Powered Paraglider Dreams St. Petersburg Commercial Photography

Powered Paragliding across Florida sky - f/4 ISO 200 1/400th manual exposure modeA few nights ago I dreamt I was hired by The Devil for a photography shoot.  He appeared as a small wall clock with large, comical eyes that turned red with anger when I taunted him about doing the shoot the way I wanted.  I knew somehow that The Devil could not touch me, unless, as it said, I dared go to a mirror and be so bold.  Freedom on the edge of danger.  That was the feeling.  I could be bold because I knew I could not be touched, and that I could escape at will.  

When I look at this powered paraglider I imagine the feeling of Freedom on the edge of danger is what he could be feeling.  

Another note about this photograph is that I made it in the middle of photographing a beach wedding.  My photography tip for this type of shot is to of course be focused on the shooting on hand, but not so much so that one becomes unaware of the surroundings and what opportune shots may present themselves.  

DSLR Photography Lesson with Sherri & her Canon T3

St. Petersburg DSLR Photography Lessons - Sherri & her brand new Canon T3For a person who is new to the DSLR world, all the possible settings and just all the buttons and dials on the DSLR itself can be overwhelming.  That is why I try to simplify the shooting process by breaking it down into four main things in this order:  aperture, ISO, WB, focus mode.  So I proceeded during my first DSLR Photography Lesson with new student Sherri.  She has the Canon T3, a DSLR I had never even heard of being released until she inquired about lessons.  It is a very light and compact camera which seems well suited for travel, which is good since Sherri will soon visit China!  However, like all Canon DSLRs, I still find the ergonomics and button designations to be nonintuitive and overly complicated.  

Sherri said she had been trying out and using all the presets on the exposure dial.  Right away I advised her to just paint over them with a black marker as the only two you will ever need are Manual (M) and Aperture Priority (A, Av).  Sherri has some legacy knowledge from her past experience with 35mm film cameras, so I helped to refresh her memory about what is a large aperture (f/2.8) and which focus mode to use when shooting moving subjects (AF-C, Ai-Servo).  

It was a jam-packed 2-hour lesson of photography knowledge.  I advised Sherri to now go out and shoot at least 100 photos every day before her China trip to better familiarize herself with how to change settings on her T3, what settings to change to, and to know when it is best to use her 18-55mm lens or her 70-300mm lens.  

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    --Professional Model DSLR Photography Lessons now available!

    DSLR Photography Lesson with Kamila & her Nikon D90

    Kamila practices using off camera flash with her Nikon D90; her friend modeled for us during the photography lesson.North Shore Park along the downtown St. Petersburg waterfront was the location for my first DSLR Photography Lesson with Kamila, who wanted to learn off camera flash (strobist) techniques to use in her own portrait and wedding photography work.  We used the Commander Mode of her Nikon D90, part of the Nikon CLS (creative lighting system), along with her Nikon SB-600 Speedlight as our strobist setup.  To use Commander Mode on your Nikon (D80, D90, D300 and up) in the Bracketing & Flash menu you have to set the built-in flash to Commander Mode.  Then on the speedlight, for instance the SB-600, one must hold the "ZOOM" and " - " buttons simultaneously until the menu comes up to then set the speedlight to Commander Mode as well.  

    Kamila brought one of her friends to model for her during the lesson.  At first we focused on dialing in the correct settings for the best exposure and lighting of the model.  For this we had to use Manual Mode exposure, which Kamila was hesitant about starting to use, but I reassured her that Manual Mode is nothing to be afraid of and really not much more difficult than using Aperture Priority Mode.  We ended the shooting portion of the lesson with a little posing advice and flattering composition style practice.  

    The remainder of the lesson was back at Kamila's house for training on how to use Photoshop CS5, perhaps the least intuitive program in existence.  Kamila had already downloaded and printed out my list of keyboard shortcuts.  This helped her follow along as I showed her my CS5 workflow.  We even had time for a quick tutorial on how to add a texture overlay to a photograph.  It was basically a jam packed 3-hour lesson!

    It was nice to get to meet Kamila's family and dogs while at the same time sharing with her my photographing techniques and philosophies (i.e. editing gimmicks = fail). 

  • Reserve your own 1-on-1 DSLR Photography Lesson with Jason today!
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    --Professional Model DSLR Photography Lessons now available!

    DSLR Photography Lessons with Models - St. Petersburg Tampa Clearwater

     

    LEARN DSLR PHOTOGRAPHY WHILE PHOTOGRAPHING A MODEL 

    • 1-on-1 photography lesson with Jason and one model -- Nadina, Nancy
    • option to use Jason's strobist, off-camera-flash setup (extra fee required)
    • locations in & around St. Petersburg (other locations available with travel fee) 

    Photography Tip - take the camera back out of the bag

    Madeira Beach twilight sunset - Nikon D300 Tamron 17-50mm f/2.8 @ f/4 ISO 800 1/60th handheld

    • use this image on your business website or decorate your office with a print -- contact for pricing 

    I had just finished an hour-long portrait session on Madeira Beach and already packed up my camera and all photography gear.  My hand was on the back hatch of the Lexus to close it shut.  Yet I could see through the windshield a beautiful twilight sunset . . . but I was tired.  All my camera was already back in its bag.  I just had to close the hatch and get in the comfortable driver's seat and head home to shower and dinner.  Then I told myself in my mind what anyone who thinks themselves a photographer should think: 

    • Don't be lazy, a REAL photographer would make the effort to get the shot 

    I took my hand off the back hatch, pulled my camera bag to the edge, opened it, took out my Nikon D300, took the lens cap off and was now once again ready to shoot.  You may note one lingering laziness, I did not use my tripod.  I handheld the above shot, but at 1/60th a second that is not hard to do if using proper DSLR holding technique.  

