameraIt is hard to say which Pinellas Country beach is my favorite to photograph at, it may just come down to where I have been the luckiest with sunsets and random things, like when at Pass-A-Grille Beach a great blue heron walks into the frame while trying to photograph a bride.  Such was the case in the above photograph with Rosa, the latest entry in my Bride Series.  

Pass-A-Grille Beach -- Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/100th Strobist: SB-800 & SB-600 off cameraHowever, the great blue heron did linger a bit too long and I finally had to shoo it along its way in order to get a clean background.  I am not even sure Rosa was aware of the large bird behind.  I had no trouble at all getting Rosa to show real emotion for these portraits.  I am always grateful for that!

Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/100th Strobist: SB-800 & SB-600 off cameraBesides having a very beautiful dress, and being unafraid of getting it sandy, Rosa wore a fabulous veil that as soon as I saw it as she arrived at the beach I knew would later make for some great bride portraits.  I had to carefully position my two strobes in order to light the veil and her face while trying to keep shadows to a minimum, all before Rosa's arms got too tired.  I have subsequently used the above image on the wedding version of my business cards.

Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/100th Strobist: SB-800 & SB-600 off cameraWhen everything comes together:  weather, sunset, bride's emotion, dress, props (veil) it makes photography a real pleasure for both the photographer and the bride knowing that the results are going to be so satisfying.

Handfasting Wedding Ceremony at a 400 Beach Drive Condo

Everyone at one point held hands during the handfasting wedding ceremonyFor perhaps the first time in my life I used valet parking as I pulled up to the condo skyscraper at 400 Beach Drive in downtown St. Petersburg.  Since I was going there to photograph a wedding and know how hard it is to park in that area, I did not even ask the price and just hoped it would not be outrageous.  Turns out its a service provided by the building and you just pay a tip to the valet person.  I was immediately impressed as I entered the 11th floor condo that was to be the setting for Hunter and Larry's wedding handfasting ceremony.  For four years I lived on the 11th floor of a state of the art apartment building in Tokyo, and I was immediately reminded of how nice it is to have a view.  Apparently Hunter and Larry are extremely popular people as their friend's condo was totally packed.  I had to watch every step I took roving around photographing the handfasting ceremony.

Hunter before the ceremony - Nikon D300 Tamron 17-50mm @ f/8 ISO 640 1/60th SB-800 hotshoe mountedThe condo was huge and I have no idea exactly how many rooms it contained, with the master bedroom being exceptionally huge.  This is where I began photographing once I arrived.  Hunter and Larry and some other close friends who would be in the ceremony were all getting ready at their ease.  Once it seemed like everyone (100 people?) was there, it was on with the ceremony!

Presenting a ring with part of the great downtown St. Petersburg waterfront view in the backgroundI had heard of handfasting while a grad student in religious studies at USF and always thought it sounded like a great custom.  I believe I saw a photo in a reference book of a white ribbon binding the wrists of a couple together during the ceremony.  Other than that long held mental image, I had no idea what else to expect.  I liked the ritualistic presentation of the rings by members of the wedding party.

Not the white ribbon I had imagined for 10+ years

The practitioner did not bring out a wide, white ribbon as I had imagined for years, but actually a series of thin ropes that were placed on one-by-one with a description of the meaning of each in between.  They were also not tightly bound around their wrists.  I am now curious about what variations exist in handfasting ceremonies.  

Nikon D300 Tamron 17-50mm @ f/8 ISO 640 1/60th SB-800 hotshoe mountedThe handfasting ceremony took some time, which I appreciated as it allowed me many opportunities for both shots of the couple themselves as well as all wedding party members and even some reaction shots of the guests.  In comparison, most beach wedding ceremonies are over in less than five minutes so I mostly just have time to focus on the couple as things progress rapidly.  

Their cake may have been the best I ever tasted in my life.Now the couple feeding each other cake custom I am of course very familiar with.  Neither made things get messy though, unfortunately.  However that would have been perhaps a food crime of sorts to waste even one bit of the cake, as it was quite possibly the best cake I ever tasted, and I am a long-time cake connoisseur often on the search for a palatable piece of cake after living in Asia for 9 years, a continent where good cake seems to go to die.  The cake itself was light, but solid with a touch of raspberry spread between layers and an extremely tasty frosting.  

