Nature & Wildlife

Two heads are better than one - Florida Pelican Fine Art Photography

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quizzical brown pelican - Florida Fine Art Photography - Nikon D300 Nikkor AF-S 105mm VR micro f/2.8G lens @ f/5.6 ISO 200 1/160thThe many brown pelicans that make St. Petersburg home are a frequent photography subject of mine.  These birds are often very approachable, allowing one to look deep into the bird's eye, a rare human-non-human-animal close-up encounter.  I am always curious what animals are thinking.  Since they supposedly have a much different perception of time, how does this affect how they think?  If pelicans cannot think of the far future and who knows how far back their memories of past events go, what occupies their minds?  Perhaps nothing enabling them to live in a blissful present?  I often get the impression pelicans look upon humans with contempt, "go on with your life and quite gawking at me," I imagine them saying.  Are humans the only animals that feel wonder toward other animals?  Does a pelican look upon a great blue heron and think it is beautiful or merely a competitor for food?

unimpressed brown pelican - St. Petersburg Fine Art Photography - Nikon D300 Nikkor AF ED 80-200mm f/2.8D lens @ f/4 ISO 200 1/1250th


Mt. Fuji above the clouds

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Mt. Fuji above the clouds as seen from the summit of Yatsugatake - blue color is natural - 200mm focal lengthMy friend i-cjw is the premiere mountain summit photographer in Japan.  He has the photography skill to produce such images, but what makes his images all the better are how rare they are because few have his mountaineering skills to get to the mountain tops he does.  His most recent photo story (view here) made me miss being around mountains even more than I already had been.  In case you did not know it, Florida is basically a pancake.  So I had to dig into my archives to find my own mountain summit images of Mt. Fuji taken from the summit of Yatsugatake.  The above photograph shows Mt. Fuji peaking just above the clouds.  It was not visible again the rest of the time I was at the summit after I made this shot, so I am glad I took out my Nikon first and sandwich second!

Mt. Fuji photographed from the same Yatsugatake summit but at a 42mm focal lengthAs you can see, Mt. Fuji was actually quite a distance away.  The lead photograph is a good example of how a 200mm lens can actually be a very good lens for landscapes.

Japanese Alps from the summit of Yatsugatake JapanThese photographs have no editing done to them other than vignetting removal (due to the not so great 18-200mm lens I had at the time) and some cropping on the above image.  The blue tones are natural.  

It is an absolutely unique feeling to stand atop a mountain summit after spending the previous hours hiking up it.  When you finally return to the base and look back up at the summit, I always do not believe my legs had just carried me up to such a high place.  I have always enjoyed a view.

These Mt. Fuji photographs are available for as fine art prints & commercial license, inquire today!

Gumbo-limbo tree of De Soto National Memorial Park Bradenton Florida

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Gumbo-limbo tree largest in North America in De Soto National Memorial Bradenton Florida - Nikon D300 with Tamron 17-50mm lens @ f/8 ISO 200 7-bracket HDR on Induro CT214 tripod with cable releaseAlmost by accident visitng De Soto National Memorial on Labor Day has become an annual tradition.  When I first visited the park last year, it was an accident also as I left the house planning to visit only one park.  When that park turned out to be rather non-descript, I quickly checked the map and was blown away by how great De Soto was, as it only appears to be a very small peninsula.  Of the many impressive features of the park, perhaps the most is the Gumbo-limbo tree near the entrance, which is the largest of its kind in North America.  I intended upon my return to the park two days ago to photograph the tree properly, which required the proper gear:  tripod, cable release, wide angle lens.

The above shot was made using my Induro CT214 tripod at its shortest leg length.  I wanted to get to near eye-level of the lowest branches of the Gumbo-limbo and to show just how far the lower branches extend horizontally.  They seem to grow impossibly parallel to the ground.

Gumbo-limbo tree horizontal branches in De Soto National Memorial Bradenton Florida - Nikon D300 with Tamron 17-50mm lens @ f/8 ISO 200 7-bracket HDR on Induro CT214 tripod with cable releaseI used the exact same setup to try and create a 3D looking shot of the longest and lowest of the branches.  I do not think anyone coud actully limbo under these, and I certainly did not try!  

Gumbo-limbo tree vertical branches in De Soto National Memorial Bradenton Florida - Nikon D300 with Tamron 17-50mm lens @ f/8 ISO 200 7-bracket HDR on Induro CT214 tripod with cable releaseThe thing about the Gumbo-limbo tree is, not only does it have very long horizontal branches, but its vertical branches extend straight up high into the sky as well.  It really is an amazing tree and the crown jewel of the hidden gem that is De Soto National Memorial park.

These Gumbo-limbo photographs are available for as fine art prints, inquire today!

Florida Brown Pelican Fly Hunt Sleep at The Pier St. Petersburg

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FLY -- Brown Pelican in flight St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/1250thRegular readers will know that I enjoy and often photograph brown pelicans.  They are not a rare bird around this part of Florida at all.  In fact, it would be rare to go to any coastal area of St. Petersburg and not see one.  However, I find myself continually drawn to photographing them despite my usual instinct being to not photograph things that are commonly photographed.  Plus, I have a bit of unfinished business as I still want to photograph a pelican in flight hovering just over the surface of the water as they are apt to do.  Catching one in flight like above requires seeing the bird approach from distance, tracking it as it swoops in, then of course have sufficient shutter speed to freeze it in mid-air.  Maybe some luck is required too?

