leading lines

Albuquerque Water Utility Authority Inside and Outside Commercial Photography

Albuquerque Water Utility Authority Inside and Outside Commercial Photography

Learning through photography with the Water Utility Authority

My last two days of photography for 2022 were spent at various Water Utility Authority of Albuquerque sites, both inside and out! This was actually my second shoot of the year for them, as I worked on making photos of award winning residential landscaping that you can see in their 2023 calendar. I learned a lot during these days of shooting about where our water comes from, how it is processed, and just how far ranging the duties of the Water Utility Authority are! As you can see in the photos, for the inside shots I was in testing labs and huge pipe filled caverns, and then outside from retaining tanks right to the banks of the Rio Grande River itself! Thank you to everyone at the Water Utility Authority willing to be models in the photos!

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Leading lines on The Road in black & white

Leading lines on The Road in black & white

Shooting low and on The Road is one of my favorite shots

The low angle on The Road shot is one my favorite types of photo to make. This one was made on a winding desert road south of Santa Rosa. It’s a great driving road for its lack of traffic, scenery, and numerous bends and curves. As light was starting to fade, I pulled over and got the camera out to compose this shot using the double yellow lines as a composition technique called leading lines. You can use anything to make leading lines, which catch the viewer’s eye and lead them to look into the full frame of the photo. The next time you are out with your camera, look for something you can use as leading lines in your shot.

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Scenes from Summerfest 2022 Albuquerque

Scenes from Summerfest 2022 Albuquerque

Summerfest returns to Albuquerque with music, cars, and food

Summerfest 2022 Albuquerque returned for the first time in three years (last was in 2019, see car photos). Summerfest is a combination of multi-stage concerts, a car show, and street food. It was extremely hot this year, even after 7pm, but I managed to get a few photos before melting. I chose low angle composition for all these shots to show the viewer something you could not already just see when walking by at typical eye level. Plus using low angle with an empty foreground draws the eye of the viewer into the photo, as seen in both photos featuring cars. Add to that using leading lines, and the photos have two composition styles to show a different look at Summerfest.

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Street Photography of Albuquerque, New Mexico wall mural

Street Photography of Albuquerque, New Mexico wall mural

Street Photography Challenge

Early in my photography career when I was living in St. Petersburg, Florida, back around 2010, I used to teach a lot of photography lessons because DSLR cameras were just starting to be bought and used by non-pro-photographers, i.e. enthusiasts and hobbyists, and who the heck could figure out how to use something with a dozen buttons on it? So a couple times a week I’d spent 2 hours with someone walking the streets of St. Pete teaching them my 5-stop process for shooting in manual mode while finding interesting things to make photos of.

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Photography Tip - using leading lines in composing your shots

The lines of the curb act as leading lines to the main subject, The Pier - Nikon D300 Nikkor 80-200mm @ f/5.6 ISO 200 1/500thUsing leading lines is one of my favorite composition techniques.  In the photograph of The Pier above, everything points to the main subject drawing the viewer's eye across the full length of the frame.  The entire foreground of the photograph uses the curb as a leading line to the focus of the image.  If there was no curb and just black pavement, then having such a large empty foreground would be a waste of space in the frame.  However, using the curb as a leading line adds another element of interest to the photograph besides The Pier itself.  

Additionally, I used a titled axis composition style to add yet more interest to an oft photographed St. Petersburg landmark.  

Sailboat Dreams in St. Petersburg HDR Fine Art Florida

Sailboat masts in downtown St. Petersburg Florida marina - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 9-exposure HDR tripod mounted with cable releaseMy goal when making this photograph was to just show the part of the sailboat that inspires dreams.  A sailboat docked in a marina is not going anywhere, so the collection of hulls is not the part I find inspiring.  My eyes focused on the masts and in particular the long row of masts, allowing one to pick out their own particular sailboat to build a dream on.

This composition also utilized repeating patterns and leading lines.  I chose HDR for the exposure so that detail could be seen in the masts as well as the background sky maximizing the color gradient as twilight approached.

Look for repeating patterns in architecture shots

Using balconies as a repeating pattern composition - Signature St. Petersburg tower - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/500th - black & white processing using Silver Efex ProFinding and using repeating patterns in your photographs is my photography tip for this week.  In the above photograph of Signature St. Petersburg I composed the shot to exaggerate row after row of balconies so that they came to form a repeating pattern.  I also held my camera off-angle to create a leading line with the far edge of the skyscraper and also the interior contour that leads the viewer's eye from lower right to upper left.  Thus, in this architecture shot I combined repeating patterns with leading lines in an attempt to produce an interesting photograph.

Once again using leading lines and repeating patterns to create interest - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/200th - black & white processing in Silver Efex ProI used the exact same techniques in composing this architecture shot as well, just put into portrait orientation.  In composing and later in cropping, I paid special attention to make sure each leading line ended exactly at the edge of the frame.  Note how the lower left the line ends right into the corner, and for the small line in the upper right, just before the roof went upwards to the right, I cropped it there to keep the line straight.

Lastly, I chose black & white processing for both these images because there was cloud cover and the building itself lacks color, so no reason to leave what little color was left in the image.

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