Numis Network 2011 Annual Meeting Grand Hyatt Tampa Event Photography

Ray Higdon is the top earner at Numis - f/5.6 ISO 800 1/60th SB-800 @ 1/4 on hotshoe - Tampa event photography

Numis Network is a company that sells coins.  I had never heard of them when they booked me less than a week before their annual meeting at the Grand Hyatt in Tampa.  I was expecting a somber affair with lots of dry talk about the details of the coin industry.  However, in the two days (over 16 hours of photography) I was photographing the event the energy level was more like a rock concert rather than a business event.

Numis reps from all over North America in Grand Hyatt lobby - f/5.6 ISO 400 1/40th SB-800 @ 1/4 power hotshoe mounted - Tampa event photographyI arrived at the Grand Hyatt Tampa on a Friday at 5pm, and luckily there was not yet much traffic over the Howard Franklin Bridge.  There were so many people it was hard to get a shot at crowd level so I used a staircase to get some air and the above wide shot of the gathering crowd of reps from all over North America.  Numis headquarters is in Tampa though. 

Numis Network 2011 annual meeting MC Matt - f/2.8 1/100th ISO 800 SB-800 @ 1/4 power hotshoe mounted - Tampa event photographyMatt, also a Numis executive, MCed the entire event and understandably was getting a little horse in the voice by late Saturday night.  I learned that he has had his mustache for thirty years.  I have had mine for less than half that time.  I also sat at his table for (a brief) dinner break Saturday evening.  

Jake Kevorkian speaking at 2011 Numis Network annual meeting - f/4 ISO 800 1/100th SB-800 @ 1/4 power hotshoe mounted - Grand Hyatt Tampa even photographyThe founders of the company frequently took the stage, largely to thank all the reps for their support and promising that the company is only just going to get bigger and better, as well as introducing some new product lines and vacation bonuses.  The crowd seemed to hang on every word of every speaker and there were frequent shout outs.  

Grand Hyatt Tampa event hall - f/4 ISO 800 1/20th SB-800 @ 1/4 hotshoe mounted - Tampa event photographyTo be able to light up the large hall in the Grand Hyatt housing the event stage I had to use some really slow shutter speeds, like 1/20th of a second in the above shot.  There was not a wall or anything to brace myself against so I had to use my most steady shooting technique and really control my breathing.  At this event I used the slowest shutter speeds yet and was still able to produce satisfyingly sharp enough shots.

Distinguished Numis Annual Meeting Award Winners - f/5.6 ISO 800 1/60th SB-800 @ 1/4 hotshoe mounted - Tampa event photographyThe whole 2-day event ended with a (long) awards ceremony where it seemed like everyone in attendance had a chance to hear their name read out loud and to go up on stage.  In fact, the ceremony ended over one and a half hours late!  Imagine if the OSCARS dared do that!  From the above shot you would also have no idea that by this time I was having to battle with dozens of people with camera phones trying to get shots of the people on stage.  It was not a battle I won.  Even though I was standing on a chair for this shot, it was still hard to make sure no random cell phone holding arm was thrust into frame.  

This event was the first time for me to really use my Black Rapid RS-Sport strap which I will be writing a formal review of with photos soon.  However, I can state that even after 16 hours+ of shooting I felt zero shoulder fatigue hoisting a D300 with an 80-200mm f/2.8 lens and 17-50mm f/2.8 lens also with a SB-800 Speedlight hotshoe mounted.

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  • Nikkor 85mm f/1.4G DSLR Photography Lesson with Barbie

    Barbie's amazing new Nikkor 85mm f/1.4G lens on her Nikon D700 - lens used for photo: my Nikkor AF-S 105mm VR micro f/2.8GMy recent DSLR Photography Lesson students just keep getting more and more great gear making me more and more envious!  In fact for our third of four lessons Barbie got so much new stuff we were only able to use some of it.  Last lesson if you recall she brought out her new tripod, this time it was the amazing new Nikkor 85m f/1.4G lens!!  I was very excited to get some hands on time with it and immediately was impressed.  It was by far the fastest and smoothest focusing lens I ever used.  The bokeh was stunning.  You may think that $2,000 for a lens is crazy expensive, but I think it's worth every penny.  It is the type of lens you almost cannot take a bad photo with, it is just that good.

