Photography Tips

Induro CT214 Carbon 8x Tripod & BHD2 Ballhead review

Induro BHD2 ballhead on top of Induro CT214 carbon fiber tripod legs - $600 well spent - all product shots in this post by Jason Collin PhotographyPhotographer's say to buy the best tripod you can afford because you only ever want to buy one tripod.  If you go the cheap route, you will utimately end up spending more replacing the flimsy tripod you first bought with a proper, stable tripod eventually.  I can state that this is 100% true.  Now, if someone asks me what tripod should I get, I tell them the Induro CT214 carbon 8x legs with Induro BHD2 ballhead.  That is also something not widely known, the best tripods are bought in pieces, legs and head separately.  After a lot of research looking for a "no compromises" tripod, and by that I mean:  

  • very stable, light weight, made of carbon fiber, very easy to use, great build quality, taller than 5 feet without using extension column, collapses to a relatively small size for easy transport

. . . I found the Induro CT214 with the Induro BHD2 ballhead to be the cheapest optioin that meets all the above requirements.  So exactly how much does the cheapest no compromises tripod I could find on the market cost?  $600 . . . and in the nine months I have been using it, it has been worth every penny.

52.6" without column extended offers a very good height on the Induro CT214 legsIt also helped that Scott Bourne, a photographer I respect very much, recommended this tripod and proved it by switching from decades of using Gitzo tripods.  For those using lenses 70-200mm f/2.8 and smaller, the CT214 with BHD2 offer a very stable platform that is still light to carry.

Induro BDH2 ballhead -- from left to right: tension knob, head rotation knob, ballhead release knobWhen first using a ballhead, it may take some getting used to.  Adjusting multi-lever tripod heads meant one lever moved the camera only one way.  With a ballhead, you can move the camera in any direction by loosening just one knob and than swiveling the camera any way you need.  

The Induro BDH2 uses and comes with a standard Arca-Swiss mounting plateWhen you attached the Arca-Swiss compatible plate to the bottom of your camera (tool required) and then mount it to the ballhead via its vise-like grip, you feel absolutely sure of the connection.  Everything about it feels rock solid.

Induro CT214 tripod leg features a built-in bubble levelA small bubble level built into the Induro CT214 legs helps make sure things are level especially when working on uneven ground, though I do not use it much when composing shots, instead using the grid lines in my Nikon D300's viewfinder to fine tune levelness.

Induro CT214 has foam grips on all three legs for comfort holding & carryingEach carbon fiber leg had a foam grip for ease of holding and using the tripod in very warm or cold climates.  I find them to be most useful when carrying the tripod with my camera attached for providing cushioning on my shoulder.  

Full Carbon 8x build quality is found in the Induro CT214 along with 1/2 turn only leg locksIt is easy to understand how a lighter, more stable and taller tripod would be easier and more comfortable to use.  These qualities of the Induro CT214 can be shown in the included photographs.  However, what made me love the tripod from the very first time I used it were the leg locks and the solid locking of the ballhead.  

I was suspicious of turn style tripod leg locks being easy to use.  I thought, what could be easier than just flickind and shutting a clamp leg lock?  Well, only having to turn the leg locks 1/2 a turn before they slide gracefully down and then a 1/2 turn back to firmly lock them in place, that is much easier and a very elegant solution to extending and closing tripod legs.  

Then the grip with which the BHD2 ballhead tightens means the camera does not move a few extra millimeters after you compose your shot.  That use to drive me crazy about using a flimsy tripod.  I get everything framed just right, lock the head, take my hands off the camera, only for the tripod head to creap down a little ruining my carefully composed shot.  In nearly all situations, the BHD2 eliminates this.  I did notice some ever so slight creep when using my large 105mm macro lens angled downwards.  For the most part, once you frame the shot, lock the ballhead, everything stays right in place.  I cannot tell you how much of a pleasure that makes using a tripod.  

Basically, using a tripod like the Induro CT214 with Induro BHD2 ballhead feels like driving a luxury car, while using cheap & flimsy tripods feels like driving an economy rental car.  The price is steep, $600, but if you use a tripod for commercial work like I do, it is a no-brainer, and even if you do not make money from your photographs but love to make photos that require a tripod, the price I believe is still worth it.

--Induro Product Page 

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  • Olympus E-P1 Photography Lesson 1-on-1 in St. Petersburg Florida with Ana

    Ana with her brand new Olympus EP-1 a micro 4/3 style camera during our photography lesson in St. Petersburg FloridaAna contacted me last month about taking a 1-on-1 DSLR Photography Lesson here in St. Petersburg as she would be visiting the area from California in March on business.  She also just did not want to take a 2-hour lesson focusing on shooting, she wanted a 4-hour lesson that would also include digital photography editing and workflow.  We were able to make our cross-continent schedules work out, but there was just the small matter of Ana not actually having a camera at the time!  Fortunately, she received an Olympus E-P1 as a present soon before her trip to Florida.  The E-P1 is a micro four-thirds style SLR camera and my first time with this particular model.  I have only had hands on time with one other micro four-thirds camera and was not impressed with it, especially from an ergonomics and usability standpoint.  However, the E-P1 was fitted with the same dedicated exposure, ISO, WB and focus buttons a proper DSLR body would have and the menu system itself was intuitive to navigate.  The E-P1 still hits the same limits the other micro four-thirds camera did, which was slow auto-focusing and frames per second.  If you can live without using it as an action camera, then I found the build quality to be solid and the camera to be very usable for still subjects.

