Wedding

Bride Series - Carie

Carie -- a very happy bride getting ready for her St. Petersburg WeddingMy Florida Wedding Bride Series continues . . . Photographing the bride getting ready might be my favorite part of photographing a wedding, or at least the most interesting to me personally because at the time I am totally relaxed just starting my photography day while the bride has all the nerves and anxious feelings.  I like to see how people react in such situations.  Some brides remain tense and nervous, really needing the help of her bridesmaids (or a wisecrack by me) to even show a hint of a smile, while other brides are totally laughing and showing no outward anxiety.  Carie was in the latter category.  It was like a comedy hour while she was getting ready with me doing a bit of my stand-up routine.  

One photo tip for getting ready shots, if the makeup artist and the bride are not lining up in a way that makes for a good photograph, feel free to ask them to slightly move so you can get a shot, then resume their normal positions.  That's what I did for the above shot, but it remained candid because of the light mood in the room.

The bride all ready for her St. Petersburg Wedding on Snell IsleI had an idea for a "demure" shot so we all attempted to calm things down for just a minute to see if I could make the shot I pre-envisioned.  The above shot is the result and I was mostly able to get the results I wanted to.  Carie was very good at switching moods from laughing to contemplative.

Long lens shots ad variety to images of a wedding ceremonySoon it was time for the wedding ceremony.  I have a new shot that I now like to do for every wedding.  Using a long lens (my Nikkor AF ED 80-200mm f/2.8D @ f/4 200mm) I isolate the bride's bouquet of flowers and ring in a tightly composed shot.  I do not include the bride's face for several reasons.  If you include a face in any photo, the mind's instinct to look at, read and identify a face, makes the face the automatic focal point of the shot.  Therefore, not including the bride's face allows the viewer's eye to focus on the ring and the flowers.  

I use black & white processing very selectively, and always on purpose in wedding photography editingNow for this shot, I did want the bride's face to be the focal point as it was a moment of emotion for the bride, but I included other elements as well to show context for that emotion.  Once again using a long lens I was able to create a sense of 3-dimensions and depth putting in focus just what I wanted to be in focus (the bride).  I was also careful to make sure none of the decorative strings covered the bride's face in my composition.

Be ready for spontaneous moments during wedding ceremonies!However, just like during the getting ready time, the wedding ceremony itself involved a lot of laughter.  There was a pause of a good minute to let all parties involved get the giggles out, but I remained focused so that I could photograph everyone's reactions.  

I had a very good time photographing Carie's wedding and was really pleased with the variety of shots we were able to make together showcasing her wedding in a full range of emotions. 

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    Tradewinds on St. Pete Beach Sunset Wedding

    Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 200 1/160th Nikon SB-800 Speedlight hotshoe mountedWhen photographing a wedding on a beach, such as this one at Tradewinds St. Pete Beach, there are many factor's out of the photographer's control.  First and foremost of course is the sun, and how bright or not bright it is that afternoon, as well as the number of beach-goers wondering around in the background.  So it is not too often that everything comes together as perfectly as can be reasonably expected as it did for Jennifer and John's beach wedding, i.e. brilliant but manageable sunlight and a near empty beach.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/11 ISO 200 1/250th Strobist: SB-800 to frame left & SB-600 to frame rightThe Tradewinds Resort is also a good beach wedding location because of its nearby sea grass-covered sand dune, which is my preferred background for the after-ceremony formal portraits, as at that time the sun is usually still too powerfully backlighting the water.  

    Nikon D300 Tamron 17-50mm f/2.8 @ f/11 ISO 200 1/250thJennifer and John had a very above average number of guests for a beach wedding, which made the big group shot a particular challenge.  I am actually not entirely satisfied with how this shot come out.  There was no point in using my two strobes as they could not light such a long line of people, so I had to rely on the sun to help me out.  People's instinct in group shots is to curl themselves into a semi-circle.  My want was for a very straight, if not slightly convex line to be formed.  This would allow sunlight to evenly light all the people.  Despite several minutes of asking everyone to keep backing up and trying to put them in place, I apparently was not strong enough in my prodding as the people on the right side of the shot are still too much in cross-shadow.  I tried!  That would be the Don Cesar Resort in the far background.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 200 1/200th Strobist: SB-800 to left & SB-600 to rightAfter the big group shot and the many wedding party shots, at last it was just Jennifer, John and I along with the sun and Gulf of Mexico.  There were not gale force winds that evening, the veil is being held by a bridesmaid (photo secret).  