    Much like a lesson I had last week with Golda just using her 50mm f/1.8 lens, this lesson I focused on showing Barbie how to get the most out of the magnificent bokeh her 85mm lens can make.  We also worked a lot on the mechanics of setting up and taking a shot, starting with the proper way to stand.  I advised her to leave the flip-flops at home for future lessons and wear more stable footwear.  She ended up taking most shots barefoot tonight actually!  Since we were both using prime lenses, our legs had to be the zoom.  My style is to get my body rock solid before even putting the camera to my eye.  Once I look through the viewfinder if I cannot compose the shot how I like, I do not lean or sway.  I pick up my feet and let them do the zooming.  I then reset to my normal rock solid shooting position.  If one does not start a photograph with this discipline, then it will be hard to repeatedly produce sharp images.  

    Barbie did get the new top-of-the-line Nikon SB-900 Speedlight as well, but we did not have anytime to use it at all.  It is something to look forward to for our fourth of four lessons next week.

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    Canon 7D 50mm DSLR Photography Lesson with Golda in downtown St. Petersburg

    Golda with her new 50mm lens attached to her new Canon 7D!!

    Due to our previously scheduled lesson unfortunately being rained out, it was an extended amount of time until I saw Golda again for our third of four DSLR Photography Lessons.  In that time she has been very busy . . . shopping for great new photography gear!  She added to her camera bag a Canon 7D (upgrading from a Canon XTi) and a Canon 50mm f/1.8 lens!!  I knew she had ordered the 50mm lens, but I had no idea she was getting such a high end DSLR as well.  She wanted to be able to make the best photos possible when she goes on vacation soon so along with improving her photography skills with our lessons, she now has the gear to match.

    We both exclusively used 50mm f/1.8 lenses from 7pm to 9pm never lacking for light as we used apertures ranging from f/2.8 to when necessary wide open at f/1.8.  We also mostly stayed in manual mode giving us total control over the exposure of our shots.  The first thing I showed Golda was how the very shallow DoF a 50mm f/1.8 lens can produce can turn any ordinary subject matter into a very intersting one due to the ease of creating bokeh.  Then I showed her that all bokeh is not equal and that the background still matters even if it is all blurred out.  Having lights or complementary colors in the bokeh of the background is important in producing the best shallow DoF shot possible.

    Well after the sun had set and the sky was dark, we still used our 50mm lenses to produce great shots ending the lesson with some motion blur practice on passing cars on Beach Drive.  

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    Photography Tip - creating motion blur for car photography

    Example of motion blue with main subject frozon - SETUP: Nikon D300 with Nikkor AF 50mm f/1.8D @ f/2.8 ISO 800 1/10thIf you have never manually controlled the shutter speed on your DSLR to create motion blur, then you are missing out on a lot of fun!  Using a slow shutter speed and a steady panning technique can transform a mundane photo of a car driving down a road into an image showing a vehicle seemingly cruising at warp speed.  

    SETUP FOR THE ABOVE NIGHT SHOT: 

    • Nikon D300
    • Nikkor AF 50mm f/1.8D
    • manual exposure mode
    • f/2.8  ISO 800  1/10th  AF-C (AI Servo)  single focus point 

    TECHNIQUE FOR CREATING MOTION BLUR: 

    • find a car driving towards you (driving away just produces a rear end shot)
    • start tracking it through your view finder while it is still some distance away
    • twist your body at the hips panning at the exact same speed as the vehicle
    • wait for the vehicle to pass in front of a background with the most lights possible
    • press the shutter all the way, but still keep panning (like follow through in a tennis swing) 

    If you can maintain a focus lock and match the car's speed with your panning speed the car will appear sharp while the background elements will all be blurred.  The shutter speed needed will depend on the time of day and ambient light.  The suggested settings above can be a starting point for night shots.  

    Street Photography - what comes from the dark

    Nikon D300 Nikkor AF 50mm f/1.8D @ f/2 ISO 200 1/80th - B&W processing in Silver Efex ProLast month I began watching the original Twilight Zone series from the first episode.  It is a black & white world where the ordinary always leads to the extraordinary.  It is unfortunate that I am not able to continue my street photography career here in St. Petersburg as I was able to do with ease while living in Tokyo.  One has to really look for shots here as there are very few people walking the streets of downtown.  

