Sunset Beach Treasure Island Florida at Twilight - click to view at 1800px - 4-shot panorama image - available for commercial license and fine art print

I have heard that Montana is called Big Sky Country.  Picturing that in my mind has fascinated me for years.  I have lived in claustrophobic places, where glimpes of the sky are all that is allowed.  Fortunately, for a majority of my life I have been able to gaze westward across a 180 degree expanse of the Gulf of Mexico.  The horizon is not infinity, it is Texas.  Still, since 1992 when I first discovered Sunset Beach, it has become a sacred place to me.  

A whole novel could be written about my time on that half mile strip of sand over the past 19 years, though I would not want to share those stories, at least not yet.  For now I will only share the view that has given me solace and freedom of mind.  

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Mt. Fuji above the clouds as seen from the summit of Yatsugatake - blue color is natural - 200mm focal lengthMy friend i-cjw is the premiere mountain summit photographer in Japan.  He has the photography skill to produce such images, but what makes his images all the better are how rare they are because few have his mountaineering skills to get to the mountain tops he does.  His most recent photo story (view here) made me miss being around mountains even more than I already had been.  In case you did not know it, Florida is basically a pancake.  So I had to dig into my archives to find my own mountain summit images of Mt. Fuji taken from the summit of Yatsugatake.  The above photograph shows Mt. Fuji peaking just above the clouds.  It was not visible again the rest of the time I was at the summit after I made this shot, so I am glad I took out my Nikon first and sandwich second!

Mt. Fuji photographed from the same Yatsugatake summit but at a 42mm focal lengthAs you can see, Mt. Fuji was actually quite a distance away.  The lead photograph is a good example of how a 200mm lens can actually be a very good lens for landscapes.

Japanese Alps from the summit of Yatsugatake JapanThese photographs have no editing done to them other than vignetting removal (due to the not so great 18-200mm lens I had at the time) and some cropping on the above image.  The blue tones are natural.  

It is an absolutely unique feeling to stand atop a mountain summit after spending the previous hours hiking up it.  When you finally return to the base and look back up at the summit, I always do not believe my legs had just carried me up to such a high place.  I have always enjoyed a view.

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Click to see 2500px wide version - Mahaffey Theater on the left St. Petersburg downtown center - image available for fine art print & commercial license, call today! 813-240-5357

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I am spending more time at the new Dali Museum and discovering the very different views of the downtown St. Petersburg waterfront it offers.  The above panorama photograph was made from a parking lot across from the museum at twilight.  Here I detailed my process for creating such panoramas. 

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From this vantage point The Pier does not dominate the waterfront, and can only barely be seen behind the sailboat masts toward the right of the photo.  Instead, the Mahaffey Theater is the most prominent structure.  There is also a gradual light falloff from left to right instead of the harsher light falloffs when photographing directly into the sun.  I look forward to returning to this location to find more panorama photograph opportunities.

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Grand Tetons photograph by Ed, editing by Jason - the lens correction filter in Photoshop CS5 sets things straight 

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I received a phone call from Ed all the way in Jacksonville (about 3 hours away) asking about taking extended 1-on-1 Photoshop CS5 lessons.  I am not a certified Photoshop expert or anything like that so at first I wanted to make sure he was not looking to learn how to do something like someone's face and put it onto another person's body.  My Photoshop skills lie mostly in the areas that pertain to editing digital photographs, not graphic design.  After talking for a few minutes though I realized that what Ed wanted to learn I could most definitely teach.  We booked two lesson sessions, one for today and another for tomorrow.

Ed had his own photos to use during the editing lesson and I was pleasantly surprised to see the Grand Tetons.  Florida photographers of course have no local opportunities to photographs mountains of any kind.  Ed's photographs already looked good, but there is almost always something that can be done to improve any photograph, and for sure any published or portfolio photograph by a serious hobbyist or a pro has had at least some editing done to it.  I am not afraid to say that editing is often 50% responsible for the final look of a photograph.  

The example above did not need that 50% level of editing.  I showed Ed my workflow which starts with cropping (I cropped the photo even more here than I did during the lesson to better show the edits we made) and then removing any dust spots on the sensor that appear as dirt blemishes in the photo by using the healing brush (keyboard shortcut - j).  Then I taught how to use the quick select tool (w) to highlight only the mountains for a contrast adjustment.  Then the foreground grass and fence were selected for a color balance boost.  Lastly, we used unsharp mask to increase the overall sharpness of the image resulting in more defined blades of grass and details in the fence and mountains.  

Tomorrow we will move on to editing portraits and using layer masks.  

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Dramatic Sky over Tampa Bay - 5-bracket HDR f/8 ISO 200 tripod mounted with cable releaseI have been starting to miss mountains the past few weeks.  I watched every stage of the 2011 Tour de France as the riders first went over the Pyrenees and then the Alps.  The helicopter views of the French countryside were often as stunning as the cycling action.  With the option to make landscapes of mountains and architecture shots of old castles, I was thinking, "Florida really has nothing in comparison."

Well, Florida has almost nothing.  Here we do have near daily dramatic sunsets and stormy skies.  Each twilight brings a slightly different cloud pattern, sky color and reflection over Tampa Bay (if looking east from The Pier as in the above photo).

Still, once one lives around mountains, it is hard to forget them.  I imagine it is the same for living by the Sea.  Perhaps the combination of mountains and sea are why so many songs are written about California.  

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This Tampa Bay landscape is available for commercial license and fine art print, inquire today!