    Nikon D300 Tamron 17-50mm f/2.8 @ f/8 ISO 200 1/200th Strobist: SB-800 off camera to left & SB-600 to rightThe blues were very vidid that sunset, and there were just enough clouds to make the sky interesting.  To me, I think a kissing portrait looks best when the couple is not actually quite kissing.  An actual kiss squishes faces in an unflattering way.  That's why I ask couples to keep their lips slightly apart or only just touching.  Jennifer and John did a great job with their almost-kissing form.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/6.3 ISO 200 1/100th Strobist: SB-800 to left and SB-600 to rightJennifer really like the lacy bamboo canopy setup for their wedding ceremony, requesting a shot of her alongside what I hope is an artificial (or previously long-lived) starfish.  This was a bit tricky to light as she was in shadow under the canopy and the sunset was dancing on her shoulder.  This is where experience counts as I was able to properly position my two strobes (one on a light stand the other a tripod) in time as the sunset is on its own timetable.  

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 400 1/60th Strobist: SB-800 to frame right & SB-600 to frame left this timeI had already packed up nearly all of my photo gear.  Jennifer and John were strolling back toward the Tradewinds.  Then I noticed the fantastical violet and reds of the twilight sky that had formed after the sunset.  My arranged photography time was finished and fulfilled.  I had no more official photography duties.  However, I knew as a photographer I could not pass up such a background and beckoned for J & J to come back pointing at the sky.  I quickly got my gear back out and setup before the sky had time to change its mind, and was able to produce the above shot, and got the moon overhead as well.  See that empty beach?  Such a shame to have such few witnesses to a wonderful Florida evening. 

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  • St. Petersburg Snell Isle Christmas Wedding

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 200 0.8s tripod mounted with cable releaseIt is always nice when you have the chance to photograph the wedding of someone you know, even if it is just tangentially.  For this Christmas wedding (day after actually) I had the shortest commute I think I will every have, literally just two minutes as it took place at a neighbor's* home here in Snell Isle, St. Petersburg.  I know the neighbor from the local dog park.  Our dogs have been fast friends since they were 4-month old puppies.  I met the bride-to-be at the dog park as well the week before the wedding as she and her fiance traveled down to Florida with their own dog.

    Macro shots with Nikon D300 & Nikkor AF-S 105mm VR micro lensDue to my familiarity with all involved I had zero nerves before going to photograph this wedding.  Plus, I had done all due preparation by visiting their house and seeing exactly where the ceremony would take place and on the wedding day there was ample time to photograph the rings, wedding dress, etc before the actual ceremony.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 200 1/80th Nikon SB-800 Speedlight hotshoe mounted in TTL modeAs you can see, there were water hazards involved in photographing the wedding ceremony!  Though I had to be very careful with my steps, this island setting allowed for clean views from all sides of the couple during the ceremony.  No human, dog or camera gear fell into the pool thankfully!

    Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/2.8 ISO 400 1/200th natural lightThe atmosphere the entire afternoon was very lighthearted and full of laughter, even during the ceremony.  This further contributed to my lack of nervousness the entire wedding and made it just plain really fun to be a part of, even though I was working and my usual focused self while shooting.  

    Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/2.8 ISO 400 1/200th natural lightThere were surprises during the wedding ceremony as the groom gave his bride a ring she had never seen before.  I was told later that it had significant meaning.  Before the smiles you see above there were hugs and tears at the sight of the ring. 

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 400 1/80th Nikon SB-800 Speedlight hotshoe mounted (straight up) in TTL modeAfter the ceremony the carefully selected wedding guests and family members got together for a formal portrait in the living room, though the laughs that first broke out during the wedding ceremony carried over to the formals as well, which was fine by me.  

