The view from under the Safety Harbor Pier - Nikon D300 Tamron 17-50mm f/11 ISO 200 5-exposure HDR handheld

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Due to a very low tide, I found myself with the opportunity to go under the Safety Harbor Pier.  I did not go to Safety Harbor with the express purpose of photographing it, but I of course did have my DSLR with me, but not my tripod.  The sun was still high in the sky and as you can see from the shadows starting to make its way toward the west.  A single exposure shot would not capture much of the detail under the pier itself.  However, since there was still quite a bit of available light I dared for a 5-exposure handheld HDR shot.  I highly recommend using a tripod for HDR no matter what the light, but as you can see, in a pinch, and with enough light, even a 5-exposure shot can be handheld and still produce a sharp image.

Click for large 2000px version - Safety Harbor Pier and Tampa Bay panorama - Nikon D300 Tamron 17-50 @ f/11 ISO 200 1/400th 5-frame panoramaLacking my tripod did not stop me from also making a 5-frame panorama of Tampa Bay and the Safety Harbor Pier.  I used the gridlines in my viewfinder to keep each shot level with the horizon as I set the exposure to f/11 in aperture priority mode and rotated to make the five shots that I would later stitch together in Photoshop CS5 using the Photomerge function.

Safety Harbor Pier HDR image - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 5-exposure HDR handheldOnce again no tripod on hand, but I felt confident to be able to handhold this shot for five quick frames (using my Nikon D300's 6-frames per second burst mode) given the light available.  My composition choice came from putting the horizon in the lower third of the frame and having the pier form a leading line toward the center.

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Sykes Building downtown Tampa Florida black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR on tripod with cable releaseAfter shoots for specific client requests I often find I can create a subsequent set of images from the remaining shots.  Such is the case with these black & white photographs featuring downtown Tampa and surrounding areas and landmarks.  The client wanted landscape orientated shots for a use in an existing website template.  Still, while out making those images I did rotate my DSLR to produce a few portrait orientated ones just in case the client might have a need for them and also just because I thought they would make cool shots and did not want to leave any unmade photographs that I saw the potential for.

Tampa Theater marquee in black & white - Nikon D300 Tamron 17-50mm f/11 ISO 200 1/25th single exposure tripod mounted with cable releaseThe client actually chose the above image of Tampa Theatre, which did not standout to me personally in my initial culling, but after editing and convesion to black & white I kind of liked it because of the below eye level composition.  I closed my tripod's legs to use only about half of its full height shooting from just around my own waist level.

The new Tampa Museum of Art with krew on Hillsborough River - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 1/250th single exposure tripod mounted with cable releaseThe new Tampa Museum of Art building is very modern looking in person.  However, I thought in the photograph above its rectangular architecture made it look more like buildings from the 1950s, especially in black & white.  I saw the crew rowing team and waited for them to come into the shot to make the composition I wanted.

Tampa First Baptist Church with traffic in black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR tripod mounted with cable releaseI had no idea the above building was the Tampa First Baptist Church.  I saw people coming and going from it while I was in the area over the course of the afternoon and thought it was a courthouse or some other type of government building.  Even while editing it I never even noticed the largest FIRST BAPTIST CHURCH engraved on top of the columns.  I had to look up which building it was in Google to surprisingly find out it was a church.  

Tampa Downtown Skyscraper Skyline View in black & white - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 7-exposure HDR tripod mounted with cable releaseThis last photograph is of a much more familiar and oft-photographed subject matter, the downtown Tampa skyline featuring the unique skyscraper in the center, the cylindrical Sykes Building.  The moon can be seen rising in the upper left of the image.  

I encourage everyone to go through past shoots and see if you can find a whole different photo story than the intended purpose of the shoot from the remaining images.  Be sure and post a link to it in the comments below.

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Live Oaks showing their roots in Edward Medard Park - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 7-exposure HDR tripod mountedIt had been too long since a couple of old college friends and I had one of our outdoor adventures together.  That was remedied by a recent visit to the surprisingly amazing Edward Medard Park and Reservoir in Plant City.  They said it had hills, so I was expecting some modest plain grass covered round and soft hills.  I never expected to step into an alien environment where live oaks sat perched upon angry hills of clay-like dirt with all their roots exposed in a display of their might.

A fearless tree climber in Edward Medard Park - Nikon D300 Tamron 17-50mm f/8 ISO 200 1/40th tripod mountedAfter a few handheld shots with my 80-200mm f/2.8 lens, I quickly relized that was not the setup ideal for photographing this environment and switched to my 17-50mm f/2.8 lens and mounted my Nikon on my Induro carbon fiber tripod the rest of the day.  Without that wide lens I would never been able to capture one friend who is an avid tree climber surprisingly high up in the branches of this long limbed live oak.

uprooted tree in Edward Medard Park - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 7-exposure HDR tripod mountedEdward Medard Park has more traditional looking Florida outdoor areas by the reservoir itself offering shady live oaks, with roots all neatly underground, well, save for one that was uprooted long ago.