I had a great time and experience photographing Hunter & Larry's wedding and seeing how the downtown St. Petersburg condo lifestyle really is (it's excellent).  Now if I could just get that cake recipe . . .

Bride Series - Olivia

Sand Key Florida -- Nikon D300 Tamron 17-50mm f/2.8 @ f/11 ISO 200 1/100th Strobist: Nikon SB-800 Speedlight @ 1/2 power with diffuser cap on light stand to frame left

Being patient and persistent allowed for these images of Olivia for this Bride Series collection, as well as spontaneous.  Soon after her wedding ceremony, a huge storm rumbled across Sand Key Beach forcing us to take cover for over twenty minutes.  It was already getting close to sunset time and I really thought we would have no more portrait opportunities.  Then as suddenly as the storm arrived, the rain ceased leaving behind a dramatic sky background over the Gulf of Mexico.

Nikon D80 Nikkor AF ED 80-200mm f/2.8 lens @ f/8 ISO 200 1/640th natural lightThis is Olivia as she is getting ready to walk down the sandy beach aisle, before the storm.  The weather was still calm then and the sun was giving off its usual warm glow of late evening.  It is the ideal time for natural light portraits.  

Nikon D300 Tamron 17-50mm f/2.8 @ f/11 ISO 400 1/100th Strobist: Nikon SB-800 Speedlight @ 1/2 power with diffuser cap on light stand to frame leftI mentioned before being spontaneous helped.  This photograph was very impromptu (as was the lead image).  As we were leaving our respective shelters, they from their cars (too hot for me) and me from the changing room covered open air deck, on our way to the beach I liked the green grass background and thought it would be a unique shot to have amongst all the other on sand shots.  Olivia was willing to leap up onto the railing of the boardwalk.  I quickly setup my light stand and dialed in the settings.  I was very happy we made the effort to get these shots.  

Nikon D80 Nikkor AF ED 80-200mm f/2.8D lens @ f/8 ISO 200 1/400th natural lightSo what could have ended up as a very shortened wedding portrait session turned into an opportunity for portraits with a unique and dramatic backdrop.  Over this summer I have come to actually prefer stormy sky backdrops over ordinary calm sunset skies.  Thanks to Olivia for being so open to all my ideas.

A Twilight Wedding on Sunset Beach Treasure Island Florida

Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 400 1/80th Strobist: Nikon SB-800 Speedlight @ 1/2 power on light stand to frame leftI wonder if any wedding dress makers offer dresses made particularly for (hot) Florida beach weddings?  Many of the brides I photograph do a great job of getting around on loose sand in long flowing dresses, but I am sure glad to be wearing ultralight wicking materials rather than a highly non-breathable wedding dress.  Callie, as you will see, was still quite nimble despite the longish train of her wedding dress.

Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 400 1/60th Nikon SB-800 Speedlight hotshoe mountedMost of the time for beach weddings I do not see the bride and groom until they are standing on the beach just before the ceremony.  They often come from out of state and do not hire me for any photography before the ceremony.  However, for Callie and Joey's wedding I got on the scene even before Callie donned her wedding dress so the above photograph shows the moment all the finishes touches to attire, hair and makeup were completed.  This also allowed me to get to know Callie a little before her wedding, which is a big plus for me as a photographer.  

Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 400 1/60th Strobist: Nikon SB-800 Speedlight @ 1/2 power on light stand to frame leftNot only did Callie and Joey reserve photography time for before the beach wedding ceremony, but also for a time after sunset too.  No other beach bride from this summer has a portrait like the one above because no others reserved after sunset time for photography.  After the sun goes down, often the sky turns purple with hues of orange.  Add to that that Callie, shoeless, was willing to scramble up some jetties, all this enabled me to make basically the exact shot I pre-visioned.  