    After taking about a dozen shots of various composition, I felt satisfied that I had both not been lazy and got the shot I wanted.  The portrait session was for my client and my business, the last sunset silhouette shots were just for me.  Even if you have already put your camera back in your bag, do not hesitate to take it back out and get a shot if you see one.  That's what a real photographer does.

    28th Annual St Anthony's Triathlon 2011 finish line winners

    Filip Ospaly St. Anthony's Triathlon 2011 Men's Winner - Nikon D300 Nikkor 80-200mm -- f/4 ISO 400 1/800thI had the opportunity to work for FinisherPix photographing the 28th Annual St. Anthony's Triathlon 2011 in downtown St. Petersburg.  For all but 30-minutes of the six hour triathlon shooting time I was at FoF, which stands for front-of-finish in sports photography lingo.  The FoF was a pretty good spot to be for numerous reasons, the least of which I was in shade almost the whole time and I had the finish gate to lean against.  There is of course the benefit of being at the exact spot the thousands of triathletes complete the grueling 51km event.  I saw a full range of expressions from happiness, to relief, to glory, to pain.

    The men's and overall winner, Filip Ospaly, is featured above crossing the finish line at 8:41am.  He would have entered the water at approximately 7:20am.  The women's winner, Sarah Haskins, featured below, crossed the finish line soon after at 8:55am.  She looked happy.

    Sarah Haskins St. Anthony's Triathlon 2011 Women's Winner - Nikon D300 Nikkor 80-200mm -- f/4 ISO 200 1/800thThere is a lot of timing that goes into making a FoF shot besides the usual focus lock and framing issues.  Early in the morning the finish path was striped with shadows.  So I had to use settings either for the shadow or direct sunlight, and depending on the time of day, one was better to use than the other.  Of course this also meant that I had to wait until the triathlete ran into either the sunlight or shadows before pressing the shutter.  Once the best settings are locked in, it still takes some time to get into a rhythm for framing the shot, timing the shutter release and waiting for the athlete to do her or his particular form of celebration.  Unfortunately, the winner crosses first and thus there is no practice beforehand to find the best patch of shadow or sunlight.  So it makes getting a good shot of the winners and the other early finishers a challenge.

    2011 St. Anthony's Triathlon cyclist in downton St. Petersburg - Nikon D300 Nikkor 80-200mm -- f/4 ISO 640 1/1250thI began the morning of the triathlon shooting the "bike out," which is the term used for describing the location where the triathletes first get on their bikes and start out on the road course.  This was another challenging shooting situation with cyclists rolling very quickly requiring a fast shutter speed and quick timing on the framing of the shot.  The long shadows across the street also caused auto-focusing problems so I ended up switching to manual focus and waiting for the cyclists to cross a designated spot on the street (a crack actually) each time then pushing the shutter.  This produced better, more consistent results for me.

    St. Anthony's Triathlon 2011 - faces of victoryThe triathletes really crossed all age groups and body types.  By no means was everyone under 40 years old and super fit looking.  I found myself being very impressed as the announcer called out people over 70 years old finishing, and finishing strong.  Nowadays one can be an athlete in any decade of life.  

    Patrick's Bayside Grill St. Pete Beach Commercial Restaurant Photography

    Patrick's Bayside Grill of St. Pete Beach owner Patrick Abulone - commercial restaurant photographyI went on assignment this morning for OceanFront Magazine to Patrick's Bayside Grill of St. Pete Beach to photography the eponymous owner and his restaurant.  Having never been to this restaurant I did not know what to expect, but as always I arrive prepared for whatever shooting conditions there might be.  The place was cozy and not yet open for business, so I had just enough room to shoot with my preferred portrait lens, the Nikkor AF ED 80-200mm f/2.8D (above shot).  

    Patrick's Bayside Grill interior - 5-bracket HDR - Commercial Restaurant Photography St. PetersburgOne interesting piece decorating Patrick's Bayside Grill can be seen under the left-most TV in the above shot, an eye exam chart.  Patrick told me it was given to the restaurant by a friend of his, a former eye doctor.  I bet it is a great conversation piece and has no doubt resulted in many boastful challenges of eyesight prowess.  

    Patrick's Bayside Grill - 5-bracket HDR - Commercial Restaurant Photography St. Petersburg BeachThe parking lot is not large and has some peculiar angles, so if you do not have to drive the Chevy Suburban there I would consider taking a smaller vehicle.  Patrick is also a real estate agent so perhaps I will see him again soon to photograph some of his listings.