Photo Stories

How to Photograph Fireworks - 4th of July Fireworks St. Petersburg Florida 2012

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4th of July Fireworks over downtown St. Petersburg Florida 2012 - Nikon D300 Nikkor 80-200mm @ f/11 ISO 200 10.5 sec tripod mounted with cable release covering lens frequently with a cardThere is an art and methodology to photographing fireworks that if you have the necessary gear is pretty fun.  To photograph fireworks properly you need:

  • DSLR camera with bulb mode
  • Lens with appropriate focal length for your location
  • Very stable tripod
  • Cable release
  • A stiff card large enough to cover the front of your lens

Other tips for shooting fireworks:

  • Choose a spot with a clear open view (obviously!)
  • Choose a spot that is upwind (so smoke does not blow into your shots)
  • Include foreground elements (do not just shoot the fireworks themselves)
  • Do not record overlapping fireworks (will just look blown out in one spot)

4th of July Fireworks in St. Petersburg Florida 2012 - Nikon D300 Nikkor 80-200mm @ f/11 ISO 200 27.4 sec tripod mounted with cable release covering lens frequently with a cardThe actual process for making and recording a multiple firework image:

  1. While still light out focus on something where the fireworks will be
  2. Set your focus to manual focus so you do not have to worry about autofocusing in the dark
  3. Use manual exposure mode set to bulb mode and f/8 or f/11 & your lowest ISO
  4. Hold the shutter open with your cable release when seeing a streak going into the air
  5. Cover the front of the lens quickly & carefully with the card
  6. When the firework explodes remove the card for a split second
  7. If another firework explodes in a different spot, remove the card again
  8. Repeat step 7 a few times then release the shutter

4th of July fireworks finale in St. Petersburg Florida 2012 - Nikon D300 Nikkor 80-200mm @ f/11 ISO 200 28.8 sec tripod mounted with cable release covering lens frequently with a cardI also try to avoid removing the card for fireworks that are just bright balls of light as these tend to overexpose and just look like all-white blobs.  Overly bright fireworks can also reflect light onto smoke in the sky ruining the shot.  The ideal is to catch a streaking firework trail going up, a low firework explosion, a middle one, and then a very high one.  This evening they tended to explode in the same spot like three times in a row, which is no good as the overlapping makes them start to again look like an all-white blob.  If you are patient, study the patterns of explosions, and use good technique exposing the front of the lend with the card, then you will give yourelf the best chance at creating a satisfying fireworks multiple explosion image.  

Post a link to your fireworks shots in the comments below!

Honeymoon Island State Park Family Beach Portraits Candid Sunset

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Candid Family Beach Portrait at Sunset on Honeymoon Island State Park - Nikon D300 Tamron 17-50mm @ f/5.6 ISO 200 1/200th Strobist: SB-800 in front of subjects & SB-600 behind & to the right of subjectsThe streak continues for photographing past clients.  This time it was DSLR Photography Lesson student Angela's family for sunset beach portraits out at Honeymoon Island State Park.  We had to reschedule our candid portrait session three times due to various weather, including tropical storm Debbie.  There was a bit of a time issue as well as one of Angela's daughters was soon off to college!  In the end we had perfect weather for the entire shoot.

Family Beach Portrait on a swinging bench on Honeymoon Island State Park - Nikon D300 Tamron 17-50mm @ f/7.1 ISO 200 1/200th Strobist: SB-600 to frame left & SB-800 to frame right

This bench swing was the first and only prop we used during our photo session.  With a little careful arranging the entire family of five were able to (comfortably?) fit on the bench.  To make the image more candid and natural I had them actual swing back and forth, capturing this image as they swung farthest forward.  This also helped solve a problem with shadows coming from the beams holding up the swing.

Trying out new poses during this family beach portrait session - Nikon D300 Tamron 17-50mm @ f/9 ISO 200 1/200th Strobist: SB-600 to frame left & SB-800 to frame right

Using a handy new iPhone posing app, I showed the family exactly how I wanted them to arrange themselves for a more together looking portrait than if they were all just sidding side-by-side or even in a standard two-row pose.  This was Angela's favorite photo from the session.  

A 60's sitcom promo inspired shot - Nikon D300 Tamron 17-50mm @ f/6.3 ISO 200 1/80th Strobist: SB-800 to frame left & SB-600 to frame right

The above image is also an entirely new shot I never made before.  I asked if everyone was willing to lie down on the sand.  Everyone agreed and we were thus able to make this fun photograph that somehow reminds me of The Monkees or other such 60s era type of promo shot.  Since they were wearing white shirts and the sand was off-white, I decided to convert the image to black & white as there was little color in it.

Sisters having fun on Honeymoon Island State Park - Nikon D300 Tamron 17-50mm @ f/5.6 ISO 200 1/200th Strobist: SB-800 next to camera & SB-600 behind to the right

We had a theme going of giving piggy-back rides which the three sisters continued for their siblings only shot.  This is yet another uniquely composed beach portrait staggering height rather than depth, creating a vertical look in a square framing.

