Photo Story

Canon TS-E 17mm f/4L Tilt-Shift Lens St. Petersburg Florida

Ovation condos in St. Petersburg Florida given the miniature treatment by a tilt-shift lens - Canon 5D Mark III with Canon TS-E 17mm f/4L lens @ f/4 ISO 100 1/400thA recent client requested the use of a very specialized lens, the Canon TS-E 17mm f/4L tilt-shift lens.  As this lens costs $4,000 and I am a Nikon shooter, I used the very easy to use borrowlenses.com to rent both that lens and a Canon 5D Mark III body.  I rented them for three days so before I had to ship that gear back, I had a chance to roam the rooftops of a couple of parking garages in downtown St. Petersburg to make some of the miniature looking shots you can do with a tilt-shift lens.

Al Lang Stadium tilt-shift style St. Petersburg, Florida - Canon 5D Mark III with Canon TS-E 17mm f/4L lens @ f/4 ISO 100 1/800thA tilt-shift lens is actually a rather tricky piece of gear to use.  A couple of things to know about them:  1.) manual focus only  2.) the meter does not work while tilted or shifted

Standing in the middle of Beach Drive NE to get this shot - Canon 5D Mark III with Canon TS-E 17mm f/4L lens @ f/4 ISO 100 1/200thA tilt-shift lens allows you to photograph buildings without them looking like they are tipping over.  If you tilt the lens opposite of that purpose, however, especially when shooting from high up, then the subjects look tiny.

Unusual DoF from a tilt-shift lens in St. Petersburg Florida - Canon 5D Mark III with Canon TS-E f/4L lens @ f/4 ISO 100 1/500thThe whole lens itself rotates on the camera mounting, so you can tilt the lens not just up and down but also side-to-side.  This allows creating vertical DoF as seen in the above shot with a strip alone the lines of the seawall being the only part of the photograph in focus.  

Favorite Five Photographs of 2012

The five photographs below represent my personal favorites that I made in 2012, from various categories.  The process, as always, for selecting my favorite images of the year is based on if the photo made me feel emotion.  Another factor for choosing is if the particular photograph was a breakthrough for me in terms of technique or content.

Alfa Romeo 8C Competizione looks out over the Tampa International Jet Center airfield - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 9-exposure HDR tripod mounted with cable release

1 - Alfa Romeo 8C HDR at Tampa Jet Center - category: event, car, HDR

Photographing the Cars & Couture event in October 2012 was the most fruitful evening of shooting of the year for me by far for getting portfolio shots.  The term kid in a candy shop could not be more well applied.  I had free range to photograph numerous supercars in a unique (jet hangar) setting as the light of the day was providing an ideal sunset backdrop.  I felt as if in a blissful trance.  It was hard to choose which shot from the event for my favorite.  I chose the above shot of an Alfa Romeo 8C Competizione because it incorporates the best of my 9-exposure HDR technique in a shot that composes the car and event photography categories.  I also believe it tells a story with the couple embracing framed in the windshield of the car, the woman standing alone in the center, the jets in the far background and the other people mingling at the right of the frame.  This image is the one I am currently using on my business card too. (read the original photo story for this image)

 

Abby surrounded by bokeh using "sandwich lighting" - Nikon D300 Nikkor 105mm VR Micro @ f/5.6 ISO 200 1/60th Strobist: SB-800 to frame left & SB-600 to frame right both @ 1/4 power

2 - Abby Wrapped in Shadow with Bokeh - category:  model portfolio shot, strobist

I had several model portfolio shoots in 2012, but like the Cars & Couture event described above, my shoot with Abby produced the most portfolio shots of any other model shoot.  The image of her above largely in shadow also represents a new photography style for me pushing my strobist techniques into different, less traditional areas.  This shoot was also on location, not in a studio, and the bokeh in the background is the result of finding trees filled with small lights.  The shadow the model is wrapped in to me, is what produces the emotion of the shot, along with the pose Abby chose on her own.  Both of these add up to some mystery the viewer has to ponder. (read the original photo story for this image

 

Isabella dancing at her first communion celebration at the Don Cesar St. Petersburg Florida - Nikon D300 Tamron 17-50mm @ f/5.6 ISO 200 1/200th Strobist: SB-800 with diffuser cap @ 1/4 power to frame right

3 - First Communion Dress Sping - category: portrait

I had photographed Isabella's mother twice before as she is a professional flamenco dancer.  She asked me to photograph her daughter's First Communion celebration at the Don Cesar.  As soon as I saw Isabella in her beautiful, flowing white dress, I knew I wanted to make a shot showing the dress twirling in the air.  In the driveway of the Don Cesar I stood on the top of a low wall of potted plants to get a high perspective.  Then it was about timing the shot right to get Isabella smiling and looking at the camera as well as her dress in full spin.  (read the original photo story for this image

 

Nikon D300 Tamron 17-50mm @ f/11 ISO 200 11 sec tripod mounted with cable release

4- Fiery Dusk Sky Over St. Petersburg - category: fine art, landscape, long exposure