Nikon D300 Tamron 17-50mm f/2.8 @ f/5 ISO 200 1/30th Strobist: Nikon SB-800 Speedlight @ 1/2 power on light stand to frame leftWe even had time for a few well after sunset portraits with Callie and her bridesmaids.  Again, this kind of photograph was a first for me this summer.  It was also a very fun series of shots to end the night on.  After the shot above, Callie and her friends put on their "silly faces" I believe they called them.  I will keep those shots offline though . . . thanks Callie and Joey for a very fun and creative evening of beach wedding photography.

Urban Wedding Engagement Portraits in downtown St. Petersburg

Improvising using the one-way sign - Nikon D300 Nikkor 80-200mm f/2.8D @ f/5.6 ISO 400 1/100th Strobist: Nikon SB-800 Speedlight with diffuser cap 1/2 power on light stand above and to frame left Nikon SB-600 Speedlight 1/4 power with diffuser cap on tripod eye level to frame right

Back in May I had an engagement shoot with Mary and Jason at the often used University of Tampa campus.  They were wanting to add a few unique, urban shots to their engagement package so I had them meet me in downtown St. Petersburg one evening.  I had a few spots in mind to use, but as often happens, my favorite shot of the day came via improvisation and just happening upon something.  We were finished with one location and walking toward a corner and I thought a lone one-way sign could be a great prop.  I set up my two strobes and shared my vision with Jason and Mary.  After several tries they both performed their roles just as I had envisioned and the result was one of my favorite shots of the summer.

Improvising using the one-way sign - Nikon D300 Nikkor 80-200mm f/2.8D @ f/5.6 ISO 400 1/100th Strobist: Nikon SB-800 Speedlight with diffuser cap 1/2 power on light stand above and to frame left Nikon SB-600 Speedlight 1/4 power with diffuser cap on tripod behind and belowThe experimentation continued with adding more urban elements into the shot like a fire hydrant and traffic light.  I further pushed things by using a filter in Topaz Adjust 3 to achieve the vivid, painted look.  This was also one of the first times to use one strobe for backlighting/hair lighting (seen in the glowing edge around Mary).  This is a technique I will definitely be repeating.  

Nikon D300 Nikkor 80-200mm f/2.8D @ f/3.5 ISO 200 1/100th Strobist: Nikon SB-800 Speedlight with diffuser cap 1/2 power on light stand above and to frame left Nikon SB-600 Speedlight 1/4 power with diffuser cap on tripod eye level to frame rightThe engagement shoot was a very fun and creative experience for me and I got to know Mary and Jason a little bit better before their upcoming September wedding.  I am looking forward to photographing their big day!

Tranquil Florida Wedding on Sunset Beach Treasure Island

I hope they do not mind the guest in their Sunset Beach wedding portrait!After many stormy evenings out on Pinellas County's Gulf of Mexico beaches, Maria and Michael's wedding night weather was tranquil, as was everything about their wedding.  On a week day evening Sunset Beach on Treasure Island is largely empty, save for shore birds and a passing dolphin or two.  

The bride before her wedding, photo helped out by a timely wind gust

All this was a relief to me not having to worry about having the wedding ceremony and time for photography cut short by an imposing thunderstorm.  The nearly empty beach also allowed me to choose backgrounds at will.  I could concentrate more on the lighting and composition.  I even had time to wait for the wind to catch Maria's dress.

Maria continued my perfect streak of having nothing but utterly pleasant brides to photograph and work withI really like to have negative space in portraits when shooting them in either landscape or portrait orientation, especially when there are two people in the portrait.  Filling the frame is great for portraits as well, but when shooting on location at the beach, I think in a vast majority of the shots showing the beach as the background is best.  I could crop in on the above shot to create perhaps a more personal image, but then who would know they were at the beach?

An increasingly requested shot -- couple facing the sea with backs to the camera

Having the portrait subject not looking into the lens directly, or having the subject's face not visible at all is a shot I like to include in any portrait session to help create in the future a sense of wonder.  Not wonder in like Wizard of Oz wonder, but rather in making the subject wonder what they were thinking as they looked upon the vast sea, holding her/his wedded partner's hand for the first time.  If they can remember, how does it compare to the present?  

Thanks to Maria and Michael for a calm, creative evening of photography.