Moon rising over Honeymoon Island State Park family beach portrait - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/80th Strobist: SB-800 to frame left & SB-600 to frame rightAs we were finishing the family beach photo session, I noticed the moon rising and a great purple sky.  Now I have made a shot very similar to this one before a few years back much further south near the Tradwinds Resort.  Surprisingly similar as I myself look at them both side-by-side right now.  I was glad that Honeymoon Island State Park provided such a variety of backgrounds for what I consider one of my very best family beach portrait sessions ever.  I have to give a lot of the credit to Angela and her family for their relationships with each other and how well they all interact and can simply just have fun and be themselves, even though I am surrounding them with speedlights and pointing my lens at them.

Family Portraits at Vinoy Park St. Petersburg Florida Grandfather & Granddaughter

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Grandfather & Granddaughter in Vinoy Park for a portrait session - Nikon D300 Nikkor 80-200mm @ f/7.1 ISO 200 1/200th Strobist: SB-800 to frame left & SB-600 to frame rightI have been fortunate recently to photograph friends and repeat clients.  Well, this time I had the chance to photograph both, so I was very pleased to receive a phone call asking for a Father's Day present portrait session.  We chose Vinoy Park as our shooting location and it was thankfully a not too warm evening in St. Petersburg, nor too windy as that far out park often is.

Grandfather & Granddaughter are all smiles in Vinoy Park - Nikon D300 Nikkor 80-200mm @ f/10 ISO 200 1/250th Strobist: SB-800 to frame left & SB-600 to frame rightThe 30-minute portrait session went by very quickly.  The star of the show, young Brooke, was all smiles most of the time, as most of my shooting focused on photographing her with her grandfather and fellow classic westerns fan Paul, whom I first met a few years ago at the dog park.

The whole family in Vinoy Park for our portrait session - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 1/250th Strobist: SB-800 to frame left & SB-600 to frame rightThe above shot was actually the first one of the session as I prefer to shoot the group shots first, then move on to ever smaller groups and pairings.  Featured in the background is The Pier, a doomed structure that is supposed to be torn down next year, but I will believe that when it actually happens.  If it is, then it will serve as a nice time stamp for when this photograph was made.

Vinoy Park Pet Portrait with Beth and Logan dog St. Petersburg

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Beth & Logan in Vinoy Park for their human & pet portrait session - Nikon D300 Nikkor 80-200mm @ f/7.1 ISO 200 1/100th Strobist: SB-800 @ 1/2 power to frame right SB-600 @ 1/4 power to frame leftOn a blustery evening I met long-time dog park friend Beth and her Australian shepherd Logan for a dog and human candid portrait session.  As I have written about before, it is much different when working with a client you already know, in fact I would go so far as to say it is nearly totally different.  We started out with The Pier and Tampa Bay as the background. 

Candid pet portrait with Beth & Logan dog - Nikon D300 Nikkor 80-200mm @ f/7.1 ISO 200 1/60th Strobist: SB-800 @ 1/2 power to frame left SB-600 @ 1/4 power behind benchNext we went over to the bench with the best view in all of downtown St. Petersburg.  From it you can see the entire downtown skyline with a fantastic sunset view on most evenings.  Logan, however, was much more interested in passing inline skaters than the view!

Candid smiling pet portrait with Beth & Logan dog - Nikon D300 Nikkor 80-200mm @ f/7.1 ISO 200 1/60th Strobist: SB-800 @ 1/2 power to frame left SB-600 @ 1/4 power behind benchIt was way, way too windy to use any light modifiers besides a couple of diffuser caps on my speedlights.  For this shot I placed one on a lightstand to frame left and the other on a tripod directly behind the bench.  I used my trusty Nikkor AF ED 80-200mm f/2.8D lens for all these shots.  The wind though did have one benefit, that being keeping temperatures very tolerable and actually rather comfortable, even for me shooting and scurrying about setting up the shots.  

Beth & Logan all smiles in Vinoy Park - Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 200 1/100th Strobist: SB-800 @ 1/2 power to frame right SB-600 @ 1/4 power to frame leftIt was a lot of fun to make these photographs for Beth and Logan.  By nature a portrait session including a dog has to be candid so for me it was just a matter of getting my lights where I wanted them and letting Beth enjoy spending time with Logan and pushing the shutter.