    What drew me to this scene first was the lighting and then my curiosity to what the woman in the booth thinks about.  How often is her mind on something outside the booth?  Does she still try to stare into the darkness before her searching for anything?  Did she ever?

    For someone passing by it appears as a small booth, but I am sure she has her own world in there.  Like the ending to many Twilight Zone episodes, what really lies in her mind, or in the dark beyond, will remain a mystery.  

    DSLR Photography Tripod & Editing Lesson with Sarina and her Nikon D90

    Photo by Sarina with editing in Color Efex Pro by Jason - before & after maternity portraitIncreasingly, the DSLR Photography Lessons I teach invovle digital photo editing practice as well.  Each one of Sarina's four lessons have been a split between shooting the first hour and editing the second hour.  If one's goal is to produce pro or as close to pro looking photographs, I cannot stress enough how one must work on shooting and editing skills simultaneously.  In Sarina's photo above, it took shooting skills to setup the strobist portrait and to pose the couple accordling and frame them well on the rocks and include the water.  The exposure is off some and that could have been improved in the field with better settings, but as Sarina realized when you have a client making constant requests, and you are standing in ankle deep water with waves coming in, and you have to keep track of a light stand as well as your camera, it can be a lot to keep track of and missing the exposure by a little bit for a portrait photographer just starting out can be forgiven.  

    So without any digital photo editing skills one would be left with the image on the left.  Nicely composed, but nonetheless flawed.  However, if you do about 4-minutes worth of editing the results, by evidince of the image on the right, can be dramatically improved.  During my photography lessons, if you have Color Efex Pro, I can teach you how to transform your photos like this in minutes.  Sarina will be purchasing the full suite of Nik apps including the aforementioned Color Efex Pro and Silver Efex Pro too, which she tells me is on sale now.  

    Sarina using her Nikon D90 on a tripod to produce a level landscape shot of Tampa BayWe started out the fourth of four lessons by getting in some tripod practice.  The first tip I gave Sarina was to always make sure the front of the lens points out directly over a leg of the tripod (see above).  This adds stability.  One can almost always use the smallest ISO when using a tripod since camera shake is not an issue when having to use a longer exposure to compensate for lack of light.  Plus, using a tripod just slows ones shooting down to a nice pace.  When I use a tripod I really feel like I am crafting a shot much more than one I handhold my Nikon D300.

    I look forward to following Sarina's burgeoning portrait photography career and I think I will see her again in the not too distant future for some more advanced lessons.  

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    DSLR Photography Lesson with Pam & her Canon 60D

    Pam with her Canon 60D with 430 EX II Speedlite during our first of four DSLR Photography LessonsPam using her significant crafts and sewing skills to make products (aprons, etc) that she sells and uses the profits from to buy photography gear!  I think it is a great way to support one artistic pursuit with another.  She started out with a Canon XTi, but now has a Canon 60D along with a growing list of lenses and the Canon 430 EX II Speedlite.  She brought both to our first of four DSLR Photography Lessons last night.

    Pam was already knowledgeable of most photography terms so we focused on what exposure mode is best to use for a given situation.  We started out using aperture priority mode, but with the overcast skies taking away the light faster than usual during our evening lesson, we soon used manual mode.  

    We experimented to find out what was the slowest shutter speed Pam could handhold and maintain a sharp image using her 18-55mm lens.  In my mind I want at least 1/60th of a second using an absolutely stable shooting style.  It is possible to shoot with a slower shutter speed, as Pam was able to get a sharp shot even at 1/30th, but one has to be really careful and of course be shooting only still subjects.

    As a thunderstorm approached that turned out to be all bark and no bite, we concluded the lesson with some flash portrait practice under the cover of the entrance to the Chihuly Museum on Beach Drive.  I told Pam the key thing to keep in mind when setting up a portrait using flash, which is the flash lights the subject and the aperture/shutter speed control the ambient light (background light).  

    For our 2nd of 4 lessons we will switch to landscape and architecture photography.

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