Photo Story

Sunny Florida at f/11 project #03 - Royal Palms

Nikon D300 Tamron XR Di II 17-50mm f/2.8 @ f/11 ISO 200 3-bracket HDRIt has been over a month since I last did anything with my own personal photography project -- Sunny Florida at f/11.  So today I made sure to bring my Nikon D300 with me as I knew I would be in an area I had not been in before with an hour to spare.  The weather cooperated, as it does most days, and provided me with the sunny-ness this project requires.  

Now I always tell people you need to use a tripod to make HDR shots, and well, I broke my own rule as I did not have my tripod with me, and really it is busted beyond use as well, so instead of my usual 7 or 9 bracket HDR technique, I just did this handheld 3-bracket shot.  I even had to hold my D300 over my head.  I only tried it twice (this is the second attempt above).  The first attempt was ok, but the for the second one I really focused on my breathing and held my breath as I held the shutter down.  The exhaling technique does not work as well as just holding my breath for me.  

The three, tall, royal palm trees all grew out of the same cluster base.  If a botanist can tell us if they are all sisters or all one tree that would be cool.

Nobody told me there'd be days like these

Nikon D300 Nikkor 80-200mm f/2.8D @ f/2.8 ISO 1000 1/250th Nikon SB-800 Speedlight on hotshoe, manual mode

Some of the best days of my life, on days I was actually alive, were when I had everything that mattered to me on a backpack on my back and an unknown destination on the horizon.  I can recall one such day vividly.  I had just come ashore on Koh Lanta, a small, cigar-shaped Thai island in the Andaman Sea.  I secured the rental of a sleek red scooter for a week.  I stopped in an open air cafe for a quick fresh mango juice.  As I sipped it, out of nowhere played John Lennon's "Instant Karma!" over the cafe's speakers.  As I left the cafe, got on the scooter, tightened my faithful Cerro Torre 55-liter pack to my back, and took off down the island through jungle roads, by hamlets on the corner with children playing, all with Lennon's words still resonating in my head, I cannot describe the level of Freedom I felt then.  Absolute, pure Freedom.  I was completely untethered.  It is a memory strong enough that if I knew I were to die in the next three seconds, I would recall this memory and die with that feeling as my last fleshly experience.

Of course I was dressed in my classic world traveler clothes, faithful green Cerro Torre Coolmax button up shirt, and outdoor cargo shorts, and at the time an infallible pair of Addidas all condition open trail running water shoe.  Hell, I dress not much different to this day, nor in any city I went to.  Clothes that maximized my Freedom.  I could go anywhere, do anything.  

I can never wear a suit.  Though I was being paid to be in the room with the man pictured above, I was Free, I was being paid to do the only work I currently can find tolerable, and that is photography.  I empathized with the man though, wondering if he was recalling a memory of pure Freedom, if he knew not how he got to where he was in suit in tie, in Florida of all places.  If before he got married he was in the jungles of southeast Asia knowing not where he would sleep that night, but being damn thankful to have found an amazing hillside bungalow with monkeys waiting on the porch and a nearby cliff that stretched out past the jungle's reach to give a clear, vast view of the Andaman Sea, at sunset.  "And we all shine on, like the moon, and the stars, and the sun."  Instant karma's going to get you.....not me though.  I would die first.

Sepia Senior Portrait in St. Petersburg

High School Senior Maria posing with a jacaranda flower in downtown St. PetersburgA large jacaranda tree resides in downtown St. Petersburg next to the Museum of Fine Arts.  Its bright red blossoms fall to the ground still in full possession of their dignity, making for prize souvenirs for passersby, or the random senior portrait shot.  As you can see the tree has been defiled with carvings.  Someone declared their love in a large heart upon the poor trees vast trunk.  Perhaps now in hindsight I did a dishonor to the tree for using the carving in my portrait.  I will make it up to the jacaranda tree the next time I see it.  