Removing the photograph background but preserving foreground details for depth

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In an attempt to further refine my own skills with using the "Refine Edge" function in Photoshop's Quick Select tool I made the above photograph of Kiki right here in the living room.  I knew beforehand I would be removing the background and painting in a new one.  I have really started to like using this technique lately, especially when adding a pure white background.  However, when including a full view of the subject, replacing the entire background be it with all white or any other color a lack of depth can result as the foreground and background are exactly the same.  As you can see in the finished version on the right some shadow and light remain on the floor around Kiki's paws.  After doing my usual edits to the image, the process I followed for making the digital backround was thus: 

  • Quick Select the floor area only & increase its contrast
  • Using the Eye Dropper tool select a color from the increased contrast floor (gray-ish in this case)
  • Increase the area Quick Selected to included everything except Kiki herself
  • Using the Brush tool at 100% paint the background up until the edge of the floor
  • Change the opacity to 40% and paint the floor area until a uniform gradient appears 

In am happy with the process I used to make the digital background in this case, but I would like to improve the smoothness of the gradient/transition of the background to foreground even more by using every smaller opacities to brush it in.

The finished final image of Kiki with gray background added in Photoshop leaving floor light and shadow for depthAlas there is no editing I can do to make Kiki not look like a sad puppy.  This was right before our usual dog park time and I think she was wondering why do I have to sit through this when we could already be on our way to the park!  Next time I will attempt her portrait in the morning.

Get images like these of your dog or cat or pet done right in your own living room . . . contact Jason today to reserve your shoot!

Family Beach Portraits at Sunset Beach Treasure Island Florida - Stanton Family

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Visiting from Alabama the Stanton Family on Sunset Beach Treasure Island Florida - Nikon D80 Nikkor 80-200mm @ f/4 ISO 200 1/125th Strobist: SB-800 @ 1/2 power to frame left & SB-600 @ 1/2 power to frame rightAll day it was overcast.  Then at 5:30pm it rained.  However, by our family beach portrait session time of 7:50pm the skies were clear and the sun emerged providing an excellent backdrop for the Stanton Family's photographs on Sunset Beach, Treasure Island, St. Petersburg, Florida.  I have mostly been pretty lucky with weather regarding sunset photo shoots.  The streak continued yesterday.

Sisters having fun on Sunset Beach, Treasure Island - Nikon D300 Tamron 17-50mm @ f/5.6 ISO 200 1/160th Strobist: SB-800 to frame left @ 1/2 power & SB-600 @ 1/2 power to frame rightI do not think I have ever seen kids remain as dry as the sisters above did when so close to the water's edge!  They were fun to photograph as they readily showed their sibling affection for each other.  I had my speedlights set in place to light them and dialed in the best shutter speed to pull in the remaining light from the sunset sky.

Father and daughters on Sunset Beach Treasure Island Florida - Nikon D300 Tamron 17-50 @ f/5.6 ISO 200 1/160th Strobist: SB-800 @ 1/2 power to frame left & SB-600 @ 1/2 power to frame rightTheir father joined them for a sunset portrait of their own.  He did a good job of corraling them as there were starting to become more active!  I just made sure no one jumped in front of the setting sun as I was composing the shot.

Mother and daughters on Sunset Beach Treasure Island Florida - Nikon D300 Tamron 17-50 @ f/5.6 ISO 200 1/160th Strobist: SB-800 @ 1/2 power to frame left & SB-600 @ 1/2 power to frame rightOf course mom had to get in for a photograph of her own with her daughters.  With the setting sun as a constant deadline, it is important to have your lighting and camera settings dialed in so that you can quickly and easily move in new people for the next shot when shooting a sunset portrait session.  You can note that I used exactly the same settings for the above three shots:  f/5.6 ISO 200 1/160th and the same strobist settings as well.  I believe I did not even change the speedlight positions either since both the mother and father got to the same eye level as their daughters.

It was a very fun family beach portrait session that went as smoothly as any I have ever photographed before and it was good to continue my lucky streak of avoiding rain!

Bird's Eye View of Tokyo from Shinjuku Nikon Headquarters Black & White

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Bird's eye view of Tokyo from Nikon Headquarters in Shinjuku - Nikon D80 Tamron 17-50mm @ f/11 ISO 200 1/40thAll you see above I could navigate precisely on foot, by bike or on train, for this was my home neighborhood for six years.  Yet I never saw it from so high above until the very end of my time there.  If it looks like a maze I can assure you it most certainly was.  Passing through it on foot or by train was a constant series of turns, not just left and right, but also up and down in and out of stations, underground street passages and long, very long tunnels.  By far the fastest way to get from point A to point B was by bike, especially if one had the nerve to ride out in traffic, though by day or night I only ever found a section of about a quarter mile of road in that entire maze to be risky to ride on.

When friends visited it was a point of pride to lead them on a dizzying path through routes that took months to learn.  

I made this photograph from the Nikon Headquarters high up in a skyscraper in Shinjuku, the hub of Tokyo, if not its heart.  I lived a 10-minute walk from here, which in Tokyo walking time, is a short distance.  You could get hands on with every lens Nikon makes and also bring your Nikon DSLR in for a free sensor cleaning if it was still within warranty.  You were also treated to the view you see above.  I of course had to shoot through windows to make this shot.  I erased the spots on the windows visible in the sky portion of the photo.

If you can believe it, this place felt as much like home to me as any place I have ever lived.