HUNT - brown pelican looking for lunch at The Pier St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/1600thI used my Nikkor AF-S 105mm VR micro f/2.8G lens for all these shots.  It is not a very long lens but The Pier provides a very close vantage point for photographing pelicans as they fly, hunt and sleep.  To photograph these three different female brown pelicans I observed and studied their behavior.  Of course the sleeping one was not a challenge, but the flying one took a sharp eye to find and photograph and I needed to follow the hunting pelican from pier top to pier top until I could catch her while still standing at the ready.

SLEEP -- brown pelican catching a little shut eye at The Pier in St. Petersburg Florida -- EXIF: f/5.6 ISO 200 1/800thAs these photographs illustrate, brown pelicans do not all exhibit the same behavior at the same time of day.  Some flew, some hunted and many slept.  One day, I will photograph one of you skimming over the water's surface!  Until then, expect more pelican photographs of another nature.

These brown pelican photographs are available for commercial license and fine art print, inquire today!

Pelican vs. Great Blue Heron Sunset on Snell Isle Battle

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brown pelican vs great blue heron - f/5.6 ISO 200 1/1000th

Two of the largest birds in Florida are the brown pelican and the great blue heron.  They are a common site around Snell Isle.  I have seen both and photographed both many times in the past, but I never caught them in semi-battle with each other.  This particular great blue heron often likes to stand on the edge of a small dock nearby.  I see him/her on my evening walks with Kiki.  This brown pelican too likes to frequent the water around here dive bombing in for a late dinner.

Well, this time the pelican was diving too close to the great blue heron and she/he got cranky and the showdown pictured above took place.  The pelican was determined to eat, the great blue heron was determined to hold her/his ground.  In the end, the pelican moved on and the great blue heron returned to his/her usual stoic stance.   

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    • Photography Tip - use portrait orientation for long tall subjects like a great egret

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    Photography Tip - portrait orientation allows the great egret to fill the frame - The Pier, St. Petersburg, Florida

    • Setup:  Nikon D300 Nikkor 80-20mm f/2.8D @ f/4 ISO 200 1/2000th 

    Getting into a fixed routine of using landscape orientation with your DSLR is easy.  After all, the DSLR seems to be designed to be held horizontally.  However, only using landscape orientation eliminates 50%+ of composition possibilities!  Not to mention it makes it extremely awkward to photograph long, tall subjects like the above great egret.  Perhaps the best criticism I was every given about my photography was there there were not enough portrait orientation shots (thanks Jeff!).  I was told that over two years ago.  Ever since then every time I shoot I am mindful of using an appropriate amount of landscape and portrait orientation shots.  Maybe now you will be too.

    When shooting in portrait orientation, I like to hold the grip part of the DSLR up, which allows me to still wedge my left elbow into my body creating a stable shooting position.  The highest end DSLRs (i.e. $5000+) come with a vertical grip built in.  However, many other DSLRs do have vertical grip accessories available for them made by the manufacturer.  Another benefit of using a vertical grip is that it houses more batteries so you can shoot longer.  

    This great egret photograph is available for commercial license and fine art print

    Snell Isle Series - 05 - Great Blue Heron Sunset Silhouette

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    Great Blue Heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thIt is far, far too rare that I take my Nikon D300 out for personal shooting, even to my own back patio.  This past Sunday night, most likely due to the lack of sports on TV, I was sitting on the back patio enjoying the view of Smacks Bayou and the setting sun when I noticed a pelican diving and a great blue heron getting annoyed by that diving.  I saw this as an opportunity to continue my slow moving Snell Isle Photo Series.

    Great Blue Heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thThe conflict with the pelican I will save for another post, while here I will only feature the placid and mostly stoic stance of the great blue heron.  I very rarely make silhouette shots, mostly because they are too easy and too common, but recently my interest in them has started to grow.  Manual exposure mode is a must of course to produce them.  A fast shutter speed causes everything that is not the sun or its immediate surroundings to remain dark, producing a silhouette shot.  

    Great Blue Heron walking sunset silhouette - Snell Isle Florida - f/5.6 ISO 200 1/1000thGreat blue herons in this area of Florida have little fear of people.  They are quite approachable.  This means with only my trusty Nikkor AF ED 80-200mm f/2.8D lens, I can get close enough to pretty much get as tight of a shot as I want.  They walk very deliberately, never scurrying.  I like that.

    Great blue heron sunset silhouette - Snell Isle - f/4 ISO 200 1/1600thThe great blue heron featured in these shots did not mind to be photographed at all.  In fact, I believe the same great blue heron returned to my back patio last night and stood just a few meters away dead staring at me.  It was very strange.  This bird is over three feet tall, almost person like.  We were unable to clearly communicate to each other what the other wanted.  Perhaps the dialogue will continue tonight?