How I made this shot:

  • Nikon D300 with Tamron 17-50mm f/2.8
  • f/11 ISO 200 1/30th
  • strobist:  Nikon SB-600 Speedlight on light stand to the above left of frame
  • processing: Aperture 3, Color Efex Pro 3, Photoshop CS4, sepia in Silver Efex Pro 3

Bay Area Militaria Collectibles HDR interiors

Bay Area Militaria Antiques & Collectibles, quite the unique shop on Central Ave - 9-bracket HDR f/11 ISO 200

This shop was in my mental queue to photograph for quite some time.  It is right next door to Raw Vibes, the gallery/dance/performance studio where I had my haikyo photography exhibition in November.  After finishing up shooting the interior of Raw Vibes for owner Laly, I asked the owner of the militaria, who was as usual sitting in a chair in front of his shop, if I could take a few quick photos of the inside of his place.  After a little hesitation he said go ahead.  

The next time I visit I want to take a more careful look around - 9-bracket HDR f/11 ISO 200

I was already setup to shoot HDR, so I made quick work of these shots, pausing only to find the best composition to fully show the shop in just two vantage points.  The HDR method allowed me to get the exterior window and interior collectibles exposed properly, otherwise I would have had to of chosen one or the other.  

I do not know if I will push my luck and ask to shoot inside again, but maybe once the owner sees these images he will be happy to have me return.  

Jason's new headshot with Nikon D300

Finally, a kind of photographer's stereotype headshot for me.

I have few photographs of myself, at least not many "headshot" or "portfolio" type shots of myself.  I have shots of me jumping across a canyon, hanging out in the French Quarter, hanging out with some kids in Cambodia, jumping off boulder in New Mexico, hanging out in Chinatown in San Francisco, crossing half-tree bridges, jumping off more boulders in Korea, hanging out with hipsters in Korea, and even me skimboarding in Japan.  The above is my first stereotypical photographer's headshot, i.e. some dude holding a camera.  

This was just a quick attempt made on my back patio with some help from f8 Consortium colleague and friend Marc, who took the shot.

Which era Jason do you like best?  Let me know in the comments below.

Who will follow the leader?

Seagulls on the wall at Vinoy Park - Nikon D300 Nikkor 80-200mm f/2.8D lens @ f/5.6 ISO 400 1/2500thOne of my favorite spots to be in the St. Petersburg is the tip of Vinoy Park.  It is usually entirely devoid of people and is the gateway into the small harbor in front of downtown that offers views of what cityline there is, the Pier and then a sweeping view of Tampa Bay.  Dolphins hunt along this seawall, manatees amble buy, and of course birds of all kinds use it as a rest stop.  

All this makes for a great spot to just sit, think and observe, as well as a great location for photography.  

Sea gulls are common, but I liked how they were all lined up with one of them deciding to fly off.  Did he/she hope that all the others would follow?  Did she/he hope to be able to fly off alone?  These are the kinds of things that constantly pop into my head.

Street Portrait Series 02 - University of Tampa 2

Tanya volunteered for a street portrait on the University of Tampa campus - Nikon D300 with Tamron 17-50mm f/2.8 lens @ f/11 ISO 200 1/320th Nikon SB-600 handheld to frame left

This is more a part 2 to the first entry in the Street Portrait Series, as these shots were made on the same day.  This series is about asking people you just see on the street if you can make their portrait.  Tanya, pictured above, was just hanging out on the University of Tampa campus.  I asked her (and Stephanie) if she would not mind letting me take a few photos of her.  She said sure.  So the hard part in street portraits is just getting the nerve up to ask someone.  In my experience so far it seems many people are willing to let you photograph them.  They just want to know what you will do with the photos, so I tell them it is part of a street portrait series I am doing and that I will use them on my website.  That is usually good enough explanation for them and they agree to let me photograph them.

Downtown Tampa provides the backdrop for this shot - Nikon D300 Tamron 17-50mm f/2.8 @ f/11 ISO 200 1/250th Nikon SB-600 handheld off camera

Both of these shots were done with my "quick and dirty" method of off camera flash, which just holding the strobe outstretched in my left hand while holding my Nikon D300 in just my right hand.  

How I processed these photographs: 

  • RAW files first processed in Aperture 3 (Nikon D300 default setting)
  • exposure & color correction in Nik Color Efex Pro 3 (polarization, pro contrast, tonal contrast filters)
  • Unsharp Mask applied in Photoshop CS4 (exported from Aperture as a 16-bit TIFF)  
  • some cloning out of the edge of a building in CS4
  • lens distortion filter used on the top image to straighten the building