Jason performing trademark "Liu Kang" leap - Nikon D300 Tamron 17-50mm @ f/2.8 ISO 800 1/800th tripod mountedJust to show you I did not spend the entire time behind the camera, in the above shot you can see yours truly performing my patented "Liu Kang" method air leap over some roots perfectly shaped like hurdles on a tricky downslope.  Some of you who have know me well will already have seen my debut of this move, which was over a much more dangerous gap.  I set up this shot with my Nikon D300 mounted on my tripod with all the settings dialed in.  

photography tip:

As you can see shooting an action shot into the sun required some very unusual settings.  My DSLR photography lesson students should be able to see I used settings I have told them probably never are needed, such as using f/2.8 on a wild angle lens.  In order to expose the subject (me) enough, a long shutter speed is needed especially shooting into the sun like this.  However, to freeze the action, a fast shutter speed is needed.  The solution to this is to go ahead and set the needed shutter speed, 1/800th of a second, then adjust aperture and ISO until there is enough exposure to show me and not worry if the sky gets blown out.  So that is my photography tip for action shots into the sun!

Using the tripod all day did not slow me down, but rather freed me much more to make the photographs I wanted to and still enjoy all the action with my friends.  Shooting on a tripod is not physically demanding and the setup is pretty easy to carry, so I did not get tired from having a camera hanging off me all day.  Plus, since I did not have to constantly keep taking a camera strap on and off, but rather just let the tripod stand up on its own, it was really easy for me to switch from photographer to adventurer.  I just had to leave the camera standing where it was on the tripod then explore the area as I liked.  

As you can see Edward Medard Park, despite the unfortunate name, is a great place for photography and adventure!

--official website and directions 

• Learn this digital photo editing technique with a 1-on-1 lesson with Jason! 

HDR photography and images are very popular right now.  I, myself, have participated in a local exhibition featuring only HDR images.  The thing is, I do not care for 90% of HDR photography I see.  There is a large debate about processing HDR images to look more real or more hyper real.  I am not referencing that debate here.  For me, a simple reason why I do not find a vast majority of HDR images appealing is because they suffer from horrible shadow effects as demonstrated in the black clouds in the center image above.  As you can see with the single exposure photo, the sky looks good, but there is no detail inside the glass.  The 7-bracket HDR image reveals what is under the glass and adds better color, but at the expense of the clouds.  Therefore, the best final results come from blending the single exposure photo with the 7-bracket HDR image.

1. click on add layer mask (sorry, shows vector) 2. click on layer 1 3. paint with a black brushBlending two images together is not a difficult time consuming process using Photoshop.  The screenshots in this post are using CS5, but other versions should basically be the same.

First, open the single exposure photo and 7-bracket HDR image in Photoshop.  Drag the 7-bracket HDR image on top of the single exposure photo.  Once you do this you will only see the 7-bracket HDR image.  The single exposure photo is completely hidden underneath.  Our goal is to reveal only the parts of the single exposure photo we want, in this case, the clouds and sky.

After you have dragged the 7-bracket HDR image on top of the single exposure photo, follow the three steps highlighted in the screenshot above: 

1. Click on "Add layer mask"
2. Click on "Layer 1"
3. Select the Brush tool: soft brush setting, black, 60% opacity (or similar, just not 100%) 

Now using the Brush tool at the settings described above, slowly brush the areas you want to reveal.  The 7-bracket HDR image starts to disappear revealing the single exposure photo below.  In the above screenshot you can see that I already revealed the nice white clouds on the right side.  Here is an extra tip:  I also used the Brush tool on the concrete wall of the building that looked too black & dirty to reveal the cleaner wall from the single exposure photo.  If you make a mistake and reveal something you did not want to, set the Brush color to white and the top image will return.

Here again are the before and after results.  By using a layer mask you can create a dynamic hdr image and still maintain the clean look of clouds, walls, etc in the image.  This vector mask technique is great for other photography tricks too.  Want to change the background on a portrait?  You can do that following this same process! (see results here)

Try the vector mask process on some of your images and be sure to post links to the results in the comments below. 

Vinoy Renaissance Hotel east view - Nikon D300 Tamron 17-50mm @ f/11 ISO 200 3-exposure HDR handheld

• More from the St. Petersburg Landmarks Series 

Through my DSLR Photography teaching I am often out with students around various St. Petersburg landmarks.  Each of the three photographs in this post were made on different days while out on a lesson in the evening time.  

The HDR image above is of the Vinoy Renaissance Hotel & Resort looking at it from the east along 5th Ave North.  At this time the setting sun was sidelighting the hotel and the tall palm trees in front of it.  The lighting is what made me stop and suggest to the student I was with that she photograph it from this angle.  I made my own shot of the hotel.  I knew HDR would produce the best results so even though I did not have my tripod with me I steadied my shooting position and fired off a 3-bracket exposure.  

Mahaffey Theater east view - Nikon D300 Tamron 17-50mm @ f/8 ISO 200 7-exposure HDR tripod mountedThe Mahaffey Theater was not the primary subject matter during this particular photography lesson, the new Dali Museum was, but I had always liked the architecture of the Mahaffey even when it had this area all to itself.  The sky was a fantastic purple that evening.  

The Pier at twilight south view - Nikon D300 Nikkor 50mm f/1.8D @ f/8 ISO 200 1/80th handheldThe Pier is by far the most well known landmark of St. Petersburg, and perhaps the one with the least amount of life left as three new designs to replace the inverted pyramid have just been finalized by the city.  This landmark is most often photographed from the north and west, so I was glad to have a unique chance to photograph it from the south from a restricted access point at a marina I was able to get access to thanks to the photography student's mom having a boat docked there.  

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