2012 may well be the last year I would be able to make a shot like the one above as the location I made it from, the top of The Pier, is slated for demolition soon.  If that is so and this shot is the last twilight sky over downtown St. Petersburg I ever make, then at least I got great cooperation from Mother Nature.  Just minutes before sunset, everything was totally gray and overcast.  Then, suddenly, light burst out from just above the horizon and changed color at least three times.  This view is more commonly shot framed to the west and north, but I chose to frame it west and south, making it stand out from others I have taken from this same vantage point.  (read the original photo story for this image)

 

Kiki's mouth opens too wide when yawning to even fit in the frame! - Nikon D300 Nikkor 105mm VR micro @ f/8 ISO 200 1/60th Strobist: SB-800 @ 1/4 power in brolly to frame right

5 - Kiki Yawns on Digital White Background - category: candid, Photoshop, pet

A photograph of my beloved puppy Kiki returns to my favorites of the year after a one year absence.  This one demonstrates the benefits of being restricted by focal length.  On my Nikon was the 105mm macro lens, making it impossible to get Kiki's entire head in the frame.  I think had another, wider lens been on my camera then and all of Kiki's head could have been in the frame, the shot would not have had nearly the impact this one does by showing only part of her tongue and jaw and featuring her eye looking straight ahead.  The other reason for choosing this shot is that it demonstrates my improved Photoshop technique for removing a subject from a background and my new liking of putting subjects on digitally created white backgrounds.  (read the original photo story for this image

My Favorite Five Images of 2011

My Favorite Five Images of 2010

My Favorite Five Images of 2009

--please post links to your own favorite photographs in the comments below

Bus Light Trail in St. Petersburg Florida Photography

Not a spaceship, but a double-decker bus all lit up - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 17.7 sec tripod mounted with cable releaseWalking back to my car after photographing New Year's Eve 2012 Fireworks in downtown St. Petersburg I saw a double decker bus making a very awkward 3-point-turn down the road.  I still had my Nikon on my tripod over my shoulder so I quickly set up on the curb thinking I had a rare chance to make a light trail photo with a tall, lit subject, not just the usual low cars.  

Fortunately, it was more of a 10-point-turn so I had plenty of time to get in position and even make a few test shots before opening the shutter for 17.7 seconds to capture the image above.  

New Year's Eve 2012 Fireworks St. Petersburg Florida

Fireworks on New Year's Eve 2012 St. Petersburg Florida waterfront - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 18.8 sec tripod mounted cable release locked covering the lens with a cardSt. Petersburg Florida celebrated the new year 2013 with a fireworks display on New Year's Eve.  I have photographed various fireworks displays in this area and am always looking for a new spot to shoot from without knowing exactly ahead of time where the fireworks will go off from.  For this New Year's Eve I chose a more northern vantage point allowing some of the city skyscrapers to be in the shot too.  

I detailed my fireworks shooting process in this blog post.

First Sunrise of 2013 Snell Isle Smacks Bayou St. Petersburg Florida New Years

The first glimpse of the first sunrise in 2013 over Smacks Bayou in St. Petersburg Florida - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/60th tripod mounted with cable releaseI once again woke up early to photograph the first sunrise of the new year, which is somehow already 2013.  Last year was a little more spectacular as I made the big effort to drive out to Ft. Desoto and use the Sunshine Skyway Bridge as a background.  This year I just took a few steps off my back patio to make these images of the sun rising over Smacks Bayou in the Snell Isle area of St. Petersburg, Florida.

The first sunrise of 2013 reflecting on Smacks Bayou Snell Isle Florida - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/200th tripod mounted with cable releaseThough there was a ripple across Smacks Bayou this morning, a decent reflection from the rising sun could still be seen.  There were only a few low clouds in the sky, so in this case I found the water to be more interesting and made the foreground dominant in the framing of this shot.

A quiet and beautiful first morning of 2013 in Snell Isle Florida - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/200th tripod mounted with cable releaseIt is always worth it to wake up early and photograph the sunrise.  Did you get up and see the first sunrise of 2013?  Did you have your camera with you (I hope!!)?  Share your first sunrise photos in the comments below.

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Abstract tunnel gate photograph

A regular building gate made into a mystical tunnel with photography knowledge - Nikon D300 Nikkor 50mm @ f/3.2 ISO 200 1/125thSometimes I like to make photos that offer an impression or a feeling or a dream, rather than producing as realistic a representation of a subject as possible.  The above shot features a metal gate half-opened leading to an open air hallway through a building.  I thought if I focused on the gate using my 50mm lens at a large aperture, the bokeh that composition and settings would produce would make for a very abstract "light at the end of the tunnel" kind of shot.  If I had made this shot look as it did to my eyes, it would have been pretty boring.  Instead, using a few simple photography shooting skills, a more interesting shot was produced that will make any viewer stop and wonder what is in the light at the end of this tunnel?

Fire Escape black & white in St. Petersburg Florida

Signs of the city, fire escapes -- Nikon D300 Tamron 17-50mm @ f/11 1/100th ISO 200Fire escapes clinging to the sides of buildings both tall and short always remind me of city life for some reason, in particular New York City.  As the above shot was made right here in St. Petersburg, Florida, fire escapes are not exclusively found in big cities.  I have never actually even been on a fire escape, but when I see them I always imagine making a narrow escape from a sticky situation, or covertly gaining access to a rooftop.