quick select

Photography Tip - replace a busy background with clean sky Corvette Photography

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This Corvette is real, and the sky is real, but they were not really photographed together.

I went to a Corvette car show in South Straub Park this past Saturday mostly to meet the owner of the above customized Corvette.  I first photographed his car back in November.  He was not by his car at the time and only by chance found my photograph of it.  Since then I have been in regular contact with the owner, Bobby, about possibly doing a full shoot of his Corvette.  That still has not happened yet, but at least on Saturday I got a chance to go see him and say hello.  

This is the original image as made on site at a car show in St. Petersburg FloridaI have written several times that shooting cars at car shows often results in less than desirable images, if you want the focus to be on the car itself.  This case was no different as the trees in the background compete for the viewer's eye just as much as the Corvette.  The solution for a busy background?  Replace it with a better one!

Corvette cut out from the background using Photoshop Quick Select ToolIt was pretty straight forward to remove the Corvette from its background using the Quick Select Tool in Photoshop.  I kept the grass foreground as seen above.  I was careful to of course not select the inside of the window so that too could be part of the background replacement.

The replacement background used in the composite image.I went into my photo archives to look for a suitable replacement background.  Using actual objects is rather hard to do as proportions can be very difficult to match (car looks giant, buildings look tiny, etc).  A sky background is usually a good and easy replacement background subject.  I used one I made of Sunset Beach on Treasure Island, Florida.

The new background slipped right behind the Corvette, window included.Then it is just a matter of slipping the sky background layer behind the Corvette layer in Photoshop.  I positioned it taking into consideration cloud placement.  I did not even need to cut out the sandy beach part because that is all hidden behind the Corvette.  The above image is the final composite photograph which allows the viewer to focus on the Corvette as the subject.

Motion blur added to a more advanced edit of the Corvette composite image

After getting a composite image I liked, I experimented with even more Photoshop editing.  I added a motion blur to the grass and a radial blur to the tires to create the illusion that the Corvette is speeding along on the grass.  I darkened the window and put in a silhouette of my own head to show a driver inside to help complete the motion illusion.  What do you think of the motion shot?  Is it convincing or not quite there yet?

Digital Photo Editing Lesson with Stacy - prom couple before and after

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The past few weeks I have been teaching former Morean Arts Center photography student, Stacy, how to develop a Mac digital photo editing workflow.  She is new to Mac as well, so I have been showing her some of my top tips for using OS X as efficiently as possible (hint, use Expose every day).  She also got the same apps I have so she could learn my exact photo editing workflow which starts in Aperture 3, then Color Efex Pro 3, then finally Photoshop CS5.  

Stacy made this photo of her daughter and her boyfriend on their junior prom night.  No flash was used, only natural light.  Here is the process for how the photo was transformed:

Aperture 3 workflow:

  • white balance slider increased toward cooler (blue)
  • shadows slider increased
  • mid-level contrast slider increased
  • dodging brush used on all skin areas

Color Efex Pro 4 (she has 4, I use 3):

  • Polarization filter applied
  • Pro Contrast filter applied

Photoshop CS5 (approximate steps):

  • Quick Select Tool used on all skin areas
  • Dodge Brush used selectively
  • Healing Brush used for blemish removal
  • Clone Stamp Tool used for more complex blemish removal and slight skin softening in general
  • Dodge Brush used in highlights mode to brighten eyes & teeth
  • Clone Stamp Tool used to lighten under the eyes
  • Quick Select Tool used on water
  • Contrast adjustment made selectively to water
  • Quick Select Tool used on sky
  • Highlights adjustment made selectively to sky
  • Saturation adjustment made selectively to sky
  • Unsharp Mask filter applied

None of these individual techniques is advanced.  To a properly trained Photoshop professional they might even seem crude.  However, what each technique lacks in complexity, the complexity comes from knowing when and how to use each one to accomplish a photo retouching goal.  At each stage of editing the photo looked better.  Through experience it can be learned how to keep adding yet another stage to one's editing workflow to make a photograph reach its full potential, or in some cases, save a photo that would otherwise be culled.

Photography Tip - selecting and cloning a clean Ferrari 458 Italia

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2011 Ferrari 458 Italia at a car show in St. Petersburg Florida

  • Learn this digital photograph editing technique from Jason in a 1-on-1 lesson, reserve today!

Car shows are great places to see a large number of awesome cars in a small space.  However, that small space and numerous other car fans walking around create a nearly impossible situation for photographing the cars in full.  Detail shots are usually what I focus on, but still I want to have at least a few full car shots as well.  Some of you may know that the Ferrari 458 Italia is my current favorite car in the world.  At a recent St. Petersburg, Florida car show I had a chance to talk with the owners of the above 458 Italia who were very nice people.  I photographed their Ferrari at length.

I could not get a shot like I wanted to while there due to other cars being parked so close to the 458 Italia and of course because of many other people coming to peek at Ferrari's latest mid-engine super car.  So I had to settle for the best angle I could get taking into account the sun's position and just the space I had to shoot in.  Photoshop CS5 helped with the rest.

Too clone out things from complex surroundings, quick select them then clone stamp in safetyIn the above screen shot you can see how I first used the Quick Select Tool (W) to put a protective fence around the objects I wanted to remove (silver car, people, etc).  I do this because the Clone Stamp Tool (S) is very temperamental and very hard to use along a distinct edge like the front fender of the red Ferrari and the silver Ferrari.  Basically, containing the unwanted object in a quick select field allows me to not worry about coloring outside the lines, so to speak.  You can see I selected some grass from the foreground and already started stamping it onto the silver Ferrari.  The sharp edge of the red Ferrari fender will remain perfectly intact.

Likewise for the people above the red Ferrari.  I will clone some of the trees and stamp them on top of the people to complete the illusion that the Ferrari 458 Italia is alone in a field.  To close the quick select areas hit CMD-M (on a Mac).

Using this quick select and cloning method will allow you to cleanly and easily remove objects from complex surroundings.