    Ana and I practiced some natural light portrait photography among other things before heading into a local frozen yogurt shop I like to use to teach digital photograph editing lessons in.  Since she uses a Mac as I do, I recommended getting Aperture 3 to be the start of her digital photograph workflow and where she can make many useful edits.  

    I look forward to seeing her photos of California when she returns and hopefully she will be able to see a few alligators while she is still in Florida!

    Nikon D700 & Nikkor 24-70mm 1-on-1 DSLR Photography Lesson St. Petersburg - Kasia

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    After that we headed over to South Straub Park to practice how to compose by either setting the focus and recomposing or by framing the shot then just moving the focus point onto the desired subject.  We found some shade and I had Kasia practice her portrait technique on me first to get the ergonomics of moving focus points down before attempting to make portraits of her more active son.  

    I will see Kasia right again tomorrow afternoon where we will continue to build on her DSLR photography skills.

    Canon 60D 1-on-1 DSLR Photography Lesson in St. Petersburg Florida with Parag 2

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    We spent most of our time in the interior of downtown St. Petersburg looking for abstract patterns to photograph, as well as motorcycles and lights for bokeh.  In between we stopped to practice making natural light portraits using the 50mm lens.  I stressed to Parag that when using large apertures like f/2.8 and even f/2 that it is important not to set the focus on the eyes and recompose, but rather first frame the shot as you like then move the focus point in the frame to fall upon the subject's eyes.  It is an extra step to take in making a shot, but an important one in order to insure maximum sharpness of the portrait subject's eyes.  

    I had another very good time talking with Parag on subjects beyond photography too.  I discovered we both share a great enthusiasm for the E46 M3!  Hopefully he will get one soon so we can photograph it in one of our two remaining lessons!  

    Nikon D700 1-on-1 DSLR Photography Lesson St. Petersburg - Kasia

    Kasia with her brand new Nikon D700 during our first photography lesson in downtown St. PetersburgOn a humid evening in downtown St. Petersburg after a sudden rain fell, I met Kasia for our first 1-on-1 DSLR Photography Lesson.  She is just getting started in the DSLR world, but enters it with the powerful Nikon D700.  That is plenty of DSLR to grow into!  Her D700 was brand, brand new.  We started the lesson with me helping her just setup the camera itself (date, time, file naming system) and then I showed her some of the more in-depth settings that I use from years of experience shooting Nikon.  We followed that with a basic tour of the camera body giving a name to each part (finger dial, thumb dial, D-pad, etc.) so that she could understand my instructions for changing settings.

    The rain stopped and we began practicing how to get the best exposure by setting aperture, shutter speed and ISO and determining when using Aperture priority mode is good enough, and when it is much better to just use Manual mode.  

    We concluded the lesson with me giving Kasia some lens buying advice.  I look forward to our second lesson once Kasia gets in a new lens next week.

    Canon T3 DSLR Photography Lesson 1-on-1 in St. Petersburg Florida with Monica

    Monica with her new Canon T3 during our DSLR Photography Lesson in downtown St. Petersburg North Straub ParkMonica's parents bought her a 2-hour DSLR Photography Lesson gift certificate for Christmas which she used for our first lesson this evening.  She has a Canon T3 along with a trio of lenses:  Canon 18-55mm, Canon 55-250mm, Canon 50mm f/1.8.  We had a chance to practice using all three during our lesson in donwtown St. Petersburg, along with her tripod.  

    Monica had a lot of photography knowledge already from self-study, reading photography websites, etc.  During our lesson I helped her organize that knowledge into practical ways of making a variety of different photographs from single subject shallow depth of focus images to bird-in-flight shots to natural light golden hour portraits.  Our lesson was for sure one of the most information and gear packed 2-hours I have ever taught!

    We ended the lesson using her Canon T3 on her tripod to make light trail shots of the little traffic that cruises down Beach Drive on a Monday night.  I expect Monica to be able to quickly build on all we covered in our first lesson and begin to be able to "self-teach" herself.  I look forward to seeing the results.

    Nikon D5100 DSLR Photography Lesson with Joe in St. Petersburg Florida

    Joe with his new Nikon D5100 during our photography lesson in downtown St. Petersburg, FloridaOn a beautiful March afternoon in St. Petersburg I met Joe and his new Nikon D5100 for our first DSLR Photography Lesson.  He had previously owned a Nikon D40 and also had film SLR experience.  During our lesson he wanted to convert some of that past knowledge into the DSLR world, along with what I could show him from my years of experience using Nikon DSLRs.  Sometimes small things like just showing how to move the focus point from the center to anywhere in the frame can really help out.  My experience with virtually every DSLR made in the past four years allows me to show people how to do practical things like moving focus points with their specific camera, part of the benefits of taking a 1-on-1 lesson.

    Joe has an 18-55mm lens and a 55-200mm lens, the standard kit lenses.  For such lenses I told him that with the 18-55mm I would want to use f/11 as much as possible and for the 55-200mm f/5.6.  Often subject dictates lens, lens dictates aperture, and aperture is what I base all my other settings on.  In this way one can have a starting point for making a well exposed and properly focused image.

    We ended the lesson with using Joe's 20-year old speedlight, which amazingly worked just fine mounted on the D5100's hotshoe.  Using the speedlight in a neutral light setting the benefits of having fill light, even on camera, could be seen.  

    I look forward to seeing Joe's photos from his Nikon D5100 as he continues his DSLR shooting skills.