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 320 1/50th Nikon SB-800 Speedlight hotshoe mounted in TTL modeThen the newlyweds and I were off for some outdoor shots on a very, very cold winter day.  I fear warm winters for west central Florida are now a thing of the past, and daytime temperatures in the 50s will have to be tolerated, or one must move to Key Largo.  I had the benefit of wearing my unfailing Mountain Hard Wear Windstopper Tech Jacket, and the groom at least had on his suit jacket, so the bride was the bravest of all showing no sign of freezing despite wearing a wispy wedding dress.  I worked as fast as I could to get the shots I wanted to at the gazebo in front of the Vinoy Country Club golf course, a location I had always wanted to photograph at.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/5.6 ISO 320 1/50th Nikon SB-800 Speedlight hotshoe mounted in TTL modeFrom there we went to the waterfront near a famous (for Snell Isle residents) white bridge.  As twilight took over the area, the temps dropped even more, so I was very glad to hear the couple say they had actually practiced "the dip," a skill for sure that I recommend all future couples practice before the day of their wedding.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/4 ISO 800 1/40th Strobist: SB-800 handheld "quick & dirty" styleThis was the very last shot I took of the entire day.  It was an extremely satisfying experience from a photography standpoint as I got to try many different shots I never had before.  This was as enjoyable as photographing a wedding gets.  Thank you to the bride & groom for their super cooperation and toughness, and for my neighbors hiring me to photograph their daughter's wedding.  See you all at the dog park!

    --More from this wedding coming soon: bride series, black & white wedding 

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    *names not mentioned for privacy 

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    Pass-A-Grille Sunset Wedding in St Petersburg

    Silhouette shots are VERY rare for me -- Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/6.3 ISO 200 1/1250thOne reason I think I have come to like Pass-A-Grille Beach at the tip of St. Petersburg so much is because I had never been there before in my previous Florida life.  It is still very new to me.  I like that it is at the tip of the Pinellas County peninsula too.  The end of the line, not built up, not crowded, somewhat forgotten.  It stands in opposition to the horror of Clearwater Beach.  

    Such was the scene for the last beach wedding of the year for me to photograph.  Jennifer and John were a jovial couple, not ones to stare deep into the camera, but rather engage in playfulness as I, seemingly unaware to them, photographed them from various distances, such as the above silhouette shot.  This type of image is a staple of sunset photography (because it is dead easy to make).  Perhaps this is why I have basically never made a professional silhouette shot before this one as I try for very complex dual-strobe light sunset shots offering clients a uniquely creative image.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/6.3 ISO 200 1/100th Strobist: SB-800 on light stand to left & SB-600 on tripod to rightThe above shot is more my own "typical" sunset beach wedding shot.  A two-strobe setup showing the vivid colors provided by west coast Florida sunsets.  I suggested to John and Jennifer they do "the dip" and this was the result!  This attempt provided the best smiles of the evening.  For the record, Jennifer was never in any real danger of falling into the water.

    Nikon D300 Tamron 17-50mm f/2.8 @ f/6.3 ISO 200 1/100th Strobist: SB-800 on light stand to left SB-600 on tripod to rightAfter "the dip" I suggested Jennifer have some of her own solo camera time.  I believe John was doing something behind me to keep Jennifer laughing.  I asked her to hold out her flowing dress, which made for a rather princess-like shot I would say.

    Nikon D80 Nikkor AF ED 80-200mm f/2.8D @ f/6.3 ISO 200 1/200th Strobist: SB-800 to left SB-600 to rightI am a big fan of the couple looking out to the Sea shot.  No doubt this is because I, myself, was born looking out to the Sea by instinct.  Therefore, it is only natural that I produce photographs that I would want of myself.  Maybe this is what every photographer does?  And since we all like different things, this creates different styles among photographers despite the fact we all use very similar photography equipment and shoot at similar locations.  My purpose with the above shot for John & Jennifer is for them to look upon this photograph in 2030 and try and remember what they were thinking at, to try to remember what they say that evening looking upon the horizon

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